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type='text/html' href='http://www.pakfaizal.web.id/2012/01/free-download-ceramah-musik-islamisoal.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/1328802339246581203'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/1328802339246581203'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/free-download-ceramah-musik-islamisoal.html' title='FREE DOWNLOAD CERAMAH, MUSIK ISLAMI,SOAL TOEFL, E-BOOKS ETC.'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-7638861840552784075</id><published>2012-01-31T10:31:00.000-08:00</published><updated>2012-01-31T10:31:36.105-08:00</updated><title type='text'>Opening and Closing Conversation</title><content type='html'>&lt;div style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="fay41" class="alignnone size-medium wp-image-30" height="287" src="http://abudira.blogdetik.com/files/2010/12/fay41-300x287.jpg" width="300" /&gt;&lt;/div&gt;&lt;br /&gt;&lt;b&gt;BAB 1 : OPENING AND CLOSING A CONVERSATION&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;A. OPENING A CONVERSATION&lt;br /&gt;Ada banyak cara untuk membuka percakapan. Cara anda membuka percakapan tergantung pada seberapa dekat hubungan anda dengan orang lain.Berikut ini adala 4 cara yang paling mudah untuk membuka percakapan:&lt;br /&gt;Greetings (Salam) +&lt;br /&gt;Introducing yourself (mengenalkan diri)&lt;br /&gt;&lt;br /&gt;Asking a Question (Bertanya)&lt;br /&gt;&lt;br /&gt;Making a Statement (membuat pernyataan)&lt;br /&gt;&lt;br /&gt;Requesting attention (meminta perhatian)&lt;br /&gt;&lt;br /&gt;Cara pertama ini adalah yang paling umum yaitu mengenalkan diri. Tiga cara yang lain dapat digunakan untuk berbicara dengan orang asing, kenalan atau teman.&lt;br /&gt;1. INTRODUCING YOURSELF&lt;br /&gt;Assalamualaikum. My name is Abdullah.&lt;br /&gt;Assalamualaikum. I’m Bambang. I’m the local brother and I’m ready to make nusrat for your jamaat.&lt;br /&gt;Assalamualaikum. My name is Fay Ahmed. What’s your name?&lt;br /&gt;2.ASKING A QUESTION&lt;br /&gt;Excuse me. How can I get to...?&lt;br /&gt;Pardon me, but is this the way to.....?&lt;br /&gt;Excuse me, but do you have the time?&lt;br /&gt;Where are you going?&lt;br /&gt;Did you see the evening news last night?&lt;br /&gt;Are you still working on your office?&lt;br /&gt;Masya Allah! What happened to you?&lt;br /&gt;&lt;br /&gt;3. MAKING A STATEMENT&lt;br /&gt;It sure is hot today, isn’t it?&lt;br /&gt;All this rain is really getting me down.&lt;br /&gt;That’s a beautiful view, isn’t it?&lt;br /&gt;That guy sure talks a lot, doesn’t he?&lt;br /&gt;I like that clothes of yours.&lt;br /&gt;Abdullah! You got a haircut! &lt;br /&gt;4. REQUESTING ATTENTION&lt;br /&gt;Assalamualaikum, Abdullah, you got a minute?&lt;br /&gt;Excuse me, Bambang. Can I talk with you a minute?&lt;br /&gt;Do you have a minute to talk with me?&lt;br /&gt;May I have a few minutes of your time?&lt;br /&gt;What I wanted to talk with you about is...&lt;br /&gt;&lt;br /&gt;B. CLOSING A CONVERSATION  &lt;br /&gt;Ada beberapa cara untuk menutup pembicaraan. Kadang-kadang percakapan berakhir karena memang tidak ada lagi yang perlu dikatakan.  Dalam hal ini  biasanya orang hanya berdiam diri.  Berikut ini adalah tiga cara untuk menutup percakapan.&lt;br /&gt;Expressing pleasure (menyatakan perasaan senang).&lt;br /&gt;Farewells (ucapan selamat tinggal)&lt;br /&gt;Making a Excuse (minta maaf)&lt;br /&gt;&lt;br /&gt;Apologizing for Bothering (minta maaf karena telah mengganggu/menyita waktu). &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1. EXPRESSING PLEASURE&lt;br /&gt;It’s been nice talking with you.&lt;br /&gt;I’ve really enjoyed talking with you.&lt;br /&gt;This is a really interesting conversation.&lt;br /&gt;I’m glad we have a chance to talk.&lt;br /&gt;You’re really interesting to talk to.&lt;br /&gt;I hope we get a chance t get together again sometime.&lt;br /&gt;I’m looking forward to meet you again.&lt;br /&gt;2. MAKING AN EXCUSE &lt;br /&gt;I’d like to talk with you some more about this, but..&lt;br /&gt;You’ll have to excuse me, but I have to meet someone at 4:00&lt;br /&gt;If you’ll excuse me, I have to finish my report today....&lt;br /&gt;I’m sorry I can’t talk a little more,...&lt;br /&gt;Can we continue this conversation another time? I have to get home...&lt;br /&gt;How about we talk about this other time. I really must be going.. &lt;br /&gt;3. APOLOGIZING FOR BOTHERING&lt;br /&gt;I won’t take any more of your time..&lt;br /&gt;I’m sorry to have taken so much of your time..&lt;br /&gt;I’m sorry for having taken you away from what you were doing..&lt;br /&gt;Well, I’ll stop bothering you now..&lt;br /&gt;Sorry to have bothered you... &lt;br /&gt;&lt;br /&gt;GREETING  I&lt;br /&gt;(Salam Perjumpaan I)&lt;br /&gt;&lt;br /&gt;Abdullah.  Assalamualaikum wr.wb&lt;br /&gt;Bhaiy Suheil.  Waalaikum salam warohmatullah.&lt;br /&gt;Abdullah. (How are You?) (Apa khabar?)&lt;br /&gt;Bhaiy Suheil.  Alhamdulillah.&lt;br /&gt;Abdullah.  My name is Abdullah. What’s your name? (Nama saya Abdullah. Siapa nama anda?)&lt;br /&gt;Bhaiy Suheil.  My name is Suheil Ahmed. You can call me “Suheil” (Nama saya Suheil Ahmed. Kamu dapat memanggil saya dengan nama “Suheil”.&lt;br /&gt;Abdullah. Where are You from, Brother Suheil? (Dari mana kamu berasal saudara Suheil?)&lt;br /&gt;Bhaiy Suheil. I’m from Feiselabad, Pakistan and  what’s the name of this locality?(Saya dari Feiselabad, Pakistan dan apa nama daerah ini?)&lt;br /&gt;Abdullah . The name of this locality is Solo. This City is part of the province of Central Java. It is as big as the province of Sarghoda in Pakistan.(Nama tempat ini adalah Solo. Kota ini adalah bagian dari provinsi Jawa Tengah. Provinsi ini besarnya sama dengan provinsi sarghoda di Pakistan). By the way, How many persons in your jamaat? (Ngomong-ngomong, berapa jumlah anggota jamaah antum?)&lt;br /&gt;Bhaiy Suheil. We are seven persons. Two persons are doctors, one businessman, two hafidz, one ‘Aliim and our amir saf is a laywyer. (kami ber tujuh. Dua orang dokter, satu pengusaha, dua hafidz, satu alim dan amir jamaah kami seorang pengacara/ahli hukum.&lt;br /&gt;Abdullah. Dear all of my Pakistani brother (Mere bayou dosto). (Kepada saudara-saudaraku dari Pakistan ! ) Please go to the  next room because the drinks of “Chay” and meals are ready/Khana tiar hai. (Mari pergi ke ruangan sebelah karena minuman “Chay” dan makanan sudah siap. &lt;br /&gt;&lt;br /&gt;GREETING II &lt;br /&gt;(Salam Perjumpaan II)&lt;br /&gt;&lt;br /&gt;The Bangladesh Officer. Assalamua’lakum.&lt;br /&gt;Saiful. Waalaikum salam&lt;br /&gt;The Bangladesh Officer. Where are you from, Brother? (saudara dari mana?)&lt;br /&gt;Saiful. I’m from Indonesia. (saya dari Indonesia).&lt;br /&gt;The Bangladesh Officer. Alhamdulillah. Please, give me your passport. (Alhamdulillah. Tolong mana paspor saudara?)&lt;br /&gt;Saiful. Here you are.(ini dia)&lt;br /&gt;The Bangladesh Officer. Please, fill in this form.(tolong isi formulir ini). &lt;br /&gt;Saiful. O.K. Jazakumullah khoiron.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-7638861840552784075?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/7638861840552784075/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/opening-and-closing-conversation.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/7638861840552784075'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/7638861840552784075'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/opening-and-closing-conversation.html' title='Opening and Closing Conversation'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-6348666891824435094</id><published>2012-01-31T10:27:00.000-08:00</published><updated>2012-01-31T10:27:01.361-08:00</updated><title type='text'>The largest data of BBC Broadcast records</title><content type='html'>&lt;img src="http://t1.gstatic.com/images?q=tbn:ANd9GcQ6jU9fI0sosHWbEamRwWMLp6MzbdvpW8HYCNGZAfXdy9Ra2pzH" alt="bbc logo" /&gt;&lt;br&gt;&lt;br /&gt;&lt;img src="http://img683.imageshack.us/img683/7121/yangmaudiuploaddikuntci.jpg"&gt; &lt;br&gt; berikut ini adalah koleksi rekaman siaran radio BBC yang telah diformat dalam bentuk Cda dan Mp3. rekaman itu saya dapat banyaknya dari para mahasiswa saya. jika tertarik silakan :&lt;a href="http://www.4shared.com/file/r1iMUShf/THE_LARGEST_DATA_OF_BBC_BROADC.html"&gt;Click here for download&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-6348666891824435094?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/6348666891824435094/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/largest-data-of-bbc-broadcast-records.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/6348666891824435094'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/6348666891824435094'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/largest-data-of-bbc-broadcast-records.html' title='The largest data of BBC Broadcast records'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-6505636555209121922</id><published>2012-01-31T10:22:00.001-08:00</published><updated>2012-01-31T10:24:22.744-08:00</updated><title type='text'>Wow Buku Keren Belajar Grammar Bahasa Inggris untuk pemula</title><content type='html'>&lt;div style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="buku grammar keren untuk pemula" height="320" src="http://img695.imageshack.us/img695/8038/pakfayuntukfb.jpg" width="232" /&gt;&lt;/div&gt;&lt;strong&gt;B&lt;/strong&gt;uku ini disusun untuk membantu &lt;em&gt;pembaca yang masih “Beginner” (pemula) dalam mempelajari secara benar dan efektif mengenai prinsip-prinsip dasar dalam tata bahasa Inggris&lt;/em&gt;. 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Misalnya mentransfer Rp. 50.001,- atau 50.007,- atau bisa juga Rp. 50.100,-&lt;br /&gt;Uang tersebut bisa dikirimkan  melalui transfer pembayaran buku via rekening Bank BTN cabang Solo:  a/n :&lt;br /&gt;&lt;br /&gt;Faizal Risdianto&lt;br /&gt;No rek:  00031-01-51-002142-2&lt;br /&gt;Inilah buku yang mencerahkan dan menyegarkan banget: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BURUAN !&lt;/strong&gt;&lt;br /&gt;SELAMA PERSEDIAAN MASIH ADA KARENA HANYA DICETAK SPECIAL 100 EKSEMPLAR.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;DAFTAR ISI&lt;/strong&gt;&lt;br /&gt;Bab 1 : Parts Of Speech ......1&lt;br /&gt;Bab 2 : Kalimat Sederhana  dan Kalimat Majemuk...38&lt;br /&gt;Bab 3 : Kalimat Deklaratif ..............   54&lt;br /&gt;Bab 4 : Interrogative Sentence....................   62&lt;br /&gt;Bab 5 : Present Tense   ....................74&lt;br /&gt;Bab 6 : Past Tense   ....................79&lt;br /&gt;Bab 7 : The Future Tenses...................   85&lt;br /&gt;Bab 8 : Indirect Speech   ......................95&lt;br /&gt;Bab 9 : Active And Passive Voice.................   112&lt;br /&gt;Bab 10 :Gerunds After Prepositions ................................121&lt;br /&gt;Bab 11 :Past Perfect Tense............................   141&lt;br /&gt;Bab 12 :Future Perfect Tense ..........................153&lt;br /&gt;Bab 13 :Relative Clause    ........................163&lt;br /&gt;Bab 14 :Conditional Clause   ....................176&lt;br /&gt;Bab 15 :Modal Auxiliaries And Modal Perfective  ....... 185&lt;br /&gt;Bab 16 :Too and Enough ..............   206&lt;br /&gt;Bab 17 :Causative   ..................209&lt;br /&gt;Bab 18 :Special Expression: Used to....................    219&lt;br /&gt;Bab 19 :Comparative Degree...............................................   228&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-6505636555209121922?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/6505636555209121922/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/wow-buku-keren-belajar-grammar-bahasa.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/6505636555209121922'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/6505636555209121922'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/wow-buku-keren-belajar-grammar-bahasa.html' title='Wow Buku Keren Belajar Grammar Bahasa Inggris untuk pemula'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-7222351077400411674</id><published>2012-01-30T22:31:00.001-08:00</published><updated>2012-01-30T22:31:46.185-08:00</updated><title type='text'>The history of Tablighi Jamaat Movement in India</title><content type='html'>&lt;a href="http://abudira.files.wordpress.com/2012/01/tablighijamaatawesome.png"&gt;&lt;img class="alignleft size-medium wp-image3298" title="tablighijamaatawesome" src="http://abudira.files.wordpress.com/2012/01/tablighijamaatawesome.png?w=300" alt="" width="300" height="241" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;CLICK HERE FOR FULL DOWNLOAD: &lt;a href="http://abudira.files.wordpress.com/2012/01/history-of-tablighi-movement-in-india.pdf"&gt;history of tablighi movement in india&lt;/a&gt;&lt;BR&gt;&lt;br /&gt;Tabligh, or the enigma of revival&lt;br /&gt;&lt;br /&gt;Sameer Arshad, TNN Jul 22, 2007, 12.10am IST&lt;br /&gt;&lt;a href="http://articles.timesofindia.indiatimes.com/2007-07-22/special-report/27994074_1_tj-muslims-tablighi-jamaat"&gt;www.timesofindia.com&lt;/a&gt;&lt;br /&gt;NEW DELHI: Maulana Mohammed Ilayas, who exhorted Muslims to become true Muslims ( Aye Musalmano, Musalman bano ), founded Tablighi Jamaat (TJ) in 1920s in Delhi's Nizamuddin area. TJ has since emerged as a leading Muslim revivalist movement with presence in nearly 80 countries.&lt;br /&gt;&lt;br /&gt;Though it is difficult to put a number to the growing Tablighis, some idea about its reach and influence can be had from the fact that at least 100 of their Jamaats - each comprising 10 to 12 members - fan out of the Markaz (the international headquarters of Tablighi Jamaat in Nizamuddin) to different parts of the country, and overseas every day.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Throughout its seven-decade existence, Tablighi Jamaat (TJ) has sought to discreetly go about its business - which requires its members to travel to different places for missionary activities.&lt;br /&gt;&lt;br /&gt;But, now that it has come under international scrutiny for alleged links to global terror, TJ has turned somewhat introvert, wary of too much contact with the outside world.&lt;br /&gt;&lt;br /&gt;The Markaz, which is stone's throw from the mausoleum of Hazrat Nizamuddin Auliya, is a four-storeyed structure with space for prayers on all the floors. It has a modest office, a madarasa and rooms for guests from India and abroad.&lt;br /&gt;&lt;br /&gt;The complex remains cramped, and is packed to capacity throughout the year. The third floor of the complex is exclusively for foreigners.&lt;br /&gt;&lt;br /&gt;It is from the Delhi Markaz that Jamaats (groups) are sent across the country to remind Muslims of the need to persist on the path of Allah.&lt;br /&gt;&lt;br /&gt;The duration of a Jamaat work varies from three to 40 days. During tours, they remain inside mosques and go door-to-door, asking people to come for prayers and listen to bayan (sermons), so that they develop the urge to follow the path of salvation. Every Jamaat is led by a leader or Emir.&lt;br /&gt;&lt;br /&gt;The Markaz keeps a record of every Jamaat in the country, and is a strongly centralised group headed by a two-member Shura. The Shura comprises Maulana Saad Kandhalawi and Maulana Zubair.&lt;br /&gt;&lt;br /&gt;The destination of a Jamaat is decided through Mashwara (consultation) with the Shura.&lt;br /&gt;&lt;br /&gt;Tablighis say that Sunati Rasullaha (Prophet's way of life) is the Jamaat's code of conduct. While dress code isn't binding, they prefer to clothe themselves in the style of the Prophet: Loose overalls.&lt;br /&gt;&lt;br /&gt;While the Tablighis claim that anybody can join a Jamaat, the process, in reality, is cumbersome: A prospective member must have his identity verified from his local mosque.&lt;br /&gt;&lt;br /&gt;Maulana Yousuf Saloni of the Delhi Markaz describes Tabligh centres as spiritual hospitals. "Why do you go to a hospital? Hospitals treat medically unwell people. Similarly, we treat spiritually sick people."&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Asked about the alleged Tablighi connections of Kafeel Ahmed, who was pulled out of a burning jeep in the failed UK terror plot, Saloni says, "You can't understand religion in days or weeks. It takes years to understand religion. These terrorists don't understand the message of the Almighty and resort to violence. They have no understanding of the religion, that's why they are bringing a bad name to religion."&lt;br /&gt;&lt;br /&gt;According to Saloni the hard times facing the Muslims worldwide is God's way of teaching them a lesson. "They are moving away from God and his religion, and are hence being subjected to humiliation, suspicion and disgrace, all over the world."&lt;br /&gt;&lt;br /&gt;Most people who come to the Markaz are well off; it is not an organisation of illiterate and poor; among its main promoters are well-known religious scholars, businessmen, executives, professors, doctors, engineers, government servants and students.&lt;br /&gt;&lt;br /&gt;A Tablighi says, "Let me give you an example of what Tabhligi life is like: we have a member, who retired as chief vigilance officer of the DDA. At the time of his retirement, he had nothing - no car, no house, even as his juniors have amassed ever material comfort. A Tablighi remains steadfast on the path of Allah and does not seek personal fortune."&lt;br /&gt;&lt;br /&gt;Twenty-one-year-old Shahid Azam from Gorakhpur says there's no reason for one to believe the propaganda against Tabligh.&lt;br /&gt;&lt;br /&gt;Of the Tablighis, he says, "They are trained to be mild-mannered. What they will do is just greet you, and enquire about the reasons of your absence from the mosque, and ask you to come to the mosque for prayers."&lt;br /&gt;&lt;br /&gt;While most members are reluctant to speak to the media, Dawood, an Ethiopian, is more candid. He says that TJ is about religion and nothing else. "The Jamaat will come to you. They will tell you some disciplines of Islam - how a true Muslim should live."&lt;br /&gt;&lt;br /&gt;He says that whatever is being done in the name of Jihad is terrorism.&lt;br /&gt;&lt;br /&gt;"This has put us in deep trouble. People don't trust us. I have come to Delhi from Hyderabad, to renew my passport. But, nobody is willing to give me a hotel room. It is clearly mentioned in Quran, come what may, you can't attack non-combatants, women and children. There is no religion that tells you to kill innocent people. The business of international terror is for land and not religion."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-7222351077400411674?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/7222351077400411674/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/history-of-tablighi-jamaat-movement-in.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/7222351077400411674'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/7222351077400411674'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/history-of-tablighi-jamaat-movement-in.html' title='The history of Tablighi Jamaat Movement in India'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-7055494125550140005</id><published>2012-01-28T07:46:00.001-08:00</published><updated>2012-01-28T07:46:46.418-08:00</updated><title type='text'>APA YANG PALING BERHARGA BAGI ORANG BERIMAN?</title><content type='html'>&lt;a href="http://abudira.files.wordpress.com/2012/01/imancahhhhh.png"&gt;&lt;img src="http://abudira.files.wordpress.com/2012/01/imancahhhhh.png?w=300" alt="" title="imancahhhhh" width="300" height="184" class="alignleft size-medium wp-image-3294" /&gt;&lt;/a&gt;&lt;br /&gt;klik sini untuk download materi pengajian : &lt;a href='http://abudira.files.wordpress.com/2012/01/apa-yang-mahal-bagi-orang-beriman.docx'&gt;APA YANG  MAHAL BAGI  ORANG BERIMAN&lt;/a&gt;. btw, jika belum punya Qur'an in ms-word 2003/2007: &lt;a href="http://abudira.wordpress.com/2011/05/12/free-download-quran-in-ms-word-2003-and-2007/"&gt;KLIK SINI&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-7055494125550140005?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/7055494125550140005/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/apa-yang-paling-berharga-bagi-orang.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/7055494125550140005'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/7055494125550140005'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/apa-yang-paling-berharga-bagi-orang.html' title='APA YANG PALING BERHARGA BAGI ORANG BERIMAN?'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-5745879746373164985</id><published>2012-01-27T09:05:00.000-08:00</published><updated>2012-01-27T09:05:21.832-08:00</updated><title type='text'>Free Download LINK ENGLISH Magz 5th Edition</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-gR21dhK8bX8/TyLYh0lihPI/AAAAAAAAAfw/ttQx2D7DVQ0/s1600/link3coverbuatupload.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-gR21dhK8bX8/TyLYh0lihPI/AAAAAAAAAfw/ttQx2D7DVQ0/s320/link3coverbuatupload.png" width="234" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;&lt;i&gt;&lt;span lang="EN-GB" style="font-family: &amp;quot;Arial Black&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 11.0pt; mso-bidi-font-family: &amp;quot;Arial Black&amp;quot;;"&gt;Assalamu’alaikum Wr. 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Accordingly, we like all of you are able to have a self-actualization of your ideas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span lang="EN-GB" style="font-family: &amp;quot;Arial Black&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 11.0pt; mso-bidi-font-family: &amp;quot;Arial Black&amp;quot;;"&gt;btw, for reading the content you may download it freely via this link URL: let's cekidot d^_^b :&amp;nbsp;&lt;a href="http://www.mediafire.com/?gv59brvy4ojblb3" target="_blank"&gt;http://www.mediafire.com/?gv59brvy4ojblb3&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-5745879746373164985?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/5745879746373164985/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/free-download-link-english-magz-5th.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/5745879746373164985'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/5745879746373164985'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/free-download-link-english-magz-5th.html' title='Free Download LINK ENGLISH Magz 5th Edition'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-gR21dhK8bX8/TyLYh0lihPI/AAAAAAAAAfw/ttQx2D7DVQ0/s72-c/link3coverbuatupload.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-2855264655404947868</id><published>2012-01-20T06:10:00.000-08:00</published><updated>2012-01-20T06:10:17.197-08:00</updated><title type='text'>betapa menyedihkan potret wajah pendidikan kita</title><content type='html'>&lt;div class="separator" style="clear: both; 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float: left; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px; margin-right: 8px; text-align: left;" tabindex="-1"&gt;&lt;a href="http://www.facebook.com/cahsukoharjo" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;&lt;img alt="" class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/274856_1373658089_5847608_q.jpg" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; display: block; height: 32px; width: 32px;" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="UIImageBlock_Content UIImageBlock_SMALL_Content" style="background-color: white; color: #333333; display: table-cell; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; line-height: 14px; text-align: left; vertical-align: top; width: 10000px;"&gt;&lt;div class="fbPhotoContributorName" id="fbPhotoSnowboxAuthorName" style="display: inline; font-weight: bold; padding-bottom: 3px; padding-top: 1px;"&gt;&lt;a data-hovercard="/ajax/hovercard/user.php?id=1373658089" href="http://www.facebook.com/cahsukoharjo" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Salim Saja&lt;/a&gt;&lt;/div&gt;&lt;div aria-live="polite" class="fbPhotosPhotoCaption" id="fbPhotoSnowboxCaption" style="display: inline; outline-color: initial; outline-style: none; outline-width: initial; width: auto;" tabindex="0"&gt;&lt;br /&gt;Di saat para (katanya) wakil rakyat DPR running/reyen toilet baru berharga tidak masuk akal, maka anak-anak di negeri ini harus bertaruh nyawa "hanya" untuk menyeberang sungai yang dalam menuju sekolahnya..&lt;/div&gt;&lt;div class="fbPhotoTagList" id="fbPhotoSnowboxTagList" style="display: inline;"&gt;&lt;span class="fcg" style="color: grey;"&gt;&amp;nbsp;— bersama&amp;nbsp;&lt;span class="fbPhotoTagListTag tagItem"&gt;&lt;a class="taggee" data-hovercard-instant="1" data-hovercard="/ajax/hovercard/hovercard.php?id=100002421805125&amp;amp;type=mediatag&amp;amp;media_info=2.3116030264396" data-tag="100002421805125" href="http://www.facebook.com/profile.php?id=100002421805125" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Wury Bjr&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag tagItem"&gt;&lt;a class="taggee" data-hovercard-instant="1" data-hovercard="/ajax/hovercard/hovercard.php?id=1041801700&amp;amp;type=mediatag&amp;amp;media_info=2.3116030264396" data-tag="1041801700" href="http://www.facebook.com/zatoichifay" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Pak Faizal Solo&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag tagItem"&gt;&lt;a class="taggee" data-hovercard-instant="1" data-hovercard="/ajax/hovercard/hovercard.php?id=1480133228&amp;amp;type=mediatag&amp;amp;media_info=2.3116030264396" data-tag="1480133228" href="http://www.facebook.com/baitulmalfkam" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;BaitulMal Fkam Surakarta&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag tagItem"&gt;&lt;a class="taggee" data-hovercard-instant="1" data-hovercard="/ajax/hovercard/hovercard.php?id=1282795219&amp;amp;type=mediatag&amp;amp;media_info=2.3116030264396" data-tag="1282795219" href="http://www.facebook.com/profile.php?id=1282795219" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Abdul Kohar&lt;/a&gt;&lt;/span&gt;,&lt;span class="fbPhotoTagListTag tagItem"&gt;&lt;a class="taggee" data-hovercard-instant="1" data-hovercard="/ajax/hovercard/hovercard.php?id=100000457951093&amp;amp;type=mediatag&amp;amp;media_info=2.3116030264396" data-tag="100000457951093" href="http://www.facebook.com/andi.nurbaisp" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Andi Nurbai SP&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag tagItem"&gt;&lt;a class="taggee" data-hovercard-instant="1" data-hovercard="/ajax/hovercard/hovercard.php?id=100000337356988&amp;amp;type=mediatag&amp;amp;media_info=2.3116030264396" data-tag="100000337356988" href="http://www.facebook.com/profile.php?id=100000337356988" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Sigit Anjasmoro&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag tagItem"&gt;&lt;a class="taggee" data-hovercard-instant="1" data-hovercard="/ajax/hovercard/hovercard.php?id=100001576035140&amp;amp;type=mediatag&amp;amp;media_info=2.3116030264396" data-tag="100001576035140" href="http://www.facebook.com/profile.php?id=100001576035140" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Raqa Saya&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag tagItem"&gt;&lt;a class="taggee" data-hovercard-instant="1" data-hovercard="/ajax/hovercard/hovercard.php?id=724511116&amp;amp;type=mediatag&amp;amp;media_info=2.3116030264396" data-tag="724511116" href="http://www.facebook.com/profile.php?id=724511116" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Woro Supartinah&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag tagItem"&gt;&lt;a class="taggee" data-hovercard-instant="1" data-hovercard="/ajax/hovercard/hovercard.php?id=1141866984&amp;amp;type=mediatag&amp;amp;media_info=2.3116030264396" data-tag="1141866984" href="http://www.facebook.com/Gusfeb" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Febriansyah Soebagio&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag tagItem"&gt;&lt;a class="taggee" data-hovercard-instant="1" data-hovercard="/ajax/hovercard/hovercard.php?id=1354553858&amp;amp;type=mediatag&amp;amp;media_info=2.3116030264396" data-tag="1354553858" href="http://www.facebook.com/tarmizi.aceh1" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Tarmizi Aceh&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag tagItem"&gt;&lt;a class="taggee" data-hovercard-instant="1" data-hovercard="/ajax/hovercard/hovercard.php?id=100000264541340&amp;amp;type=mediatag&amp;amp;media_info=2.3116030264396" data-tag="100000264541340" href="http://www.facebook.com/komodjojo" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Arya Dimas Komodjojo&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag tagItem"&gt;&lt;a class="taggee" data-hovercard-instant="1" data-hovercard="/ajax/hovercard/hovercard.php?id=100001909489555&amp;amp;type=mediatag&amp;amp;media_info=2.3116030264396" data-tag="100001909489555" href="http://www.facebook.com/profile.php?id=100001909489555" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Agus Muchson&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag withTagItem tagItem"&gt;&lt;a class="taggee" href="http://www.facebook.com/profile.php?id=688580395" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Yudi Wiryawan&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag withTagItem tagItem"&gt;&lt;a class="taggee" href="http://www.facebook.com/profile.php?id=1441995639" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Yudi Kartiwa&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag withTagItem tagItem"&gt;&lt;a class="taggee" href="http://www.facebook.com/apwidodo" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Agus P. Widodo&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag withTagItem tagItem"&gt;&lt;a class="taggee" href="http://www.facebook.com/profile.php?id=100000421884620" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Juraida Ningsih Herve&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag withTagItem tagItem"&gt;&lt;a class="taggee" href="http://www.facebook.com/jeng.nieniek" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Jeng Nieniek&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag withTagItem tagItem"&gt;&lt;a class="taggee" href="http://www.facebook.com/noficenter" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Nova Wijayanti&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag withTagItem tagItem"&gt;&lt;a class="taggee" href="http://www.facebook.com/profile.php?id=606876114" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Vanda Day&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag withTagItem tagItem"&gt;&lt;a class="taggee" href="http://www.facebook.com/profile.php?id=100000019243077" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Edi Susilo&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag withTagItem tagItem"&gt;&lt;a class="taggee" href="http://www.facebook.com/profile.php?id=100000046998834" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Best Hulu&lt;/a&gt;&lt;/span&gt;,&amp;nbsp;&lt;span class="fbPhotoTagListTag withTagItem tagItem"&gt;&lt;a class="taggee" href="http://www.facebook.com/dodiet.supriyadi" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Dodiet Supriyadi&lt;/a&gt;&lt;/span&gt;dan&amp;nbsp;&lt;span class="fbPhotoTagListTag withTagItem tagItem"&gt;&lt;a class="taggee" href="http://www.facebook.com/ganda.ga" style="color: #3b5998; cursor: pointer; text-decoration: none;"&gt;Ganda Purnama&lt;/a&gt;&lt;/span&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="fbPhotoInlineEditor" id="fbPhotoSnowboxInlineEditor"&gt;&lt;/div&gt;&lt;div class="fbPhotosPhotoFeedback" id="fbPhotoSnowboxFeedback" style="margin-top: 3px;"&gt;&lt;form action="http://www.facebook.com/ajax/ufi/modify.php" class="live_3116030264396_131325686911214 commentable_item autoexpand_mode" data-live="{&amp;quot;seq&amp;quot;:2315620}" method="post" rel="async" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span class="UIActionLinks UIActionLinks_bottom" data-ft="{&amp;quot;type&amp;quot;:&amp;quot;20&amp;quot;}" style="color: #999999;"&gt;&lt;button class="like_link stat_elem as_link" data-ft="{&amp;quot;type&amp;quot;:22}" name="like" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; color: #6d84b4; cursor: pointer; font-size: 11px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: visible; overflow-y: visible; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; width: auto;" title="Suka item ini" type="submit"&gt;&lt;span class="default_message" style="display: inline;"&gt;Suka&lt;/span&gt;&lt;/button&gt;&amp;nbsp;·&amp;nbsp;&lt;label class="uiLinkButton comment_link" style="color: #6b84b4; cursor: pointer; vertical-align: baseline;" title="Beri Komentar"&gt;&lt;input data-ft="{&amp;quot;type&amp;quot;:24}" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; color: #6b84b4; cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: baseline;" type="button" value="Komentari" /&gt;&lt;/label&gt;&amp;nbsp;·&amp;nbsp;&lt;button class="unsub_link stat_elem as_link" name="unsubscribe" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial; color: #6d84b4; cursor: pointer; font-size: 11px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: visible; overflow-y: visible; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left; width: auto;" title="Anda menerima pemberitahuan mengenai ini karena Anda ditandai di dalamnya." type="submit"&gt;&lt;span class="default_message" style="display: inline;"&gt;Berhenti Mengikuti Kiriman&lt;/span&gt;&lt;/button&gt;&amp;nbsp;·&amp;nbsp;&lt;a href="http://www.facebook.com/ajax/sharer/?s=2&amp;amp;appid=2305272732&amp;amp;p[]=1373658089&amp;amp;p[]=3135172" rel="dialog" style="color: #6d84b4; cursor: pointer; text-decoration: none;"&gt;Bagikan&lt;/a&gt;&amp;nbsp;·&amp;nbsp;&lt;abbr class="timestamp livetimestamp" data-utime="1327055336" style="border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial;" title="20 Januari 2012 pukul 2:28"&gt;3 jam yang lalu&lt;/abbr&gt;&lt;/span&gt;&lt;ul class="uiList uiUfi focus_target fbUfi fbPhotosPhotoUfi" data-ft="{&amp;quot;type&amp;quot;:30}" style="list-style-type: none; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 2px; width: auto;"&gt;&lt;li class="ufiNub uiListItem  uiListVerticalItemBorder" style="border-bottom-width: 0px; border-left-width: 0px; border-right-width: 0px; border-top-width: 0px; display: block; margin-bottom: -2px; margin-top: 0px;"&gt;&lt;i style="background-image: url(http://static.ak.fbcdn.net/rsrc.php/v1/y7/r/UvyvLtJTQzO.png); background-position: 0px 0px; background-repeat: no-repeat no-repeat; display: block; height: 5px; margin-left: 17px; width: 9px;"&gt;&lt;/i&gt;&lt;/li&gt;&lt;li class="ufiItem uiUfiLike uiListItem  uiListVerticalItemBorder" data-ft="{&amp;quot;type&amp;quot;:31}" style="background-color: #edeff4; border-bottom-color: rgb(210, 217, 231); border-bottom-style: solid; border-bottom-width: 1px; border-left-width: 0px; border-right-width: 0px; border-top-width: 1px; display: block; margin-top: 1px; padding-bottom: 4px; padding-left: 5px; padding-right: 5px; padding-top: 5px;"&gt;&lt;div class="UIImageBlock clearfix" style="zoom: 1;"&gt;&lt;a aria-hidden="true" class="UIImageBlock_Image UIImageBlock_ICON_Image" href="" style="color: #3b5998; cursor: pointer; float: left; margin-right: 5px; text-decoration: none;" tabindex="-1"&gt;&lt;label class="uiUfiLikeIcon" style="background-image: url(http://static.ak.fbcdn.net/rsrc.php/v1/yK/r/zyL2LyoplTJ.png); background-position: 0px -45px; background-repeat: no-repeat no-repeat; color: #666666; cursor: pointer; display: block; font-weight: bold; height: 13px; vertical-align: middle; width: 15px;" title="Suka item ini"&gt;&lt;/label&gt;&lt;/a&gt;&lt;div class="UIImageBlock_Content UIImageBlock_ICON_Content" style="display: table-cell; padding-top: 1px; vertical-align: top; width: 10000px;"&gt;&lt;a ajaxify="/ajax/browser/dialog/likes/?id=3116030264396" href="http://www.facebook.com/browse/likes/?id=3116030264396" rel="dialog" style="color: #3b5998; cursor: pointer; text-decoration: none;" title="Lihat orang yang menyukai item ini"&gt;7 orang&lt;/a&gt;&amp;nbsp;menyukai ini.&lt;/div&gt;&lt;/div&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/form&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-2855264655404947868?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/2855264655404947868/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/betapa-menyedihkan-potret-wajah.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/2855264655404947868'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/2855264655404947868'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/betapa-menyedihkan-potret-wajah.html' title='betapa menyedihkan potret wajah pendidikan kita'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-1CZBqAkVRSE/TxlzfsK_JzI/AAAAAAAAAfo/LniMXn-QkA4/s72-c/jembatan+parah+di+banten.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-5439765810491519176</id><published>2012-01-18T16:43:00.001-08:00</published><updated>2012-01-18T16:43:37.564-08:00</updated><title type='text'>if U really love your wife…</title><content type='html'>dear all netters&lt;br /&gt;when I was window shopping at a moslem owned- perfume store in new delhi the shop owner gave my a nice suggestion.&lt;br /&gt;Shop owner: brother, why don’t u try this one? this is so special.&lt;br /&gt;me ; special in what case,Sir?&lt;br /&gt;shop owner: the fragrance of this is so excellent.it’s not to hard.it has a milder smell&lt;br /&gt;me ; is this suitable for meri biwi (my wife)?&lt;br /&gt;shop owner: yeah.that’s right.I think if U really love your wife you should buy this one (mulai deh rayuan-maut.com)&lt;br /&gt;by showing him a smiling face I told him.&lt;br /&gt;me: Sir, I HAVE and REALLY loved my wife but I think I’ll buy this in small portion just for trial.&lt;br /&gt;shop owner: a trial? don’t make a trial in making ikrom/giving honor/respect to apke biwi (istrimu)..if u really love your wife u should buy the best one…&lt;br /&gt;(wew, a really ineresting marketing and pragmatics approach. it’s almost similar to the expression of “sayang anak -sayang anak”" when a steert vendor is trying to sell his shaun or barbie dolls to parents.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-5439765810491519176?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/5439765810491519176/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/if-u-really-love-your-wife.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/5439765810491519176'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/5439765810491519176'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/if-u-really-love-your-wife.html' title='if U really love your wife…'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-1227608010781326368</id><published>2012-01-16T16:48:00.000-08:00</published><updated>2012-01-16T16:49:24.986-08:00</updated><title type='text'>Siapa bilang  grammar ga penting?</title><content type='html'>&lt;a href="http://abudira.files.wordpress.com/2012/01/grammar-itu-penting-jpg2.gif"&gt;&lt;img alt="" class="alignleft size-medium wp-image-3258" height="400" src="http://abudira.files.wordpress.com/2012/01/grammar-itu-penting-jpg2.gif?w=245" title="grammar itu penting jpg" width="324" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-1227608010781326368?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/1227608010781326368/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/siapa-bilang-grammar-ga-penting.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/1227608010781326368'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/1227608010781326368'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/siapa-bilang-grammar-ga-penting.html' title='Siapa bilang  grammar ga penting?'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-1979111959174956726</id><published>2012-01-15T23:03:00.000-08:00</published><updated>2012-01-15T23:03:27.422-08:00</updated><title type='text'>Free download FILM DESPICABLE ME (2010) :</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_bPaPPvxMZU4/TD2C5BTHN2I/AAAAAAAAB3Y/2NGhPXVfY4Q/s1600/Despicable+Me.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/_bPaPPvxMZU4/TD2C5BTHN2I/AAAAAAAAB3Y/2NGhPXVfY4Q/s400/Despicable+Me.jpg" width="249" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;" /&gt;&lt;br style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;" /&gt;&lt;span style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; text-align: left;"&gt;Tanggal Rilis : 9 July 2010 (Indonesia)&lt;/span&gt;&lt;br style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;" /&gt;&lt;span style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; text-align: left;"&gt;Jenis Film : Animation | Adventure | Comedy&amp;nbsp;&lt;/span&gt;&lt;br style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;" /&gt;&lt;span style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; text-align: left;"&gt;Diperankan Oleh : Steve Carell, Jason Segel and Russell Brand&lt;/span&gt;&lt;br style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;" /&gt;&lt;br style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;" /&gt;&lt;span style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 16px; text-align: left;"&gt;Ringkasan Cerita FILM DESPICABLE ME (2010) :&lt;/span&gt;&lt;br /&gt;&lt;div style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 1.5em; margin-bottom: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;"&gt;&lt;/div&gt;&lt;div style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 1.5em; margin-bottom: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;"&gt;Gru (Steve Carell) adalah pencuri terbesar sepanjang zaman. Tak ada yang bisa menandingi rekor Gru. Sayangnya, rekor ini begitu saja tumbang ketika sebuah piramida di Mesir tiba-tiba hilang tanpa ada yang tahu siapa yang mengambilnya. Harga diri Gru tercabik-cabik. Bagaimana mungkin ada orang yang bisa mencuri piramida tanpa ada yang tahu. Kalaupun bisa, hanya Gru-lah orangnya.&lt;/div&gt;&lt;div style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 1.5em; margin-bottom: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;"&gt;Berusaha mengembalikan harga dirinya yang hancur, Gru pun merancang sebuah pencurian terbesar sepanjang sejarah umat manusia. Gru akan mencuri bulan. Masalahnya, Gru masih harus mempersiapkan segala sesuatunya. Ia harus mencari senjata yang mampu mengerutkan bulan sehingga bisa dipindahkan dengan mudah. Saat mencari pinjaman dari bank, Gru bertemu Vector (Jason Segel) yang ternyata adalah orang yang baru saja menggeser Gru sebagai pencuri terhebat.&lt;/div&gt;&lt;div style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 1.5em; margin-bottom: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;"&gt;Dengan segala cara Gru akhirnya berhasil mendapatkan senjata yang mampu mengerutkan bulan ini. Dasar sial, senjata yang sudah berada di tangan Gru ini berhasil dicuri oleh Vector. Mengambil kembali senjata ini dari Vector bukanlah masalah mudah dan satu-satunya harapan adalah dengan memanfaatkan tiga orang anak yatim piatu bernama Margo (Miranda Cosgrove), Edith (Dana Gaier), dan Agnes (Elsie Fisher) yang ternyata dengan mudah bisa masuk ke markas persembunyian Vector.&lt;/div&gt;&lt;div style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 1.5em; margin-bottom: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;"&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 1.5em; margin-bottom: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: justify;"&gt;Gru lantas mengadopsi ketiga anak ini dan memanfaatkan mereka untuk memasukkan robot-robot berbentuk kue buatan Doctor Nefario (Russell Brand) ke rumah Vector. Kebetulan, Vector sepertinya tergila-gila pada kue yang dijual ketiga anak yatim piatu ini. Gru kini siap mencuri bulan. Tapi sepertinya masalah tak berhenti di sini karena Gru yang semula hanya ingin memanfaatkan ketiga anak yatim piatu ini malah mulai merasakan ikatan batin. Ikatan batin yang tak pernah dirasakannya.&lt;/div&gt;&lt;div style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 1.5em; margin-bottom: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;img alt="" class="alignnone size-full wp-image-20647" height="45" src="http://www.downloadfilem.com/wp-content/uploads/2011/07/imdb2.png?00cfb7" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" title="imdb" width="300" /&gt;&lt;/div&gt;&lt;div style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 1.5em; margin-bottom: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;[IMDb rating : 7.5/10]&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;[Awards :&amp;nbsp;&lt;strong style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;Nominated for Golden Globe.&lt;/strong&gt;&amp;nbsp;Another 2 wins &amp;amp; 14 nominations]&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;[Production Co : Universal Pictures, Illumination Entertainment]&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;[IMDb link :&amp;nbsp;&lt;a href="http://www.imdb.com/title/tt1323594" style="color: #346c9c; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none;"&gt;http://www.imdb.com/title/tt1323594&lt;/a&gt;]&lt;/div&gt;&lt;div style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 1.5em; margin-bottom: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;img alt="" class="alignnone size-medium wp-image-20684" height="35" src="http://www.downloadfilem.com/wp-content/uploads/2011/07/trailer_spy_logo_hd_blue-300x101.gif?00cfb7" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" title="trailer_spy_logo_hd_blue" width="300" /&gt;&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;iframe frameborder="0" height="345" src="http://www.youtube.com/embed/6e3Q6TAu6yk" style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" width="564"&gt;&lt;/iframe&gt;&lt;/div&gt;&lt;div style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 1.5em; margin-bottom: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;img alt="" class="alignnone size-full wp-image-20648" height="40" src="http://www.downloadfilem.com/wp-content/uploads/2011/07/infopng1.png?00cfb7" style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" title="infopng" width="300" /&gt;&lt;/div&gt;&lt;div style="background-color: white; color: #444444; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 1.5em; margin-bottom: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;[Quality : BRRip]&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;[File Size : 450 MB]&lt;br style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;[Format : Matroska &amp;gt;&amp;gt; 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saya jadi ingat memori lama suka main2 dengan free redirect url bernama &lt;a href="http://www.dot.tk/en/index.html?lang=en"&gt;www.dot.tk&lt;/a&gt;.nama yang super aneh bukan? masak alamat web pake singkatan "TK". tk bukan maksudnya "taman kanak-kanak" tapi jebule singkatan dari "Tokelau" ,sebuah negeri di Pasifis Selatan. &lt;br /&gt;Check this Quote:&lt;br /&gt;&lt;blockquote&gt;Dot TK is a joint venture of the Government of Tokelau, a country in the South Pacific, the countries communication company Teletok and BV Dot TK, a privately held company. The Government of Tokelau has appointed BV Dot TK as the exclusive registration entity. BV Dot TK is doing business as the Dot TK Registry.&lt;br /&gt;The Dot TK Registry is privately funded and has offices in Amsterdam (Netherlands), London (United Kingdom) and Douglas (Isle of Man). With its management team, an experienced staff, multi-redundant backbones in all the countries and DNS root-servers located in every corner of the world, Dot TK can handle millions of registrations.&lt;/blockquote&gt;btw, aku mencoba iseng meredirect url sebuah blog saya yang memang panjang alamat urlnya dan memang bukan untuk dihafalkan dengan nama : &lt;a href="http://jasabikinblogmurahtapikeren.blogspot.com/"&gt;http://jasabikinblogmurahtapikeren.blogspot.com/&lt;/a&gt; saya redirect dengan suksesnya pake dot bayi eh dot tk :) menjadi : &lt;a href="http://klik-sini-jika-bukan-anak.tk/"&gt;http://klik-sini-jika-bukan-anak.tk/&lt;/a&gt;. wew. subhanallah. see this awesome blog:&lt;br /&gt;&lt;a href="http://abudira.files.wordpress.com/2012/01/kliksinijikabukananaktk2.png"&gt;&lt;img alt="" class="alignleft size-medium wp-image-3253" height="247" src="http://abudira.files.wordpress.com/2012/01/kliksinijikabukananaktk2.png?w=300" title="kliksinijikabukananaktk" width="400" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-5518447912721847536?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/5518447912721847536/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/cara-redirect-url-yang-panjang-dengan.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/5518447912721847536'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/5518447912721847536'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/cara-redirect-url-yang-panjang-dengan.html' title='Cara redirect URL yang panjang dengan www.dot.tk'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-8754380916872518843</id><published>2012-01-14T17:20:00.001-08:00</published><updated>2012-01-14T17:20:40.969-08:00</updated><title type='text'>Principles of Pragmatics by Geoffrey N. Leech</title><content type='html'>&lt;a href="http://abudira.files.wordpress.com/2012/01/mbah-leech.jpg"&gt;&lt;img src="http://abudira.files.wordpress.com/2012/01/mbah-leech.jpg" alt="" title="mbah leech" width="250" height="259" class="alignleft size-full wp-image-3246" /&gt;&lt;/a&gt;&lt;br&gt;&lt;br /&gt;&lt;a href="http://www.personal.uni-jena.de/~mu65qev/wikolin/images/f/fb/Leech_1983_Horn_scale_negation.jpg"&gt;&lt;img alt="" src="http://www.personal.uni-jena.de/~mu65qev/wikolin/images/f/fb/Leech_1983_Horn_scale_negation.jpg" class="alignnone" width="588" height="447" /&gt;&lt;/a&gt;&lt;br&gt;&lt;br /&gt;wanna download ? click here &lt;a href='http://abudira.files.wordpress.com/2012/01/principles_of_pragmatics__godfrey_leech_lancaster.pdf'&gt;__Principles_of_Pragmatics__Godfrey_leech_lancaster&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-8754380916872518843?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/8754380916872518843/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/principles-of-pragmatics-by-geoffrey-n.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/8754380916872518843'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/8754380916872518843'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/principles-of-pragmatics-by-geoffrey-n.html' title='Principles of Pragmatics by Geoffrey N. Leech'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-7915179372925283753</id><published>2012-01-14T09:13:00.000-08:00</published><updated>2012-01-14T10:39:10.892-08:00</updated><title type='text'>top free redirect url</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_51d1oniiqRY/Sz_dqI07rtI/AAAAAAAAAkg/SoRnTcxr2i8/s200/short_redirect_url.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;span style="background-color: #ffd966;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_51d1oniiqRY/Sz_dqI07rtI/AAAAAAAAAkg/SoRnTcxr2i8/s200/short_redirect_url.jpg" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;span style="background-color: #ffd966;"&gt;&lt;span style="font-family: Georgia, Times, serif; font-size: 12px; line-height: 19px; text-align: left;"&gt;Seperti yang sudah kita ketahui,&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: Georgia, Times, serif; font-size: 12px; line-height: 19px; text-align: left;"&gt;Free Short URL Redirection adalah layanan gratis untuk memperpendek atau menyingkat URL suatu blog atau website&lt;/span&gt;&lt;span style="font-family: Georgia, Times, serif; font-size: 12px; line-height: 19px; text-align: left;"&gt;. 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left;"&gt;&amp;nbsp;yang kalian sukai.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-7915179372925283753?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/7915179372925283753/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/top-free-redirect-url.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/7915179372925283753'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/7915179372925283753'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/top-free-redirect-url.html' title='top free redirect url'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_51d1oniiqRY/Sz_dqI07rtI/AAAAAAAAAkg/SoRnTcxr2i8/s72-c/short_redirect_url.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-5173024843040489007</id><published>2012-01-12T22:16:00.000-08:00</published><updated>2012-01-12T22:16:34.248-08:00</updated><title type='text'>Free download Principles of Pragmatics by Leech</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-u3q13BNdSLw/Tw_LqlcUZPI/AAAAAAAAAfE/keeZlJhB0jw/s1600/cover+bukune+mbah+leech.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-u3q13BNdSLw/Tw_LqlcUZPI/AAAAAAAAAfE/keeZlJhB0jw/s320/cover+bukune+mbah+leech.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" id="mainTbl" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; background-color: white; border-bottom-width: 0px; border-collapse: collapse; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: black; font-family: arial, helvetica, clean, sans-serif; font-size: 13px; line-height: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; 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border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(160, 160, 160); border-top-style: dotted; border-top-width: 1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="top" width="150"&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;td align="left" style="border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="top"&gt;&lt;strong style="font-weight: bold;"&gt;by:&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&lt;span id="creatorRow" style="font-family: georgia; font-size: 12px;"&gt;Geoffrey Leech&lt;/span&gt;&lt;/td&gt;&lt;td align="right" id="creatorRowBtn" style="border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; 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margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="top" width="150"&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;/div&gt;&lt;div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;td align="right" style="border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="top" width="700"&gt;&lt;table border="0" cellpadding="1" cellspacing="1" id="paramsTbl" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; border-bottom-width: 0px; border-collapse: collapse; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-size: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" summary="doc params table"&gt;&lt;tbody&gt;&lt;tr style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 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border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="middle"&gt;&lt;strong class="docParam" style="color: grey; font-family: monospace; font-size: 12px; font-weight: bold;"&gt;status:&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&lt;/td&gt;&lt;td align="left" style="border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; 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0px; padding-right: 0px; padding-top: 0px;" valign="middle"&gt;&lt;strong class="docParam" style="color: grey; font-family: monospace; font-size: 12px; font-weight: bold;"&gt;submitted by:&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&lt;/td&gt;&lt;td align="left" style="border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="middle"&gt;anonymous&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;td align="right" class="itemviewrow" style="background-attachment: initial; background-clip: initial; background-color: #f7fafb; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(160, 160, 160); border-top-style: dotted; border-top-width: 1px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="top" width="150"&gt;&lt;br /&gt;&lt;br /&gt;0582551102&lt;br /&gt;9780582551107&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br style="background-color: white; font-family: arial, helvetica, clean, sans-serif; font-size: 13px; 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target="_blank"&gt;&lt;strong style="font-weight: bold;"&gt;megaupload.com&lt;/strong&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-5173024843040489007?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/5173024843040489007/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/free-download-principles-of-pragmatics.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/5173024843040489007'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/5173024843040489007'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/free-download-principles-of-pragmatics.html' title='Free download Principles of Pragmatics by Leech'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-u3q13BNdSLw/Tw_LqlcUZPI/AAAAAAAAAfE/keeZlJhB0jw/s72-c/cover+bukune+mbah+leech.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-3612754143070381137</id><published>2012-01-12T01:51:00.001-08:00</published><updated>2012-01-12T01:51:58.821-08:00</updated><title type='text'>The conceptual Metaphor of George Lakoff</title><content type='html'>&lt;a href="http://abudira.files.wordpress.com/2012/01/lakofffff.png" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="" class="alignleft size-medium wp-image-3221" height="250" src="http://abudira.files.wordpress.com/2012/01/lakofffff.png?w=300" title="lakofffff" width="320" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;pengin download? klik ini ya : &lt;a href="http://abudira.files.wordpress.com/2012/01/lakoff-contheormetaphor.pdf"&gt;lakoff-Contemporary_Theory_of_Metaphor&lt;/a&gt; atau klik yang ini ya kalo mau dalam bentuk file Ms-Word : &lt;a href="http://abudira.files.wordpress.com/2012/01/the-contemporary-theory-of-metaphor-by-george-lakoff.doc"&gt;The contemporary theory of metaphor  by George Lakoff&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-3612754143070381137?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/3612754143070381137/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/conceptual-metaphor-of-george-lakoff.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/3612754143070381137'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/3612754143070381137'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/conceptual-metaphor-of-george-lakoff.html' title='The conceptual Metaphor of George Lakoff'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' 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href="http://upload.wikimedia.org/wikipedia/id/thumb/d/d9/Yorissebastian.jpg/220px-Yorissebastian.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://upload.wikimedia.org/wikipedia/id/thumb/d/d9/Yorissebastian.jpg/220px-Yorissebastian.jpg" width="240" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="font-size: 13px; line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;&lt;b&gt;Yoris Sebastian&lt;/b&gt;&amp;nbsp;(lahir di&amp;nbsp;&lt;a class="mw-redirect" href="http://id.wikipedia.org/wiki/Ujung_Pandang" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; color: #0b0080;" title="Ujung Pandang"&gt;Ujung Pandang&lt;/a&gt;,&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/5_Agustus" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="5 Agustus"&gt;5 Agustus&lt;/a&gt;&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/1972" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="1972"&gt;1972&lt;/a&gt;; umur 39 tahun&lt;sup class="reference" id="cite_ref-kompas_0-0" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-kompas-0" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[1]&lt;/a&gt;&lt;/sup&gt;) adalah seorang&lt;a class="mw-redirect" href="http://id.wikipedia.org/wiki/Pengusaha" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Pengusaha"&gt;pengusaha&lt;/a&gt;&amp;nbsp;asal&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Indonesia" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Indonesia"&gt;Indonesia&lt;/a&gt;&amp;nbsp;yang dikenal bergerak dalam bidang&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Industri_kreatif" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Industri kreatif"&gt;industri kreatif&lt;/a&gt;.&lt;sup class="reference" id="cite_ref-kompas_0-1" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-kompas-0" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[1]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Pada usia 26 tahun, Yoris terpilih menjadi GM (General Manager) Hard Rock Cafe Indonesia, menjadi GM termuda se-Asia dan termuda kedua di dunia.&lt;sup class="reference" id="cite_ref-indigo_1-0" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-indigo-1" style="background-attachment: initial; background-clip: initial; 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style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-mii-3" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[4]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Pria yang suka minum air putih ini menunjukkan konsistensinya dalam membuat ide-ide kreatif yang tidak biasa yang dalam bahasa Inggris dikenal juga sebagai berpikir&amp;nbsp;&lt;i&gt;out of the box&lt;/i&gt;.&lt;sup class="reference" id="cite_ref-mii_3-1" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-mii-3" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[4]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Menurutnya, ide kreatif akan segera berkembang bila dimulai dengan hal yang kecil (&lt;i&gt;start small&lt;/i&gt;).&lt;sup class="reference" id="cite_ref-Yoris_4-0" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-Yoris-4" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[5]&lt;/a&gt;&lt;/sup&gt;&lt;/div&gt;&lt;h2 style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; border-bottom-color: rgb(170, 170, 170); border-bottom-style: solid; border-bottom-width: 1px; font-size: 19px; font-weight: normal; line-height: 19px; margin-bottom: 0.6em; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: 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style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&lt;span style="line-height: 19px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="line-height: 19px;"&gt;Di sanalah Yoris mulai berkecimpung dalam dunia kreatif.&lt;/span&gt;&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&lt;span style="line-height: 19px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="line-height: 19px;"&gt;Kemudian ia meneruskan kariernya di Hard Rock Café&lt;/span&gt;&lt;span style="line-height: 19px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;a class="mw-redirect" href="http://id.wikipedia.org/wiki/Jakarta" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; color: #0b0080; line-height: 19px; text-decoration: none;" title="Jakarta"&gt;Jakarta&lt;/a&gt;&lt;span style="line-height: 19px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="line-height: 19px;"&gt;sebagai&lt;/span&gt;&lt;span style="line-height: 19px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;i style="line-height: 19px;"&gt;General Manager&lt;/i&gt;&lt;span style="line-height: 19px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="line-height: 19px;"&gt;pada usia 26 tahun.&lt;/span&gt;&lt;sup class="reference" id="cite_ref-mii_3-2" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-mii-3" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[4]&lt;/a&gt;&lt;/sup&gt;&lt;span style="line-height: 19px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="line-height: 19px;"&gt;Ia dinobatkan sebagai&lt;/span&gt;&lt;span style="line-height: 19px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;i style="line-height: 19px;"&gt;GM Hard Rock Café&lt;/i&gt;&lt;span style="line-height: 19px;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="line-height: 19px;"&gt;termuda di Asia dan termuda kedua di dunia.&lt;/span&gt;&lt;sup class="reference" id="cite_ref-indigo_1-1" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-indigo-1" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[2]&lt;/a&gt;&lt;/sup&gt;&lt;/span&gt;&lt;span class="editsection" style="float: right; font-size: 13px; margin-left: 5px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="editsection" style="float: right; font-size: 13px; margin-left: 5px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="editsection" style="float: right; font-size: 13px; margin-left: 5px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span class="editsection" style="float: right; font-size: 13px; margin-left: 5px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/h2&gt;&lt;div style="font-size: 13px; line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="font-size: 13px; line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;KARIER&lt;br /&gt;Yoris memperkenalkan program&amp;nbsp;&lt;i&gt;&lt;a class="new" href="http://id.wikipedia.org/w/index.php?title=I_like_Monday&amp;amp;action=edit&amp;amp;redlink=1" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #a55858; text-decoration: none;" title="I like Monday (halaman belum tersedia)"&gt;I like Monday&lt;/a&gt;&lt;/i&gt;&amp;nbsp;di Hard Rock Café Jakarta pada 2003.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;Ketika semua tempat hiburan menitikberatkan pengadaan acara pada hari libur dan akhir minggu, Yoris mengadakan acara musik di hari Senin yang merupakan hari paling sepi kunjungan.&lt;sup class="reference" id="cite_ref-indigo_1-2" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-indigo-1" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[2]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Yoris juga membuat program bertajuk&amp;nbsp;&lt;i&gt;&lt;a class="new" href="http://id.wikipedia.org/w/index.php?title=Destination_Nowhere&amp;amp;action=edit&amp;amp;redlink=1" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #a55858; text-decoration: none;" title="Destination Nowhere (halaman belum tersedia)"&gt;Destination Nowhere&lt;/a&gt;&lt;/i&gt;&amp;nbsp;yang berarti Tujuan Tidak Kemanapun, juga pada 2003.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Sebuah acara jalan-jalan yang jadwalnya tidak disampaikan pada pesertanya.&lt;sup class="reference" id="cite_ref-indigo_1-3" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-indigo-1" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[2]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Dalam pesawat saat berada diudara , acara ini membawa Band Cokelat yang juga melakukan peluncuran album di atas ketinggian 30.000 kaki.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Hal ini kemudian diabadikan oleh MURI (Museum Rekor Indonesia).&lt;sup class="reference" id="cite_ref-indigo_1-4" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-indigo-1" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[2]&lt;/a&gt;&lt;/sup&gt;&lt;/div&gt;&lt;div style="font-size: 13px; line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;Yoris sekarang memimpin&amp;nbsp;&lt;a class="new" href="http://id.wikipedia.org/w/index.php?title=OMG_(Oh_My_Goodness)_Creative_consulting&amp;amp;action=edit&amp;amp;redlink=1" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #a55858; text-decoration: none;" title="OMG (Oh My Goodness) Creative consulting (halaman belum tersedia)"&gt;OMG (Oh My Goodness) Creative consulting&lt;/a&gt;&amp;nbsp;yang berdiri pada&amp;nbsp;&lt;a class="new" href="http://id.wikipedia.org/w/index.php?title=1_April_2007&amp;amp;action=edit&amp;amp;redlink=1" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #a55858; text-decoration: none;" title="1 April 2007 (halaman belum tersedia)"&gt;1 April 2007&lt;/a&gt;.&lt;sup class="reference" id="cite_ref-kompas_0-2" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-kompas-0" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[1]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Usaha menjual ide-ide kreatif kepada klien.&lt;sup class="reference" id="cite_ref-kompas_0-3" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-kompas-0" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[1]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;OMG telah menjadi konsultan pengembangan bisnis konsep ruang rapat fPod di fX&amp;nbsp;&lt;a class="new" href="http://id.wikipedia.org/w/index.php?title=Jalan_Sudirman&amp;amp;action=edit&amp;amp;redlink=1" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #a55858; text-decoration: none;" title="Jalan Sudirman (halaman belum tersedia)"&gt;Jalan Sudirman&lt;/a&gt;,&amp;nbsp;&lt;a class="mw-redirect" href="http://id.wikipedia.org/wiki/Jakarta" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Jakarta"&gt;Jakarta&lt;/a&gt;; kreatif konseptor Rasuna Epicentrum yang mengusung konsep The Creative Capital of&amp;nbsp;&lt;a class="mw-redirect" href="http://id.wikipedia.org/wiki/Jakarta" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Jakarta"&gt;Jakarta&lt;/a&gt;; event consultant Black Innovation Award 2009 dan International Young Creative Entrepreneur Award British Council Indonesia; pemasaran dengan konsep&amp;nbsp;&lt;i&gt;word of mouth&lt;/i&gt;&amp;nbsp;untuk XL dan kosmetik Caring Colours; konsultan pemasaran kreatif film remaja&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Queen_Bee" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Queen Bee"&gt;Queen Bee&lt;/a&gt;&amp;nbsp;(2009) dan&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Ketika_Cinta_Bertasbih" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Ketika Cinta Bertasbih"&gt;Ketika Cinta Bertasbih&lt;/a&gt;&amp;nbsp;(2009); sampai konsep bisnis inovatif untuk Avia Tour.&lt;sup class="reference" id="cite_ref-kompas_0-4" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-kompas-0" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[1]&lt;/a&gt;&lt;/sup&gt;&lt;/div&gt;&lt;h2 style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; border-bottom-color: rgb(170, 170, 170); border-bottom-style: solid; border-bottom-width: 1px; font-size: 19px; font-weight: normal; line-height: 19px; margin-bottom: 0.6em; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0.17em; padding-top: 0.5em; width: auto;"&gt;&lt;span class="editsection" style="float: right; font-size: 13px; margin-left: 5px;"&gt;[&lt;a href="http://id.wikipedia.org/w/index.php?title=Yoris_Sebastian&amp;amp;action=edit&amp;amp;section=2" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Sunting bagian: Penghargaan"&gt;sunting&lt;/a&gt;]&lt;/span&gt;&lt;span class="mw-headline" id="Penghargaan"&gt;Penghargaan&lt;/span&gt;&lt;/h2&gt;&lt;div style="font-size: 13px; line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;Yoris yang dilahirkan di&amp;nbsp;&lt;a class="mw-redirect" href="http://id.wikipedia.org/wiki/Ujung_Pandang" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Ujung Pandang"&gt;Ujung Pandang&lt;/a&gt;,&amp;nbsp;&lt;a class="new" href="http://id.wikipedia.org/w/index.php?title=5_Agustus_1972&amp;amp;action=edit&amp;amp;redlink=1" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #a55858; text-decoration: none;" title="5 Agustus 1972 (halaman belum tersedia)"&gt;5 Agustus 1972&lt;/a&gt;&amp;nbsp;telah mendapat beragam penghargaan, di antaranya&lt;/div&gt;&lt;ul style="font-size: 13px; line-height: 19px; list-style-image: url(http://upload.wikimedia.org/wikipedia/en/1/18/Monobook-bullet.png); list-style-type: square; margin-bottom: 0px; margin-left: 1.5em; margin-right: 0px; margin-top: 0.3em; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/British_Council" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="British Council"&gt;British Council&lt;/a&gt;'s International Young Creative Entrepreneur Award&amp;nbsp;&lt;sup class="reference" id="cite_ref-5" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-5" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[6]&lt;/a&gt;&lt;/sup&gt;,&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;&lt;a class="new" href="http://id.wikipedia.org/w/index.php?title=Asia_Pacific&amp;amp;action=edit&amp;amp;redlink=1" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #a55858; text-decoration: none;" title="Asia Pacific (halaman belum tersedia)"&gt;Asia Pacific&lt;/a&gt;&amp;nbsp;Entrepreneur Award Winner 2008(Most Promising Entrepreneurs)&lt;sup class="reference" id="cite_ref-6" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-6" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[7]&lt;/a&gt;&lt;/sup&gt;,&lt;/li&gt;&lt;li style="margin-bottom: 0.1em;"&gt;Young Marketers Award Winner dari IMA and Markplus, dan Future CEO to Watch dari majalah SWA&lt;sup class="reference" id="cite_ref-kompas_0-5" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-kompas-0" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[1]&lt;/a&gt;&lt;/sup&gt;.&lt;/li&gt;&lt;/ul&gt;&lt;h2 style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; border-bottom-color: rgb(170, 170, 170); border-bottom-style: solid; border-bottom-width: 1px; font-size: 19px; font-weight: normal; line-height: 19px; margin-bottom: 0.6em; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0.17em; padding-top: 0.5em; width: auto;"&gt;&lt;span class="editsection" style="float: right; font-size: 13px; margin-left: 5px;"&gt;[&lt;a href="http://id.wikipedia.org/w/index.php?title=Yoris_Sebastian&amp;amp;action=edit&amp;amp;section=3" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Sunting bagian: Pemikiran"&gt;sunting&lt;/a&gt;]&lt;/span&gt;&lt;span class="mw-headline" id="Pemikiran"&gt;Pemikiran&lt;/span&gt;&lt;/h2&gt;&lt;h3 style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; font-size: 17px; line-height: 19px; margin-bottom: 0.3em; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0.17em; padding-top: 0.5em; width: auto;"&gt;&lt;span class="editsection" style="float: right; font-size: 13px; font-weight: normal; margin-left: 5px;"&gt;[&lt;a href="http://id.wikipedia.org/w/index.php?title=Yoris_Sebastian&amp;amp;action=edit&amp;amp;section=4" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Sunting bagian: Ide Kreatif"&gt;sunting&lt;/a&gt;]&lt;/span&gt;&lt;span class="mw-headline" id="Ide_Kreatif"&gt;Ide Kreatif&lt;/span&gt;&lt;/h3&gt;&lt;div style="font-size: 13px; line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;Yoris telah menunjukkan bahwa ide adalah hal yang perlu apresiasi.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Menurutnya, ide kreatif tidak datang begitu saja.&lt;sup class="reference" id="cite_ref-kmps_7-0" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-kmps-7" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[8]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Akan tetapi harus dilatih dan dikembangkan.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Sepuluh tahun lalu mungkin publik tidak akan membayangkan bahwa ide akan dihargai, tetapi ditangan Yoris, ide bisa menjadi hal yang diperhitungkan.&lt;sup class="reference" id="cite_ref-kmps_7-1" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-kmps-7" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[8]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Ia membuktikan bahwa dunia kreatif mampu membawa sesorang popularitas dan kecukupan materi.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;&lt;i&gt;Creatif is a habit not genetic&lt;/i&gt;.&lt;sup class="reference" id="cite_ref-kmps_7-2" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-kmps-7" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[8]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Begitu Yoris mendefinisikan kreatifitas.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Bagi Yoris, orang yang ber-IQ rendah belum tentu tidak memiliki ide kreatif.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Sebaliknya, orang yang ber-IQ tinggi juga belum tentu memiliki banyak ide kreatif.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Semuanya berproses.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;kreatifitas membutuhkan latihan yang konsisten.&lt;sup class="reference" id="cite_ref-kmps_7-3" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-kmps-7" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[8]&lt;/a&gt;&lt;/sup&gt;&lt;/div&gt;&lt;div style="font-size: 13px; line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;Berpikir&amp;nbsp;&lt;i&gt;out of the box&lt;/i&gt;, bagi Yoris, memang diperlukan.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;cara berpikir ini mengajak si individu untuk berpikir dari yang biasa.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;Ketika ide itu berbeda, maka itulah berpikir&amp;nbsp;&lt;i&gt;out of the box&lt;/i&gt;.&lt;sup class="reference" id="cite_ref-ys_8-0" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-ys-8" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[9]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Berpikir seperti ini bukan berarti harus benar-benar berbeda dan baru.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;Ide-ide yang sudah ada bisa dikembangkan dan dimodifikasi.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Akan tetapi, dalam ekseskusi ide, Yoris menegaskan bahwa penting untuk berpikir&amp;nbsp;&lt;i&gt;inside the box&lt;/i&gt;.&lt;sup class="reference" id="cite_ref-ys_8-1" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-ys-8" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[9]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Menurutnya, eksekusi model ini memberikan gambaran akan batasan-batasan yang harus dimengerti.&lt;sup class="reference" id="cite_ref-ys_8-2" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-ys-8" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[9]&lt;/a&gt;&lt;/sup&gt;Artinya, suatu ide yang akan dieksekusi jangan sampai keluar dari karakteristik dasarnya.&lt;sup class="reference" id="cite_ref-ys_8-3" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-ys-8" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[9]&lt;/a&gt;&lt;/sup&gt;&lt;/div&gt;&lt;div style="font-size: 13px; line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;Yoris menyontohkan acara yang pernah ia lakukan yakni peluncuran album&amp;nbsp;&lt;a class="mw-redirect" href="http://id.wikipedia.org/wiki/Band_Padi" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Band Padi"&gt;Band Padi&lt;/a&gt;&amp;nbsp;di atap&amp;nbsp;&lt;a class="new" href="http://id.wikipedia.org/w/index.php?title=Mall_Sarinah&amp;amp;action=edit&amp;amp;redlink=1" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #a55858; text-decoration: none;" title="Mall Sarinah (halaman belum tersedia)"&gt;Mall Sarinah&lt;/a&gt;.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Acara tersebut cukup meriah.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Banyak wartawan meliput.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Keramaian itu hingga menyebabkan kemacetan.&lt;sup class="reference" id="cite_ref-mii_3-3" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-mii-3" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[4]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Akan tetapi, beberapa waktu setelahnya, penjualan album itu tidak memuaskan.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Ternyata publik menilai album itu memang tidak terlalu bagus.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Ide peluncuran album Padi itu memang&amp;nbsp;&lt;i&gt;out of the box&lt;/i&gt;, tetapi ide itu tidak sejalan dengan karakter kualitas albumnya.&lt;sup class="reference" id="cite_ref-mii_3-4" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-mii-3" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[4]&lt;/a&gt;&lt;/sup&gt;&lt;/div&gt;&lt;div style="font-size: 13px; line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;Sementara, menurut Yoris, ide bisa berasal dari mana saja.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Bisa dari&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Internet" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Internet"&gt;internet&lt;/a&gt;,&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Majalah" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Majalah"&gt;majalah&lt;/a&gt;,&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Koran" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Koran"&gt;koran&lt;/a&gt;,&amp;nbsp;&lt;a class="mw-redirect" href="http://id.wikipedia.org/wiki/Tv" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Tv"&gt;tv&lt;/a&gt;,&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Radio" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Radio"&gt;radio&lt;/a&gt;&amp;nbsp;atau apapun.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;Baginya, kunci memunculkan sebuah ide kretaif yang inovatif adalah membiasakan diri berpikir kreatif.&lt;sup class="reference" id="cite_ref-mii_3-5" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-mii-3" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[4]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Ia selalu berpijak pada sebuah visi:&lt;i&gt;Passion for knowledge, passion for innovation, and passion for achievement&lt;/i&gt;.&lt;sup class="reference" id="cite_ref-mii_3-6" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-mii-3" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[4]&lt;/a&gt;&lt;/sup&gt;&lt;/div&gt;&lt;div style="font-size: 13px; line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;Ketika ditanya mengenai idola, Yoris menyebutkan beberapa tokoh dunia yang memang terlihat sepak terjangnya dalam dunia inovasi.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Ia sebutkan&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Walt_Disney" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Walt Disney"&gt;Walt Disney&lt;/a&gt;,&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Steve_Jobs" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Steve Jobs"&gt;Steve Jobs&lt;/a&gt;,&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Madonna" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Madonna"&gt;Madonna&lt;/a&gt;, dan&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Donald_Trump" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Donald Trump"&gt;Donald Trump&lt;/a&gt;&amp;nbsp;sebagai idolanya.&lt;sup class="reference" id="cite_ref-mii_3-7" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-mii-3" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[4]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Ia menganggap bahwa mereka adalah inovator yang sukses berkat ide kreatif mereka.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Walt_Disney" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Walt Disney"&gt;Walt Disney&lt;/a&gt;&amp;nbsp;berhasil mempioniri pembuatan wahana hiburan&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Disneyland" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Disneyland"&gt;Disneyland&lt;/a&gt;&amp;nbsp;dan&lt;a class="new" href="http://id.wikipedia.org/w/index.php?title=Walt_Disney_World_Theme_Park&amp;amp;action=edit&amp;amp;redlink=1" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #a55858; text-decoration: none;" title="Walt Disney World Theme Park (halaman belum tersedia)"&gt;Walt Disney World Theme Park&lt;/a&gt;.&lt;sup class="reference" id="cite_ref-mii_3-8" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-mii-3" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[4]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Steve_Jobs" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Steve Jobs"&gt;Steve Jobs&lt;/a&gt;&amp;nbsp;sendiri adalah&amp;nbsp;&lt;a class="new" href="http://id.wikipedia.org/w/index.php?title=Inovator&amp;amp;action=edit&amp;amp;redlink=1" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #a55858; text-decoration: none;" title="Inovator (halaman belum tersedia)"&gt;inovator&lt;/a&gt;, pendiri, dan penemu&amp;nbsp;&lt;a class="mw-redirect" href="http://id.wikipedia.org/wiki/Apple_Computer" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Apple Computer"&gt;Apple Computer&lt;/a&gt;. Sementara,&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Donald_Trump" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Donald Trump"&gt;Donald Trump&lt;/a&gt;adalah Bos Properti di AS dan&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Madonna" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Madonna"&gt;Madonna&lt;/a&gt;&amp;nbsp;adalah penyanyi terkanal juga berasal dari&amp;nbsp;&lt;a class="mw-redirect" href="http://id.wikipedia.org/wiki/Negeri_Paman_Sam" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Negeri Paman Sam"&gt;Negeri Paman Sam&lt;/a&gt;&amp;nbsp;itu.&lt;sup class="reference" id="cite_ref-mii_3-9" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-mii-3" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[4]&lt;/a&gt;&lt;/sup&gt;&lt;/div&gt;&lt;h3 style="background-attachment: initial; background-clip: initial; background-image: none; background-origin: initial; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; font-size: 17px; line-height: 19px; margin-bottom: 0.3em; margin-left: 0px; margin-right: 0px; margin-top: 0px; overflow-x: hidden; overflow-y: hidden; padding-bottom: 0.17em; padding-top: 0.5em; width: auto;"&gt;&lt;span class="editsection" style="float: right; font-size: 13px; font-weight: normal; margin-left: 5px;"&gt;[&lt;a href="http://id.wikipedia.org/w/index.php?title=Yoris_Sebastian&amp;amp;action=edit&amp;amp;section=5" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Sunting bagian: Mee-too-isme"&gt;sunting&lt;/a&gt;]&lt;/span&gt;&lt;span class="mw-headline" id="Mee-too-isme"&gt;Mee-too-isme&lt;/span&gt;&lt;/h3&gt;&lt;div style="font-size: 13px; line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;Yoris merasa optimis bahwa dunia inovasi di Indonesia tidak akan kalah dengan luar negeri.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Menurutnya penghargaan kreativitas seharusnya menjadi prioritas.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Selain itu, ia menentang sekali paham “me-too-ism”.&lt;sup class="reference" id="cite_ref-ch_9-0" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-ch-9" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[10]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Paham ini merupakan rekaan Yoris untuk megibaratkan kebiasaan mencontek.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Maksudnya, kebiasaan membuat tiruan ide dari orang atau tempat lain harus diubah.&lt;sup class="reference" id="cite_ref-mii_3-10" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-mii-3" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[4]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Ide-ide yang ada harus dikembangkan, bukan hanya dicontoh mentah-mentah.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Ia menyontohkan keberhasilan&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Facebook" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Facebook"&gt;facebook&lt;/a&gt;&amp;nbsp;dan&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Twitter" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Twitter"&gt;twitter&lt;/a&gt;&amp;nbsp;yang ternyata ditanggapi dengan tidak kreatif.&lt;sup class="reference" id="cite_ref-mii_3-11" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-mii-3" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[4]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Beberapa individu membuat&amp;nbsp;&lt;a href="http://id.wikipedia.org/wiki/Facebook" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Facebook"&gt;facebook&lt;/a&gt;&amp;nbsp;versi Indonesia.&lt;sup class="reference" id="cite_ref-mii_3-12" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-mii-3" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[4]&lt;/a&gt;&lt;/sup&gt;&lt;/div&gt;&lt;div style="font-size: 13px; line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;Yoris sayangkan hal itu karena seharusnya yang diambil adalah pelajaran serta semangat untuk membuat ide baru ang orisinil.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;Yoris selalu menegaskan bahwa kunci sukses dalam menerjuni dunia inovasi adalah mengerjakan sesuatu sesuai&amp;nbsp;&lt;i&gt;passion&lt;/i&gt;.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Artinya, perlu adalanya pengenalan diri atas apa yang disukai dan itulah yang ditekuni.&lt;sup class="reference" id="cite_ref-ch_9-1" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-ch-9" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[10]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Yoris menyebut hal itu sebagai "happynomic".&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Ia menambahkan, mengerjakan sesuatu yang disukai saja tidak cukup.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Apa yang dikerjakan harus memberikan nilai ekonomi.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;Baginya, uang memang bukan tujuan utama, tetapi jangan sampai apa yang dikerjaan rugi.&lt;sup class="reference" id="cite_ref-ch_9-2" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-ch-9" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[10]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Bagi Yoris, yang peting adalah&amp;nbsp;&lt;i&gt;do it if you like it&lt;/i&gt;.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Jadi, apa yang disukai, itu yang dieksekusi dan dikembangkan.&lt;sup class="reference" id="cite_ref-ch_9-3" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-ch-9" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[10]&lt;/a&gt;&lt;/sup&gt;&lt;/div&gt;&lt;div style="font-size: 13px; line-height: 19px; margin-bottom: 0.5em; margin-top: 0.4em;"&gt;Meski putus kuliah, ia tidak pernah mengajak orang lain untuk mengikuti dirinya.&lt;sup class="reference" id="cite_ref-nov_10-0" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-nov-10" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[11]&lt;/a&gt;&lt;/sup&gt;&amp;nbsp;Ia sampaikan bahwa bisa saja berhenti kuliah, kalau memang sudah ada yang bisa menjamin masa depannya.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;&amp;nbsp;Tetapi baginya, sebagai prioritas hidup adalah belajar dan belajar.&lt;sup class="noprint Inline-Template" style="line-height: 1em;"&gt;&lt;span style="white-space: nowrap;" title="Kalimat yang diikuti tag ini membutuhkan rujukan."&gt;[&lt;i&gt;&lt;a href="http://id.wikipedia.org/wiki/Wikipedia:Kutip_sumber_tulisan" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;" title="Wikipedia:Kutip sumber tulisan"&gt;rujukan?&lt;/a&gt;&lt;/i&gt;]&lt;/span&gt;&lt;/sup&gt;Karena dari sanalah ide-ide kreatif muncul.&lt;sup class="reference" id="cite_ref-nov_10-1" style="line-height: 1em;"&gt;&lt;a href="http://id.wikipedia.org/wiki/Yoris_Sebastian#cite_note-nov-10" style="background-attachment: initial; background-clip: initial; background-color: initial; background-image: none; background-origin: initial; background-position: initial initial; background-repeat: initial initial; color: #0b0080; text-decoration: none;"&gt;[11]&lt;/a&gt;&lt;/sup&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-5282831836323912865?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/5282831836323912865/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/whos-yoris-sebastian-creative-junkies.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/5282831836323912865'/><link rel='self' type='application/atom+xml' 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class="alignleft size-medium wp-image-3182" title="pendidikan nilai" src="http://abudira.files.wordpress.com/2012/01/pendidikan-nilai.png?w=300" alt="" width="300" height="231" /&gt;&lt;/a&gt;&lt;br&gt;&lt;br /&gt;&lt;a href='http://abudira.files.wordpress.com/2012/01/values-of-being-and-giving-nilai-nurani-dan-nilai-memberi.ppt'&gt;values of being and giving nilai nurani dan nilai memberi&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-1899699204440441564?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/1899699204440441564/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/values-of-being-and-giving.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/1899699204440441564'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/1899699204440441564'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/values-of-being-and-giving.html' title='the values of being and giving'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-994572592951668914</id><published>2012-01-05T17:37:00.000-08:00</published><updated>2012-01-05T17:50:05.488-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='all about ninja'/><category scheme='http://www.blogger.com/atom/ns#' term='entrepreneurship'/><category scheme='http://www.blogger.com/atom/ns#' term='ninjapreneur.org'/><category scheme='http://www.blogger.com/atom/ns#' term='ninjapreneur'/><category scheme='http://www.blogger.com/atom/ns#' term='ninjapreneur.com'/><title type='text'>the new awesome ninjapreneur.org</title><content type='html'>Introducing the new awesome : &lt;a href="http://www.ninjapreneur.org/"&gt;NinjaPreneur.org&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;a href="http://abudira.files.wordpress.com/2012/01/ninja-preneur-kereeen.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="" class="alignleft size-medium wp-image-3164" height="267" src="http://abudira.files.wordpress.com/2012/01/ninja-preneur-kereeen.jpg?w=300" title="ninja preneur kereeen" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;strong&gt;The Corner stone &lt;/strong&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;strong&gt;&lt;span style="text-decoration: underline;"&gt;Ninja Preneur&lt;/span&gt;&lt;/strong&gt; is not a&amp;nbsp; private property. Once you open this web address, then automatically the name of Ninja Preneur&amp;nbsp; will be yours too.&amp;nbsp; You can give the name of Ninja Preneur on your store, graphic studios, music band, workshop or anything&amp;nbsp; you are fond of without paying any royalty until doomsday &lt;img alt="smiley wp" src="http://abudira.files.wordpress.com/2012/01/smiley-kecil2.jpg?w=455" /&gt;d^_^b You can also develop this community in your city. Moreover, you can change the logo of &lt;strong&gt;Ninja Preneur&lt;/strong&gt; the way you like it according to the characteristic of your area. Be creative!. Show the zeal of Muslim to the world and let us hear it and we will post in facebook and other social networks. Make more and more network, having mutual cooperation in doing goodness, trade honesty and again be creative in making &lt;strong&gt;Ninja Preneur&lt;/strong&gt; spread worldwide.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;Dedication&amp;nbsp; is more important than publication is our motto. This doesn’t mean that publication is unimportant at all but let’s do a particular work by having dedication. Then publication will appear by itself. It is unlike a politician who continuously making publication by his enchanting political campaign, but when he should work, he has no education at all. He just having greed an pursuit for gaining authority. We will prove to the world that we are absolutely not like that.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;strong&gt;Ninja Preneur&lt;/strong&gt; is a movement community, yeah, a movement which is dedicated fully to all Muslims entrepreneur or businessmen around the world. No matter whether they know it or not, they have a concern or not, but the most important thing is their dedication and enthusiasm for self-reliance and independence. They do not depend on the government in making a living and be the “main gate”&amp;nbsp; for other people’s living. They work with great seriousness that it is hoped and expected that the other Muslims are able to imitate their zeal and enthusiasm wherever they are.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;.&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; It is a pity that it is very rare to find&amp;nbsp; today’s&amp;nbsp; world inspiring Muslim’s businessmen. We get a close and better attachment to popular names like: Steve Jobs, Bill Gates, Angelo Sotira and Mark Zukerberg. Hopefully&amp;nbsp; within the next decade later by the movement of Ninja Preneur Everything will be different.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Why&amp;nbsp; our&amp;nbsp; group is called&amp;nbsp; &lt;strong&gt;Ninja Preneur&lt;/strong&gt;? Such a name which is far from Islamic values, right? Moreover it tends to be colored by Japanese and western culture,&amp;nbsp; but let’s get back&amp;nbsp; to&amp;nbsp; our motto “Dedication is more important than publication” what is the significance of a name?. the most important thing is our hardwork and willingness. However, the name of&amp;nbsp;&amp;nbsp; Ninja Preneur is still a cool name, right?. I has , in essence, universal nature, insyaAllah.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The name of Ninja Preneur is derived from two words&amp;nbsp; that is the word "Ninja" and the word "Preneur" in the capture of the word "entrepreneur" which has the meaningful philosophy, among others are:&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;strong&gt;NINJA&lt;/strong&gt;: a worker who should complete his mission with great enthusiasm and carefulness and he should be concerned with the principle of working silently .Talk less, do more and there is no words like “failure” or “impossible for a a true Ninja. The mission should be succeeded by all means or ways by the principle of achieving maximum results by doing the minimum work. This has to do with the “Insane” Japanese spirit of working. They work&amp;nbsp; with great passion and never surrender. Any way, I’m not telling you the definition of “Ninja” who has an assassination mission, yeaah, if you want to know more about the history of Ninja please visit&amp;nbsp; &lt;a href="http://id.wikipedia.org/wiki/Ninja"&gt;id.wikipedia.org/wiki/Ninja&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;strong&gt;&amp;nbsp; &amp;nbsp; PRENEUR&lt;/strong&gt;: is an entrepreneur who has independent and creative-minded mentality, in which his mind&amp;nbsp; keeps on working to keep the productivity of&amp;nbsp; his businesses and keeps on giving revenues. Dealing with this I do not explain the meaning entrepreneurs deeper and broader since&amp;nbsp; I believe beside it’s ineffective and boring&amp;nbsp; you surely have understood this point &amp;nbsp;because you're all intelligent Muslims. &lt;/div&gt;&lt;div style="text-align: justify;"&gt;So, by the combination of the term Ninja (I mean, a Moslem Ninja)&amp;nbsp; and such an entrepreneur&amp;nbsp; hopefully&amp;nbsp; we are able to prepare&amp;nbsp; a group of individuals who are&amp;nbsp; having strong integrity and&amp;nbsp; a highly dedicated personality, Never give up and giving inspiration to the world but&amp;nbsp; they are remained having the character of&amp;nbsp; low self-esteem, helpful to others based on pure and&amp;nbsp; intentions. This is so cool and awesome!&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;strong&gt;Manifesto &lt;/strong&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; If&amp;nbsp; Carl Marx was able to make his “weirdo-perverted” manifesto"&amp;nbsp; why can we make it the same way? In the Manifesto of Ninja Preneur there are five items which is elaborated by the star image on the logo&amp;nbsp; of Ninja Preneur where&amp;nbsp; Ninja Preneur has an abbreviation of “NP” and the abbreviation&amp;nbsp; of &amp;nbsp;"NP" is also will be code of our five manifesto,&amp;nbsp; hence there are : 1.NP, 2. ,NP 3. ,NP 4. NP and the last 5. NP, sooo&amp;nbsp; what ..????&amp;nbsp; I don’t mean to make all of you guys get confused.&amp;nbsp; I will explain them one by one &amp;nbsp;^_^&lt;/div&gt;&lt;strong&gt;1. &amp;nbsp;&lt;/strong&gt;&lt;strong&gt;NP ( No Problem)&lt;/strong&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;whatever burdensome the problems and obstacles we face ,we should keep saying "No Problem" with great earnestness while searching for solutions to solve these problems with a peaceful heart and cool mind.&lt;/div&gt;&lt;strong&gt;2.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/strong&gt;&lt;strong&gt;NP (Need Pray)&lt;/strong&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;No matter how hard and heroic our effort to accomplish our goals and achievement, we still need a "stimulant" that is “doa” or “prayer”. Yeah, “Prayer” is truly our weapons. Don’t forget that we’re Muslim right!. By struggling which is accompanied by prayer&amp;nbsp; will make our efforts more easier and blessed by Allah. By merely one important condition that we must "believe", since&amp;nbsp; that “yakin” or “conviction” will change everything .&lt;/div&gt;&lt;strong&gt;3.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/strong&gt;&lt;strong&gt;&amp;nbsp;NP (Now Playing)&lt;/strong&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&lt;strong&gt;Ninja Preneur&lt;/strong&gt;&amp;nbsp; almost similar to a game, and supposed that we're playing around in order to stay relaxed. , so&amp;nbsp; remember that whatever we do please “Playing seriously is better than doing a job playfully  so, whatever we do be serious and having fun.&lt;/div&gt;&lt;strong&gt;4.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/strong&gt;&lt;strong&gt;NP (Nice People)&lt;/strong&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Indeed, we are cheerful and a nice creature for anyone, anywhere and anytime because that's how our religion teaches us, since the best of man is&amp;nbsp; the one who is useful to others.&lt;/div&gt;&lt;strong&gt;5.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/strong&gt;&lt;strong&gt;NP (NON- Political)&lt;/strong&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;Well we are not politicians and do not stay in touch with any political movement.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; That's&amp;nbsp; our&amp;nbsp; five manifestos us for a meanwhile, although you may say that&amp;nbsp; this is a “rubbish” manifesto LOL . However, this is just a relative and may be someday will be added and you may also add by yourself, if you want.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;strong&gt;How it Works &lt;/strong&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;It is easy enough&amp;nbsp; to develop this community. All that we need is&amp;nbsp; your support. This is&amp;nbsp; the easiest petition that&amp;nbsp; you can do. It is just enough for&amp;nbsp; you to leave a comment below&amp;nbsp; by the typing&amp;nbsp; words “YES NP” along with&amp;nbsp; your E-mail. We also had uploaded&amp;nbsp; the banner picture in the format of vector and it will be sent at your&amp;nbsp; E-mail address and you can freely&amp;nbsp; develop your awesome creativity&amp;nbsp; by that vector. Even more you can sell them and it’s free from royalty.&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Thus, whatever job we have whether we’re businessmen, employees, farmers, students of university&amp;nbsp; even more an unemployment we should make our occupation and status&amp;nbsp; as a means to achieve happiness in&amp;nbsp; hereafter and continue the struggle of the Prophet&amp;nbsp; Muhammad PBUH and&amp;nbsp; his companions and seek the love of Allah Subhanahu wata’ala, Aameen&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; Ninja preneur will also be a cozy place to hangout for creating&amp;nbsp; work. It is why&amp;nbsp; the website of &lt;a href="http://ninjapreneur.deviantart.com/"&gt;Ninjapreneur.deviantart.com&lt;/a&gt; will be born as a showcase of your creativity and you may make any objects or entities&amp;nbsp; dealing with Ninja Preneur and of course it should be based on your free imagination as the way you like it. The most important thing is that there should be no pornography which then will be uploaded at &lt;a href="http://www.ninjapreneur.org/"&gt;NinjaPreneur.org&lt;/a&gt; , &lt;a href="http://ninjapreneur.deviantart.com/"&gt;Ninjapreneur.DeviantArt.com&lt;/a&gt; and at our &lt;a href="http://www.facebook.com/pages/Ninja-Preneur/168257386598684"&gt;Ninja Preneur Facebook FanPage&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="text-decoration: underline;"&gt;&lt;strong&gt;Ninja Preneur is a Ninja movement&amp;nbsp; which supports entrepreurship to Muslims around the world&amp;nbsp; by the use of&amp;nbsp; arts media and the&amp;nbsp; like.&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-994572592951668914?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/994572592951668914/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/new-awesome-ninjapreneurorg.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/994572592951668914'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/994572592951668914'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/new-awesome-ninjapreneurorg.html' title='the new awesome ninjapreneur.org'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-7986242599739719829</id><published>2012-01-03T10:03:00.000-08:00</published><updated>2012-01-03T10:03:09.448-08:00</updated><title type='text'>scan hadits siapa yang menghidupkan Qur'an dan sunnah di akhir zaman</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-JafboKWNZbA/TwNCQUajWtI/AAAAAAAAAew/putJ-ZmqDL0/s1600/hadits+50+pembenar.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-JafboKWNZbA/TwNCQUajWtI/AAAAAAAAAew/putJ-ZmqDL0/s320/hadits+50+pembenar.png" width="302" /&gt;&lt;/a&gt;&lt;/div&gt;di akhir zaman akan ada orang-orang yang menghidupkan Qur'an dan sunnah dan bagi mereka pahala 50 pembenar.maksudnya pahala amalan sahabat Nabi SAW. untuk yang mau donlot hadits di atas silakan &lt;a href="http://www.4shared.com/photo/dI3O2e59/hadits_siapa_hidupkan_Quran_da.html"&gt;hadist siapa yang menghidupkan Quran dan sunnah di akhir zaman.....&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-7986242599739719829?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/7986242599739719829/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/scan-hadits-siapa-yang-menghidupkan.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/7986242599739719829'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/7986242599739719829'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/scan-hadits-siapa-yang-menghidupkan.html' title='scan hadits siapa yang menghidupkan Qur&apos;an dan sunnah di akhir zaman'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-JafboKWNZbA/TwNCQUajWtI/AAAAAAAAAew/putJ-ZmqDL0/s72-c/hadits+50+pembenar.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-1825150410415662414</id><published>2012-01-03T00:21:00.000-08:00</published><updated>2012-01-08T07:09:16.523-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='gricean maxims'/><category scheme='http://www.blogger.com/atom/ns#' term='paul grice'/><title type='text'>4 VIDEO UNIK CONTOH GRICEAN MAXIMS</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;br /&gt;&lt;iframe allowfullscreen="" frameborder="0" height="349" src="http://www.youtube.com/embed/rO_gd4520jQ?hl=en&amp;amp;fs=1" width="425"&gt;&lt;/iframe&gt;&lt;br /&gt;&lt;br /&gt;WANNA DOWNLOAD ? CLICK HERE &lt;a href="http://www.4shared.com/video/RhhJdFiH/gricean_maxims_videos.html?"&gt;GRICEAN MAXIMS VIDEOS&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-1825150410415662414?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/1825150410415662414/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2012/01/wanna-download-click-here-gricean.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/1825150410415662414'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/1825150410415662414'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2012/01/wanna-download-click-here-gricean.html' title='4 VIDEO UNIK CONTOH GRICEAN MAXIMS'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/rO_gd4520jQ/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-8875124367677093078</id><published>2011-12-29T15:42:00.000-08:00</published><updated>2011-12-29T15:42:36.028-08:00</updated><title type='text'>WHERE IS GOD?</title><content type='html'>When the Russian astronauts were first in space, they mockingly said, “Look! There is no God here”. Indeed, those who believed in God have never said that God is in space.&lt;br /&gt;&lt;br /&gt;Christians, for example, believe that God is in Heaven; other believers may have different opinions as to where God is. But one thing they have in common is that God exists in this universe. A Moslem philosopher illustrates the existence of &amp;nbsp;Allah &amp;nbsp;in this universe as the existence of soul in our body. We do not know for sure in which part of the body the soul is--- in the head, chest, or limbs? But we know that those parts are living --- they move and develop – we can feel it. The soul is there, everywhere in our body.&lt;br /&gt;&lt;br /&gt;It is quite similar to the existence of &amp;nbsp;Allah &amp;nbsp;in this universe. Everywhere we can see His creations – on green land, in the blue sky, even in the blackest deep on the oceans or in the centre of the earth. Allah is only one, but He is there, everywhere in this world; there is nothing resemble Him. Allah is very close to those who have faith in their hearts.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-8875124367677093078?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/8875124367677093078/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2011/12/where-is-god.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/8875124367677093078'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/8875124367677093078'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2011/12/where-is-god.html' title='WHERE IS GOD?'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-2926269256702043337</id><published>2011-12-27T09:28:00.000-08:00</published><updated>2011-12-27T09:28:31.759-08:00</updated><title type='text'>Mengatur Ukuran Kertas di Microsoft Word</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-BtnCR7zzMhw/Tg2aOb3EBdI/AAAAAAAAAps/c4wk2_lrYuQ/s1600/office+word.jpg" style="clear: left; color: #cc6600; float: left; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: 14px; line-height: 22px; margin-bottom: 1em; margin-right: 1em; text-align: justify;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-BtnCR7zzMhw/Tg2aOb3EBdI/AAAAAAAAAps/c4wk2_lrYuQ/s1600/office+word.jpg" style="border-bottom-color: rgb(126, 53, 77); border-bottom-style: solid; border-bottom-width: 1px; border-image: initial; border-left-color: rgb(126, 53, 77); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(126, 53, 77); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(126, 53, 77); border-top-style: solid; border-top-width: 1px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;/a&gt;&lt;span style="color: #333333; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: 14px; line-height: 22px; text-align: justify;"&gt;Sebelum membuat dokumen baik naskah maupun karya tulis lainnya di Microsoft Word, hal yang sebaiknya lebih dahulu dikerjakan adalah mengatur ukuran kertas yang akan dipergunakan, mengatur margin serta orientasi kertas.&lt;/span&gt;&lt;br style="color: #333333; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: 14px; line-height: 22px; text-align: justify;" /&gt;&lt;span class="fullpost" style="display: inline; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: 14px; line-height: 22px; text-align: justify;"&gt;&lt;br /&gt;&lt;span style="color: #333333;"&gt;Biasanya secara default, ukuran kertas berada pada ukuran kertas&amp;nbsp;&lt;/span&gt;&lt;b style="color: #333333;"&gt;A4&lt;/b&gt;&lt;span style="color: #333333;"&gt;, sementara di Indonesia jenis kertas yang biasa beredar adalah&amp;nbsp;&lt;/span&gt;&lt;b style="color: #333333;"&gt;A4&lt;/b&gt;&lt;span style="color: #333333;"&gt;&amp;nbsp;(Quarto) dan&amp;nbsp;&lt;/span&gt;&lt;strike style="color: #333333;"&gt;&lt;b&gt;F4&lt;/b&gt;&lt;/strike&gt;&lt;span style="color: #333333;"&gt;&amp;nbsp;(Folio).&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: #333333;"&gt;Ukuran kertas yang juga biasa dipergunakan adalah:&lt;/span&gt;&lt;br /&gt;&lt;b style="color: #333333;"&gt;A4 : 21 cm x 29,7 cm&lt;/b&gt;&lt;br /&gt;&lt;b style="color: #333333;"&gt;Letter : 21,59 cm x 27, 94 cm&amp;nbsp;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;&lt;span style="color: blue;"&gt;F4 : 21,5 cm x 33 cm (iki folio yaaaa)&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;&lt;b style="color: #333333;"&gt;Legal : 21,59 cm x 35,56 cm&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;span class="fullpost" style="color: #333333; display: inline; font-family: 'Helvetica Neue', Arial, Helvetica, sans-serif; font-size: 14px; line-height: 22px; text-align: justify;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;Sementara untuk ukuran kertas&amp;nbsp;&lt;b&gt;F4&lt;/b&gt;, di pengaturan printer tidak semua printer mempunyai fasilitas&amp;nbsp;&lt;b&gt;F4&lt;/b&gt;&amp;nbsp;atau&amp;nbsp;&lt;b&gt;Folio&lt;/b&gt;.&lt;br /&gt;&lt;br /&gt;Untuk mengatur ukuran kertas dapat diikuti langkah-langkah berikut :&lt;br /&gt;1. Buka program Ms. Word&lt;br /&gt;2. Klik&amp;nbsp;&lt;b&gt;Page Layout&lt;/b&gt;&lt;br /&gt;3. Pada group menu&amp;nbsp;&lt;b&gt;Page Setup&lt;/b&gt;, klik&amp;nbsp;&lt;b&gt;Size&lt;/b&gt;, Pilih salah satu ukuran kertas yang diinginkan.&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-d-uhVsJn2nE/Tn7pmk7nGcI/AAAAAAAABDI/A9jcBvUn174/s1600/027.jpg" imageanchor="1" style="color: #d13350; margin-left: 1em; margin-right: 1em; text-decoration: none;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-d-uhVsJn2nE/Tn7pmk7nGcI/AAAAAAAABDI/A9jcBvUn174/s320/027.jpg" style="border-bottom-color: rgb(126, 53, 77); border-bottom-style: solid; border-bottom-width: 1px; border-image: initial; border-left-color: rgb(126, 53, 77); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(126, 53, 77); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(126, 53, 77); border-top-style: solid; border-top-width: 1px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" width="231" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/-i9tL3Ky7KdY/Tn7pFpYiiiI/AAAAAAAABC8/Dv4UG8BBZXU/s1600/022.jpg" imageanchor="1" style="color: #d13350; margin-left: 1em; margin-right: 1em; text-decoration: none;"&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;4. Jika ingin menggunakan&amp;nbsp;&lt;b&gt;F4&lt;/b&gt;, dapat memilih&amp;nbsp;&lt;b&gt;More Pages Sizes&lt;/b&gt;…, pada bagian bawah pengaturan&amp;nbsp;&lt;b&gt;Size&lt;/b&gt;&lt;br /&gt;5. Lalu setelah keluar jendela&amp;nbsp;&lt;b&gt;Page Setup&lt;/b&gt;, pilih&amp;nbsp;&lt;b&gt;Paper&lt;/b&gt;&amp;nbsp;dan pilih&amp;nbsp;&lt;b&gt;Custom Size, Width&lt;/b&gt;&amp;nbsp;untuk ukuran lebar kertas yaitu 21,59 cm dan&amp;nbsp;&lt;b&gt;Height&lt;/b&gt;&amp;nbsp;untuk tinggi kertas yaitu 33 cm..&lt;br /&gt;6. Klik&amp;nbsp;&lt;b&gt;OK&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/-M5iq0BZtDyk/Tn7pGQC2eVI/AAAAAAAABDA/2tXO81SmgH4/s1600/023.jpg" imageanchor="1" style="color: #d13350; margin-left: 1em; margin-right: 1em; text-decoration: none;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/-M5iq0BZtDyk/Tn7pGQC2eVI/AAAAAAAABDA/2tXO81SmgH4/s1600/023.jpg" style="border-bottom-color: rgb(126, 53, 77); border-bottom-style: solid; border-bottom-width: 1px; border-image: initial; border-left-color: rgb(126, 53, 77); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(126, 53, 77); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(126, 53, 77); border-top-style: solid; border-top-width: 1px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;Jika jenis printer Anda mempunyai fasilitas F4, Anda dapat memilih&lt;b&gt;&amp;nbsp;8,5X13 (custom)&lt;/b&gt;&amp;nbsp;biasanya pada printer Laser atau&amp;nbsp;&lt;b&gt;Legal Germany&lt;/b&gt;&amp;nbsp;pada printer Dotmatrix&lt;br /&gt;&lt;br /&gt;Jika satuan ukuran kertasnya masih menggunakan inchi, Anda dapat merubahnya dari inchi menjadi cm. Untuk panduannya dapat dibaca&amp;nbsp;&lt;a href="http://blogamka.blogspot.com/2011/09/satuan-inchi-menjadi-centimeter-di.html" style="color: #d13350; text-decoration: none;" target="_blank"&gt;&lt;b&gt;disini&lt;/b&gt;&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.mylivesignature.com/" style="color: #d13350; text-decoration: none;" target="_blank"&gt;&lt;img src="http://signatures.mylivesignature.com/54489/282/906BFA679E510CD7D6C72A6232654041.png" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; border-bottom-width: 0px !important; border-color: initial !important; border-image: initial !important; border-left-width: 0px !important; border-right-width: 0px !important; border-style: initial !important; border-top-width: 0px !important; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-2926269256702043337?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/2926269256702043337/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2011/12/mengatur-ukuran-kertas-di-microsoft.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/2926269256702043337'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/2926269256702043337'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2011/12/mengatur-ukuran-kertas-di-microsoft.html' title='Mengatur Ukuran Kertas di Microsoft Word'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-BtnCR7zzMhw/Tg2aOb3EBdI/AAAAAAAAAps/c4wk2_lrYuQ/s72-c/office+word.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-8847034953086930292</id><published>2011-12-26T02:17:00.000-08:00</published><updated>2011-12-26T02:17:21.839-08:00</updated><title type='text'>ANAK LAKI-LAKI DAN POHON APEL</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-Q5BY2z--Pwk/TvhJCqwyIbI/AAAAAAAAAeM/BCUd4coq9ps/s1600/lovingparents.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="212" src="http://2.bp.blogspot.com/-Q5BY2z--Pwk/TvhJCqwyIbI/AAAAAAAAAeM/BCUd4coq9ps/s320/lovingparents.JPG" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: whitesmoke; background-image: initial; background-origin: initial; color: #333333; font-family: Arial, sans-serif;"&gt;Pada suatu waktu, ada sebuah pohon apel dan anak laki-laki.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Anak itu senang bermain di sekitar pohon itu.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Anak itu suka mendaki ke puncak, makan apel, dan tidur di bawah pohon yang rindang.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Anak itu mencintai pohon apel, demikian juga &amp;nbsp;pohon itu mencintai si anak .Dengan berjalannya waktu, anak itu tumbuh dan tidak pernah bermain dengan pohon itu lagi.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: whitesmoke; background-image: initial; background-origin: initial; color: #333333; font-family: Arial, sans-serif;"&gt;&lt;br /&gt;Suatu hari, anak itu telah beranjak dewasa dan mendatangi pohon apel.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Dia tampak sedih, sehingga pohon apel bertanya kepadanya "Ayo bermain dengan aku".&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;"Saya bukan anak kecil lagi.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Saya tidak lagi senang bermain dengan pohon.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Saya ingin punya mainan, tapi saya tidak punya uang "sahut si anak. Jawab pohon apel " Aku juga tidak punya uang, tetapi jika kamu mau, ambillah &amp;nbsp;semua buah apel saya.&lt;span class="apple-converted-space"&gt;&amp;nbsp;kamu&lt;/span&gt; dapat menjualnya maka kamu akan punya uang ".&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Anak itu merasa senang dan segera mengambil semua apel dan pergi.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Tapi dia tidak pernah kembali, dan pohon itu merasa sedih.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: whitesmoke; background-image: initial; background-origin: initial; color: #333333; font-family: Arial, sans-serif;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: whitesmoke; background-image: initial; background-origin: initial; color: #333333; font-family: Arial, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: whitesmoke; background-image: initial; background-origin: initial; color: #333333; font-family: Arial, sans-serif;"&gt;&lt;br /&gt;Suatu hari, anak itu datang lagi.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;"Ayo bermain dengan aku" pinta pohon.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;"Saya tidak punya waktu untuk itu. saya sibuk.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Saya harus bekerja untuk keluarga saya.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Kami memerlukan rumah.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Apakah Anda ingin membantu saya? "Tanya anak itu.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Pohon itu menjawab "Maaf, tapi aku tidak punya apa-apa.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Tapi kamu dapat memotong cabang-cabang pohonku untuk membangun rumahmu "Anak itu merasa bahagia. Dan ia memotong semua cabang pohon apel.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Lalu anak itu pergi dengan gembira.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Pohon itu merasa bahagia melihat anak itu bahagia.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Tapi anak itu tidak pernah kembali.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Pohon itu merasa sedih dan kesepian.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: whitesmoke; background-image: initial; background-origin: initial; color: #333333; font-family: Arial, sans-serif;"&gt;&lt;br /&gt;Pada musim panas, anak itu kembali.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Dia sudah besar dan cukup tua untuk menjadi seorang pria.&lt;span class="apple-converted-space"&gt;&amp;nbsp;P&lt;/span&gt;ohon itu merasa senang &amp;nbsp;dengan kedatangannya dan bertanya "Ayo bermain dengan aku".&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;"Aku sangat sedih", kata pria itu "Aku sudah tua dan aku belum pernah berlibur.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Saya ingin memiliki sebuah perahu dan pergi berlayar.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Dapatkah Anda memberi saya sebuah perahu? ".&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;"Aku tidak memiliki sebuah perahu.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Tapi kamu bisa menggunakan batang ku untuk membuat perahumu. Sehingga kamu dapat pergi berlayar dan bersenang-senang ".kemudian pria itu &amp;nbsp;menebang pohon dan membuat perahu sendiri.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Dia pergi berlayar dan dia tidak pernah kembali.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: whitesmoke; background-image: initial; background-origin: initial; color: #333333; font-family: Arial, sans-serif;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: whitesmoke; background-image: initial; background-origin: initial; color: #333333; font-family: Arial, sans-serif;"&gt;&lt;br /&gt;Bertahun-tahun berlalu, dan pria itu datang kembali.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Sekarang, dia telah menjadi orang tua, bukan anak muda lagi.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Pohon itu berkata "Maaf, saya tidak punya apel bagi Anda untuk makan".&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;"tidak apa-apa, aku tidak punya gigi untuk memakannya".&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;"Saya tidak memiliki cabang yang kamu gunakan untuk memanjat lagi" kata pohon apel.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;"tidak apa-apa, saya tidak memiliki cukup tenaga untuk memanjatnya" jawab orang tua.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;"Saya benar-benar tidak memiliki apa-apa untukmu , kecuali &amp;nbsp;aku dan dan tunggul akar yang sudah tua” &amp;nbsp;jawab pohon itu.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;"Aku tidak perlu apa-apa.&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Aku sudah tua dan yang saya butuhkan hanyalah tempat untuk meletakkan kepala saya .&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Aku sangat lelah telah meninggalkanmu dalam waktu yang sangat lama ".&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;"Tahukah kamu bahwa tunggul pohon adalah tempat yang sangat baik untuk berbaring dan beristirahat?&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Baringkan kepala dan beristirahatlah dengan damai di sini ".&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;Orang tua itu meletakkan kepalanya dan akar pohon yang tua itu memeluknya.&lt;br /&gt;Pohon itu merasa sangat bahagia dan tersenyum.&lt;/span&gt;&lt;br /&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: whitesmoke; background-image: initial; background-origin: initial; color: #333333; font-family: Arial, sans-serif;"&gt;translated by Pak Faizal and taken from :&amp;nbsp;&lt;a href="http://www.kaskus.us/showthread.php?t=3294799" target="_blank"&gt;KASKUS ENGLISH FORUM&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-8847034953086930292?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/8847034953086930292/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2011/12/anak-laki-laki-dan-pohon-apel.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/8847034953086930292'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/8847034953086930292'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2011/12/anak-laki-laki-dan-pohon-apel.html' title='ANAK LAKI-LAKI DAN POHON APEL'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-Q5BY2z--Pwk/TvhJCqwyIbI/AAAAAAAAAeM/BCUd4coq9ps/s72-c/lovingparents.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-833406801353284345</id><published>2011-12-25T16:52:00.001-08:00</published><updated>2011-12-25T22:11:35.426-08:00</updated><title type='text'>material and assignment of KKI Studs of year 2010</title><content type='html'>Assalamualaikum wr.wb&lt;br /&gt;&lt;br /&gt;dear all my students&lt;br /&gt;&lt;a href="http://abudira.files.wordpress.com/2011/12/kki-2010.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="" class="alignleft size-medium wp-image-3118" height="296" src="http://abudira.files.wordpress.com/2011/12/kki-2010.jpg?w=300" title="kki 2010" width="400" /&gt;&lt;/a&gt;&lt;br /&gt;on this occasion I'd like to share my experience of translating Arabic into English terms. as I have told you via my lecture entitled &lt;a href="http://abudira.wordpress.com/2011/12/20/translating-culture-ppt-download/"&gt;translating culture&lt;/a&gt; and &lt;a href="http://abudira.wordpress.com/2011/12/19/untranslatability-translation-study-ppt-download/"&gt;UNTRANSLATABILITY&lt;/a&gt; that there are two problems of getting best translation: Linguistic translation and Cultural translation. here are some of confusion and challenging problems I've found:&lt;br /&gt;do you think these translation are belong to correct best translation?:&lt;br /&gt;1. jihad = holy war&lt;br /&gt;2. zakaat = holy tax&lt;br /&gt;3.kitaab: books&lt;br /&gt;&lt;br /&gt;4. shalat=prayer&lt;br /&gt;&lt;br /&gt;5. Shari'ah =divine path ( why don't we translate it as&lt;br /&gt;&lt;ul&gt;&lt;li&gt;"the Muslim code&lt;/li&gt;&lt;li&gt;the path to the Divine&lt;/li&gt;&lt;li&gt;the Muslim code of conduct&lt;/li&gt;&lt;li&gt;the Muslim code of practice ")?&lt;/li&gt;&lt;/ul&gt;some of the above translation can easily be found of an anti islam sites like: faithfreedom.org, answering-islam.org, forum murtadin kafirun and a bunch of demo-Crazy-showing-foolishness sites. IMHO, it's better for us to see the better translation on these links :&lt;a href="http://en.wikipedia.org/wiki/Glossary_of_Islam"&gt;Glossary of Islam &lt;/a&gt;, &lt;a href="http://wikiislam.net/wiki/Glossary_of_Islamic_Terms"&gt;Glossary of Islamic terms&lt;/a&gt; and &lt;a href="http://www.al-islam.org/about/resources/glossary.html"&gt;www.al-islam.org&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;Ok, my dear students, I'll give the elaboration and discussion on the next meeting and this is your assignment.&lt;br /&gt;&lt;br /&gt;please make a frequent reading of this islamic text reading entitled:&lt;a href="http://abudira.wordpress.com/2011/12/02/hadrat-khansa-radhiyallaho-anha-exhorts-hers-ons-to-bravery/"&gt;hadrat-khansa-radhiyallaho-anha-exhorts-hers-ons-to-bravery&lt;/a&gt; or just clink this one for downloading ms-word file &lt;a href="http://abudira.files.wordpress.com/2011/12/hadrat-khansa-r-ha.docx"&gt;hadrat khansa rodliyaLLAHU anha&lt;/a&gt;&lt;br /&gt;best regards&lt;br /&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://abudira.files.wordpress.com/2011/12/fay-iron.gif" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img alt="" class="alignleft size-full wp-image-3121" height="200" src="http://abudira.files.wordpress.com/2011/12/fay-iron.gif" title="fay iron" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;h2&gt;&lt;/h2&gt;&lt;a href="http://www.pakfaizal.web.id/"&gt;Pak Faizal .web. id&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-833406801353284345?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/833406801353284345/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2011/12/assalamualaikum-wr.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/833406801353284345'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/833406801353284345'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2011/12/assalamualaikum-wr.html' title='material and assignment of KKI Studs of year 2010'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-5916130347681475912</id><published>2011-12-25T07:39:00.000-08:00</published><updated>2011-12-25T14:53:01.602-08:00</updated><title type='text'>reference and inference ppt download</title><content type='html'>&lt;a href="http://abudira.files.wordpress.com/2011/12/last-lecture1.png"&gt;&lt;img alt="" class="alignleft size-medium wp-image-3108" height="226" src="http://abudira.files.wordpress.com/2011/12/last-lecture1.png?w=300" title="last lecture" width="300" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;this is the last material of my pragmatics lecture.click here for free download abiieZ:&lt;br /&gt;&lt;a href="http://abudira.files.wordpress.com/2011/12/reference-and-inference-george-yule1.ppt"&gt;reference and inference george yule&lt;/a&gt;&lt;br /&gt;the other downloadable materials of pragamtics can be seen at this linkz: &lt;a href="http://abudira.wordpress.com/2011/12/02/all-my-pragmatics-downloadable-materials/"&gt;all-my-pragmatics-downloadable-materials&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-5916130347681475912?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/5916130347681475912/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2011/12/reference-and-inference-ppt-download.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/5916130347681475912'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/5916130347681475912'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2011/12/reference-and-inference-ppt-download.html' title='reference and inference ppt download'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-8044774819815147430</id><published>2011-12-24T22:08:00.000-08:00</published><updated>2011-12-24T22:08:12.499-08:00</updated><title type='text'>A CONVERSATIONAL IMPLICATURE  ANALYSIS ON OSCAR WILDE’S HAPPY PRINCE</title><content type='html'>&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;A CONVERSATIONAL IMPLICATURE &amp;nbsp;ANALYSIS &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;ON OSCAR WILDE’S &lt;i&gt;HAPPY PRINCE&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;Faizal Risdianto, S.S,M.Hum&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;&lt;span style="font-family: 'Times New Roman', serif;"&gt;&lt;b&gt;STAIN SALATIGA&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Abstract&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify; text-indent: 36pt;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;The title of this paper is a conversational implicature analysis on Oscar &amp;nbsp;Wilde’s Happy Prince. In this paper, the writer discusses conversational implicature in one of Oscar Wilde’s short story entitled Happy Prince. The objectives of the study are to identify the implicature utterances uttered by the characters in Oscar Wilde’s Happy Prince and &amp;nbsp;to describe the implied meaning uttered by the characters in Oscar Wilde’s Happy Prince.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify; text-indent: 36pt;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; In this study, the writer applies qualitative research method. the data are obtained in written form and conversational implicature uttered by the characters in Oscar Wilde’s Happy Prince. The source of data is taken from Oscar Wilde’s short story entitled Happy Prince and the supporting data are knowledge and comprehension of the writer as the researcher and theories related with this study. In the method of collecting data, the writer uses “recording technique” as the basic technique and is continued by “noting technique” . Meanwhile, in method of analyzing data, the writer uses contextual research to analyze the data and in analyzing conversational implicature, the writer uses Gricean theory. Gricean theory is about conversational implicature generated by four maxims. those are maxim of quantity, maxim of quality, maxim of relation and maxim of manner.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;i&gt;In this analysis, the writer finds 10 conversational implicatures in Oscar Wilde’s Happy Prince. &amp;nbsp;In the short story, there are some variation’s meanings of the conversational implicature used in in the short story which closely related to&amp;nbsp; the conversational implicature. They are &amp;nbsp;cooperative , politeness&amp;nbsp; and ironical principle. In&amp;nbsp; Oscar Wilde’s Happy Prince, there are&amp;nbsp; six maxims of politeness principle, two maxims of cooperative principles and two maxims of &amp;nbsp;ironical principles. Beside that, The reasons of the conversational implicature used in&amp;nbsp; Oscar Wilde’s Happy Prince are to make easy we understand the dialogue in the short story conversations and it is aimed at minimizing misunderstanding&amp;nbsp; among the readers and literary critics.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Key words: &lt;i&gt;Conversational Implicature,&amp;nbsp; Maxims, Gricean theory, Short story.&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Introduction&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Language&amp;nbsp; plays an&amp;nbsp; important and significant roles in human communication. They use it by the aim creating&amp;nbsp; common understanding between the speaker and the hearer. To know what the speaker &amp;nbsp;means, the hearer should interpret what the speaker’s utterance is. Dealing with this interpretation, based on experience, it is&amp;nbsp; a tricky affair. Sometimes it occurs possible misunderstandings and sometimes it seems to be the rule rather than the exception (Jacob L. Mey, 1983: 100). According to Leech, interpreting an utterance is ultimately “A matter of guesswork, or (to use a more dignified term) hypothesis formation “ (1983:30-1).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Regarding on the above statement, people have to interpret the speaker’s saying. In pragmatics, it is called &amp;nbsp;as &amp;nbsp;conversational implicature. Grice says that conversational implicature can be defined as “A different (opposite, additional, etc) &amp;nbsp;pragmatic meaning of an utterance with respect to the literal meaning expressed by utterance” (Jacob L. Mey, 1998: 371). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;In a case of conversational implicature the hearer crucially makes the assumption that the speaker is not violating one of the conversational maxims, relevance, informativeness, or clarity. This, in fact, has a contradition in real daily conversation. It makes possible for the use of implicature to give more elaboration on the lingual phenomenon.According to James R. Hurford, implicature is a concept of utterance meaning as opposed to sentence meaning. Furthermore, implicature is related to the method by which speakers work out the indirect illocutions of utterance (1983: 278). This kind of case can be easily found conversation taken from literary work of arts like novel or short stories. Short story&amp;nbsp; is&amp;nbsp; one of the popular genre of fiction which sometimes contains implicature in the conversation among the characters. In this paper, the writer will try to elaborate more about conversational implicature in Oscar Wilde’s Happy Prince but it will be described about the synopsis of&amp;nbsp; this famous classic short story.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;The Synopsis Of Happy Prince&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="line-height: 18.0pt; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 4.8pt; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial;"&gt;One cold night a little swallow flew over the city where a beautiful statue stood. The swallow’s friends had gone away to Egypt six weeks before, but he had not because he was in love with the most beautiful reed. The other swallows had told him that his love was ridiculous because the reed had no money and too many relations, and she was always flirting with the wind.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18.0pt; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 4.8pt; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial;"&gt;While he was flying he saw the statue. It was covered by thin leaves of fine gold; for eyes he had two sapphires and a large red ruby glowed on his sword. When the prince whom the statue was made after he died he did not know what tears were - he lived in a palace where sorrow was not allowed. The court used to call him the Happy Prince, and when he died the Town Councillors decided to build the statue, which was set up so high that he could see everything in the city.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18.0pt; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 4.8pt; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial;"&gt;The swallow decided to sleep on the statue’s feet, but just when he was putting his head under his wings, he felt a drop of water, and then another. When he looked up he realized that the Happy Prince was crying because he could see the misery and ugliness of his own city. So the Happy Prince asked the swallow to be his messenger. Through a small window the Happy Prince could see a very poor seamstress who was embroidering passion flowers on a satin gown, and he could also see her ill boy. They had no food to eat, so the Happy Prince told the swallow to take out the ruby from his sword and give it to them.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18.0pt; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 4.8pt; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial;"&gt;The following night the Happy Prince saw a man in a cold garret trying out to finish a play, but he was too cold to write, so the Happy Prince asked the swallow to take out a sapphire from his eyes and give it to him in order to buy wood. The following day, he saw a match-girl whose matches had fallen in the gutter, whose father would hit her if she did not bring home some money. In order to help her, the Happy Prince asked the swallow to pluck the sapphire from his other eye to give to the girl. As a result of this action he became blind and the swallow had to fly over the city in order to tell him what he had seen. He saw two children crying of hunger and a lot of poverty, so the Happy Prince decided to take out all the golden leaves so as to give them to the poor children.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18.0pt; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 4.8pt; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial;"&gt;At last the swallow realised that he would die because of the cold winter, and he decided to stay with the Happy Prince. The Prince asked the swallow to kiss his lips as he loved him, and once the swallow did so he fell down at the Prince's feet. At that moment a crack sounded inside the statue as the Prince's heart broke.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18.0pt; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 4.8pt; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial;"&gt;Early the next morning, the Mayor saw the statue but, as it was not beautiful, he decided it was no longer useful, so he decided to pull it down. The statue was melted in a furnace and reused. The broken lead heart, however, did not melt, and so it was thrown away on a dust-heap alongside the dead swallow, the Prince's final friend.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="line-height: 18.0pt; margin-bottom: 6.0pt; margin-left: 0cm; margin-right: 0cm; margin-top: 4.8pt; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial;"&gt;However, an angel charged by God to find "the two most precious things in the city" returned with the dead bird and the Prince's broken heart. God approved of the angel's choice, and decreed that both the swallow and the Prince would live happily in His presence forever.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-indent: 36.0pt;"&gt;&lt;span style="background: white; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Interestingly in this short story Wilde personifies the statue of Happy Prince and The swallow as his creative means of giving social criticism. Eventhough this is a fairy tale which at the first time intended just for Wilde’s&amp;nbsp; &lt;/span&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;two sons but its educational and humane value go far beyond the fairy world of children. The story develops children's compassion and sympathy for the poor and makes adults look back on their attitude toward the unfortunate people around them. All the good actions of the Happy Prince are so worthy and touching that he deserves our respect and admiration.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 22.45pt; margin-bottom: 9.35pt; margin-left: 0cm; margin-right: 0cm; margin-top: 9.35pt; text-indent: 35.4pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;One of them is&amp;nbsp; the Happy Prince's actions of helping the poor .Without the ruby from his sword hilt, the seamstress's son may die of fever. His immediate and valuable action also helps the playwright out with a sapphire to buy food and firewood and escape from hunger and coldness. Again, the Happy Prince prevents the poor little match seller from being beaten by giving her the remaining sapphire. He is not hesitant to strip himself of all fine gold leaves to help the homeless children. &amp;nbsp;Although the &lt;i&gt;Happy Prince&lt;/i&gt; is a beautiful statue, a splendid work of art, he accepts his dull and grey appearance to help the needy to have a happy and sufficient life. His actions deserve being appreciated and praised.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;About Oscar Wilde&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;This beautiful short story was written by Oscar Wilde. He was was an 19&lt;sup&gt;th&lt;/sup&gt; &amp;nbsp;century Irish writer whose works include the play “The Importance Of Being Earnest”&amp;nbsp; and the novel “The Picture Of Dorian Gray”. He is also one of the Victorian era's most famous writers, a wit whose good-humored disdain for convention became less favored after he was jailed for homosexuality. Wilde grew up in a prosperous family and distinguished himself at Dublin's trinity college and London's Oxford. He published his first volume of poems in 1881 and found work in England as a critic and lecturer, but it was his socializing (and self-promotion) that made him famous, even before the 1890 publication of “The Picture Of Dorian Gray”. In 1895, at the height of his popularity, his relationship with the young poet Lord Alfred Douglas was declared inappropriately intimate by Douglas's father, The Marquess Of&amp;nbsp; Queensberry. Wilde sued for libel, but the tables were turned when it became clear there was enough evidence to charge wilde with "Gross Indecency" for his homosexual relationships. He was convicted and spent two years in jail, after which he went into self-imposed exile in France, bankrupt and in ill health. His other works include the comedies “Lady Windermere's Fan” (1892), “A Woman Of No Importance “(1893) and an “Ideal Husband” (1895), several collections of children's stories and the French drama “Salomé” (1896).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Gricean Theories of Conversational Implicature&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;According to Grice there is a general cooperative principle between speakers and hearers which controls or guides the way they speak (F.R. Palmer, 1981: 173). The cooperative principle consists of four maxims with their sub maxims. The four maxims are: the maxim of quantity which has&amp;nbsp; the principles of “Make your contribution as informative as required” &amp;nbsp;(for the current purposes of exchange) and “Do not make your contribution more informative than is required”, the maxim of quality which has the principles of “Try to make your contribution one that is true” and “Do not say what you believe to be false” or “Do not say that for which you lack evidence”, the maxim of relation which has the principle of “Be relevant” and the last one,&amp;nbsp; the maxim of manner with its principle “be perspicuous” “Avoid obscurity of expression”, “Avoid ambiguity”, “Be brief” and “Be orderly”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;It is important to recognize these maxims as unstated assumptions we have in conversations. We assume that people are normally going to provide an appropriate amount of information and they are telling the truth, being relevant and trying to be as clear as they can. These rules according which people are expected to behave when communicating with one another are frequently flouted or violated. and that is the factor which conversational implicature results from. It occurs when people do not observe the conversational maxims, it does not matter which one or how many of them.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;The Politeness Principle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;&amp;nbsp;The other principle of&amp;nbsp; conversational implicature is politeness principles. According to George Yule in “Pragmatics”, politeness can be defined as the means employed to show awareness of another person’s face (1996: 60). In this sense, politeness can be accomplished in situations of social distance or closeness. Showing awareness for another person’s face when the others seem socially distant is often described in terms of respect. Showing the equivalent awareness when the other is socially close is often described in terms of friendliness, “camaraderie” or solidarity. In simple terms, George Yule distinguished two politenesses, there are: (1) positive politeness which deals with face saving act which is concerned with the person’s positive face. This tends to show solidarity, emphasizes that both speakers want the same thing and they both have a common goal. (2) negative politeness which can be defined as a face saving act which is oriented to the person’s negative face which tends to show difference. This &amp;nbsp;emphasizes the importance of the other’s time or concerns and even includes &amp;nbsp;an apology for the imposition or interruption.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Beside that, according to Geoffrey Leech, politeness principles distinguish into six maxims:&amp;nbsp; (1) &lt;i&gt;&lt;u&gt;the maxim of tact&lt;/u&gt;&lt;/i&gt; which has the principle of&amp;nbsp; “Minimize the expression of beliefs which imply cost to other” and “Maximize the expression of beliefs which imply benefit to other”, (2) &lt;i&gt;&lt;u&gt;The maxim of generosity&lt;/u&gt;&lt;/i&gt; which has sthe principle “Minimize the expression of beliefs that express or imply benefit to self” and “Maximize the expression of beliefs that express or imply cost to self”, (3)&lt;i&gt;&lt;u&gt;The maxim of approbation&lt;/u&gt;&lt;/i&gt; which has the principle of “Minimize the expression of beliefs which express dispraise of other” and “Maximize the expression of beliefs which express approval of other”, (4) &lt;i&gt;&lt;u&gt;The maxim of modesty &lt;/u&gt;&lt;/i&gt;which has the principle of “Minimize the expression of praise of self” and “Maximize the expression of dispraise of self”, &lt;i&gt;&lt;u&gt;(5) The maxim of agreement&lt;/u&gt;&lt;/i&gt; which has the principle of “Minimize the expression of disagreement between self and other” and “Maximize the expression of agreement between self and other” , &lt;i&gt;&lt;u&gt;(6) The maxim of sympathy&lt;/u&gt;&lt;/i&gt; which has&amp;nbsp; the principle&amp;nbsp; of “Minimize antipathy between self and other” and “Maximize sympathy between self and other”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;&amp;nbsp; The Ironical Principle&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;The phenomenon of irony has been employed in ordinary conversation as well as in literature since ancient times and it is still a popular means of expression, especially in English culture. English liking for the use of irony in conversation in apparent from interaction among friends, television programs, radio broadcasting and a number of other ordinary speech situations and there can be no wonder that the use of this linguistic device is frequently present in fictional discourse if an author tries to make his/her work of art sound more authentic.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Irony indicates that what is meant is the contradictory of what is said. the use of irony is intentional. in other word, we employ this linguistic device in utterance if we want the addressee to encode the extra meaning hidden in the ironical remark. irony is contradicting either what the speaker has said or usually says, or, contradicting what the take to be true. to read the irony a hearer or reader do not just have to know the context, but also have to be committed to specific beliefs and positions within that context (Colebrook, 2004: 166, Martina Stykatova, 2009: 53).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Irony principle is a second order principle, which builds upon, or exploits, the principle of politeness. it allows the hearer to arrive at the offensive point of the speaker’s remark indirectly, by way of implicature (Leech, 1983: 82, Martina Stykatova, 2009: 5). Irony, as a number of other means of expression, is also frequently employed in fictional works like novels and shor stories. It provides interestingness in dialogue, it makes explicit and implicit dialogues more sophisticated and it is more laborious for readers. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;The use of irony in conversation is intentional. the author of the literary works employs irony with some particular goal; They wish to achieve a particular purpose. Irony can have a function humor and ridicule. It can serve only for entertaining the the readers. The speaker or writer may want to be sarcastic, he or she may want to indicate that something is disapproved but does not want to be too direct when criticizing (Martina Stykatova, 2009: 55). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;In contrast to all the conversational implicature discussed so far, conventional implicature are not based on the cooperative principle or the maxims. they do not have to occur in conversation, and they do not depend on special contexts for their interpretation. same with lexical presuppositions, conventional implicatures are associated with specific words and result in additional conveyed meanings when those words are used (George Yule, 1996: 45).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Conventional implicature is always conveyed, regardless of context. according Levinson, conventional implicature are non-truth-conditional inferences that are not derived from super ordinate pragmatic principles like the maxims, but are simply attached by convention to particular lexical item (1983: 127).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;The Conventional Implicature&amp;nbsp; Analysis&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;(1)"Who are you?" he said.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;"I &amp;nbsp;am the Happy Prince."&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;"Why are you weeping then?" asked the swallow; "You have quite drenched me."&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;This conversation is in accordance to the&amp;nbsp; cooperative principle by the maxim of quantity. When the statue of Happy Prince was asked by the swallow He give an answer which is exactly provides the quantity of expected answer. He did not give an information more that needed by the swallow.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;(&lt;i&gt;2) "I &amp;nbsp;am glad that you are going to Egypt at last, little swallow," said the prince, "You have stayed too long here; but you must kiss me on the lips, for I love you."&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;"It is not to Egypt that I am going," said the swallow. "I am going to the house of death. Death is the brother of sleep, is he not?".and he kissed the Happy Prince on the lips, and fell down dead at his feet.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;This conversation is in accordance to the&amp;nbsp; cooperative principle by the maxim of quantity. When the statue of Happy Prince was asked by the swallow He give an answer which is exactly provides the quantity of expected answer. He did not give an information more that needed by the swallow.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;(3)&amp;nbsp;&amp;nbsp; "Far away," continued the statue in a low musical voice, "Far away in a little street there is a poor house. One of the windows is open, and through it I can see a woman seated at a table. Her face is thin and worn, and she has coarse, red hands, all pricked by the needle, for she is a seamstress. She is embroidering passion-flowers on a satin gown for the loveliest of the queen's maids-of-honour to wear at the next court-ball. In a bed in the corner of the room her little boy is lying ill. He has a fever, and is asking for oranges. His mother has nothing to give him but river water, so he is crying. swallow, swallow, little swallow, will you not bring her the ruby out of my sword-hilt? My feet are fastened to this pedestal and I cannot move."&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;This conversation is in accordance to the&amp;nbsp; politeness principle by the maxim of&amp;nbsp; sympathy. Intelligently the author used Happy prince,the statue as a means of showing sympathy to the poor seamstress woman whose little boy is lying ill. This is a nice instance of politeness principle.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;&amp;nbsp;(4) "Swallow, Swallow, little swallow," said the prince, "Far away across the city I see a young man in a garret. He is leaning over a desk covered with papers, and in a tumbler by his side there is a bunch of withered violets. His hair is brown and crisp, and his lips are red as a pomegranate, and he has large and dreamy eyes. He is trying to finish a play for the director of the theatre, but he is too cold to write any more. there is no fire in the grate, and hunger has made him faint."&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;"I will wait with you one night longer," said the swallow, who really had a good heart. "Shall I take him another ruby?"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;"Alas! I have no ruby now," said the prince; "My eyes are all that i have left. they are made of rare sapphires, which were brought out of India a thousand years ago. Pluck out one of them and take it to him. He will sell it to the jeweller, and buy food and firewood, and finish his play."&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;This conversation is in accordance to the&amp;nbsp; politeness principle by the maxim of&amp;nbsp; sympathy. Brilliantly Wilde&amp;nbsp; used Happy prince,the statue as a means of showing sympathy to the hungry young man who felt cold that he was unable to finish a play for the director of the theatre. Then Happy Prince asked the swallow to pluck expensive sapphire from the statue’s eyes and gave it to the hungry man. It is given so that the man can buy food and firewood and finish his play.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;&amp;nbsp;(5)"In the square below," said the Happy Prince, "There stands a little match-girl. She has let her matches fall in the gutter, and they are all spoiled. Her father will beat her if she does not bring home some money, and she is crying. She has no shoes or stockings, and her little head is bare. pluck out my other eye, and give it to her, and her father will not beat her."&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; tab-stops: -13.5pt; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;This conversation is in accordance to the&amp;nbsp; politeness principle by the maxim of&amp;nbsp; sympathy.Smartly the writer used Happy prince,the statue as a means of showing sympathy to the little match-girl who will be beaten by her father if she did not bring some money. Happy Prince then asked the swallow to pluck his other eye and give the rare&amp;nbsp; Indian sapphire to her. This was done in order her father will not beat her.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;&amp;nbsp;(6)&amp;nbsp; "Dear prince," said the swallow, "I cannot do that"; and he began to weep.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="margin-bottom: 0.0001pt; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;"Swallow, Swallow, little swallow," said the prince, "Do as I command you."&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;This conversation is in accordance to the&amp;nbsp; politeness principle by the maxim of&amp;nbsp; sympathy. Intelligently the author telling the reader about the feeling of&amp;nbsp; swallow which did not have a heart to pluck the rare sapphire from the face of Happy Prince stature. This was done It is given in order to make&amp;nbsp; a hungry&amp;nbsp; man could buy food and firewood and finish his play.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;&amp;nbsp;&lt;i&gt;(7)&amp;nbsp; "I will stay with you one night longer," said the swallow, "But I cannot pluck out your eye. You would be quite blind then."&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;"Swallow, Swallow, little swallow," said the prince, "Do as I command you."&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;This conversation is in line politeness principle by the maxim of&amp;nbsp; sympathy. Intelligently the author telling the reader about the feeling of&amp;nbsp; swallow which did not have a heart to pluck the other rare sapphire from the face of Happy Prince stature. The swallow afraid this will made him blind. This was done to the little match-girl who will be beaten by her father if she did not bring some money. Happy Prince asked the swallow to pluck the last sapphire in his eye and give the precicious jewelery to her. This was done in order her father will not beat her.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;&amp;nbsp;(8)&amp;nbsp; "It is a ridiculous attachment," twittered the other swallows; "She has no money, and far too many relations"; and indeed the river was quite full of reeds. then, when the autumn came they all flew away.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;This conversation is&amp;nbsp; a flout and violation of the politeness principle particularly the maxim of approbation. The author told us about the conversation among the other swallows which critisize the effort of the swallow which try to flirt the female Reed. Their remarks that&amp;nbsp; the Reed has no money and&amp;nbsp; far too many relation is a violation of maxim of approbation.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Ideally as the speaker the swallows made a conversation which “Maximize the expression of beliefs which express approval of other” but in fact it can be clearly seen that they made a remarks which “Minimize the expression of beliefs which express dispraise of other”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;&amp;nbsp;(9)&amp;nbsp; He was very much admired indeed. "He is as beautiful as a weathercock," Remarked one of the town councillors who wished to gain a reputation for having artistic tastes; "only not quite so useful," He added, fearing lest people should think him unpractical, which he really was not.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;This remark is the&amp;nbsp; instance of ironical expression. In this case the words of the town councillors that the statue of Happy Prince is as beautiful as weathercock&amp;nbsp; is in contradiction with his character.The&amp;nbsp; readers have known that he said that just to gain a reputation for having artistic tastes whereas, in fact, he did not have any artistic tastes.This is the smart way of the autor to mildly critisize the dumb government official at that moment. It is actually offensive but the writer remark it inderectly throught the characters in the short story by way of implicature.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;(10)&amp;nbsp; Early the next morning the mayor was walking in the square below in company with the town councillors. as they passed the column he looked up at the statue: "Dear me! How shabby the happy prince looks!" He said.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;"How shabby indeed!" cried the town councillors, who always agreed with the mayor; and they went up to look at it.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;"The ruby has fallen out of his sword, his eyes are gone, and he is golden no longer," said the mayor in fact, "He is little better than a beggar!"&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;&lt;i&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt;"&gt;"Little better than a beggar," Said the town councillors.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 36.0pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;This remark is another example of ironical expression. In this case it can be seen the funny expression of the stupid town councillors which&amp;nbsp; always imitate what the major said.Actually, the town councillors has his own wish and desire but because of his vested interest towards the major he always justifies what the major said to him..This is the intelligent craftmanship of Wildle in mildly critisizing&amp;nbsp; the fool government official at that moment. It is actually offensive but the writer remark it inderectly throught the characters in the short story by way of implicature.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Conclusion&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify; text-indent: 40.5pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;Based on the data presentation and data analysis of the conversational implicature used in &amp;nbsp;Oscar Wilde’s &lt;i&gt;Happy Prince&lt;/i&gt;, the writer draws some conclusion as follows:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoListParagraph" style="line-height: 150%; margin-left: 31.5pt; mso-list: l0 level1 lfo1; tab-stops: -18.0pt; text-align: justify; text-indent: -27.0pt;"&gt;&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;1.&lt;span style="font: 7.0pt &amp;quot;Times New Roman&amp;quot;;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;&amp;nbsp;In the short story, there are some variation’s meanings of the conversational implicature used in in&amp;nbsp; Oscar Wilde’s &lt;i&gt;Happy Prince&lt;/i&gt;, as follows: conversation implicature connected with cooperative principles, politeness principle and ironical principle. In&amp;nbsp; Oscar Wilde’s &lt;i&gt;Happy Prince&lt;/i&gt;, there are&amp;nbsp; six forms of politeness principle, two forms of cooperative principles and two ironical principles.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; margin-left: 31.5pt; text-align: justify; text-indent: -31.5pt;"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 150%;"&gt;2.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; The reasons of the conversational implicature used in&amp;nbsp; Oscar Wilde’s &lt;i&gt;Happy Prince&lt;/i&gt; are to make easy we understand the dialogue or conversation in the short story. Beside that this is aimed at minimizing misunderstanding &amp;nbsp;among the readers and literary critics. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;b&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;BIBILIOGRAPHY&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://en.wikipedia.org/wiki/gricean_maxims,html"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;http://en.wikipedia.org/wiki/gricean_maxims,html&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;, Sunday, july 31, 2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;a href="http://is.muni.cz/th/124889/ff_m/m.a_diploma_thesis.txt"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;http://is.muni.cz/th/124889//ff_m/m.a_diploma_thesis.txt&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;, &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;Sunday, July 31, 2011.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;Grice, Paul. 1975. &lt;i&gt;Logic and Conversation&lt;/i&gt;.London. Oxford University Press.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;Hurford, James R. 1983. &lt;i&gt;Semantics of Coursebook&lt;/i&gt;. New York: Cambridge University Press.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;Leech, Geoffrey. 1983. &lt;i&gt;Principle of Pragmatics.&lt;/i&gt; United Stated of America: Longman Group.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;Levinson, Stephen C. 1983. &lt;i&gt;Pragmatics.&lt;/i&gt; New York. Cambridge University Press.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;Mey, Jacob L. 1983. &lt;i&gt;An Introduction of Pragmatics.&lt;/i&gt; United States of&amp;nbsp; America: Blackwell.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;Mey, Jacob L. 1998. &lt;i&gt;Concise Encylopedia of Pragmatics&lt;/i&gt;. New York: Elseiver.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;Palmer, F.R .1981. &lt;i&gt;Semantics.&lt;/i&gt; New York. Cambridge University Press.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;Potter, James L. 1967. &lt;i&gt;Elements of Literature.&lt;/i&gt; The United States. The Odysery Press,Inc.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; line-height: 115%;"&gt;Yule, George. 1996. &lt;i&gt;Pragmatics&lt;/i&gt;. New York. Oxford University Press.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="line-height: 150%; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-8044774819815147430?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/8044774819815147430/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2011/12/conversational-implicature-analysis-on.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/8044774819815147430'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/8044774819815147430'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2011/12/conversational-implicature-analysis-on.html' title='A CONVERSATIONAL IMPLICATURE  ANALYSIS ON OSCAR WILDE’S HAPPY PRINCE'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-1691407156670894922</id><published>2011-12-24T22:03:00.000-08:00</published><updated>2011-12-24T22:03:39.366-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='history of pragmatics'/><title type='text'>History of Pragmatics / Origin of Pragmatics</title><content type='html'>&lt;b&gt;A Brief Introduction to Pragmatics&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Written by 刘吉林，语言学2005研究生&lt;br /&gt;&lt;br /&gt;&lt;b&gt;(1) What is Pragmatics&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;As it is known to most of us,. Pragmatics is one branch of general linguistics, which also includes phonetics, phonology, morphology and semantics. But when we talk about pragmatics, we may ask what it is. So we should define it, and there are a lot of philosopher and linguists who have given their respective ideas about it. Such as Charles Morris’s famous definition of pragmatics as “the study of the relation of signs to interpreters-”, Levinson’s consideration of pragmatics as being “the study of those relations between language and context that is gammaticalized, or encoded in the structure of a language.”, and Mey’s definition as “Pragmatics studies the use of language in human communication as determined by the conditions of society.”.  But I prefer a definition given by a Chinese professor Ran Yongping, who expressed his idea in the book A Survey of Pragmatics :”Pragmatics is a discipline not only concerning the sense, but also concerning the derivation of sense and the understanding of underlying meaning as its objects. It aims to decipher the negotiation and derivation of meaning in communication. So pragmatics studies, aiming at the derivation of sense during intercommunication, are by-directional dynamic studies.” (语用学不单纯是关于意义的一门学科，而是以意义的产生和对潜在意义的理解作为研究对象，从而揭示交际中人们是如何进行磋商、产生意义的，也即语用学研究是相互应对中的意义为对象的双向动态研究) 冉永平，1998。Professor Ran put emphasis on dynamic studies, which develops from the idea of British scholar Thomas, the founder of dynamic pragmatics, who argued that the studies of pragmatics should aim at interactive sense. Language is alive not dead, and it is for using, so only the dynamic studies are significant.&lt;br /&gt;&lt;br /&gt;(2) History of Pragmatics / Origin of Pragmatics&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;On mentioning the origin of pragmatics, we can go back to ancient Greek and Roman academic works. At that time some great philosophers had discussed something related to pragmatics. And we can say pragmatics develops from philosophy. Why? First, The term “pragmatics” first appeared in linguistic philosophy in 1930s, for then western philosophers began to shift their focus onto the studies of language symbols, which developed into semiology later. And the early pragmatics was just a branch of semiology that was under the philosophers’ studies, which means that pragmatics originates from the philosophers’studies on language. Second, the theoretic basis for pragmatics is from philosophy. To be more specific, pragmatics originates from the following aspects: the studies of semiology; the studies of linguistical philosophy in the 20th century and the studies of function linguistics on language forms. Third, the main studies of pragmatics such as indecicals and presupposition also have philosophical background. Here we should mention some philosophers who have played very important role in the development of pragmatics. Such as Wittgenstein, Morris, Austin, Searle, Levinson, Leech, Pierce, Carnap and so on. Wittgenstein and Austin once had discussed the origin of pragmatics in England, France and German in 1930s. Morris, who played the most important role in the first stage of the development of pragmatics, held an opinion that the studies of pragmatics must involve the aspects of society, of psychology, of nerve, of culture and of other things that affected the symbols and their meanings. And the most influent thing that he did on pragmatics was that in 1938 he had divided semiology into three parts: syntactics, semantics and pragmatics. The famous philosopher Carnap had very similar ideas with Morris, and he made some supplement, he thought that the studies of pragmatics should on the relationship between users and words as well as the reference of words. And he divided studies into pure theoretic ones and descriptive ones. And he made the aims of pragmatics studies more specific, that is the relationship between language users and words and the reference relationship. Bar-Hiller, the student of Carnap, suggested the studies of pragmatics should have definite aims and he claimed that the definite aims should be decitics such as “I”, “Here”, “Now”. Austin and Searle put forward the Speech Act Theory, which was the most influent topic in the studies of pragmatics during the second stage.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Most important three issues of pragmatics and three stages in the development of pragmatics&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;In 1983 Levinson and Leech published their respective works Pragmatics and Principle of Pragmatics, which set up the theoretic system of pragmatics. In 1977 Mey and Haberland started the Journal of Pragmatics in Holand. The start publication of the Journal of Pragmatics, the publishing of Pragmatics and the International Pragmatics Association that was set up in 1988 are considered the most important three issues for the development of pragmatics and indicate that pragmatics has become an independent discipline in linguistics. Generally speaking, the establishment of pragmatics as an independent discipline experiences three stages: the first stage is from the late 1930s to late 1940s, during this period, some philosophers such as Pierce, Morris and Carnap considered pragmatics to be a branch of semiology and all the studies were within the domain of philosophy; The second stage is from the beginning of 1950s to late 1960s. During this period, three famous philosophers called Austin, Searle and Grice made studied on speech act and implicature theory, and their achievements sustained the basic theory of pragmatics. The studies were still within the domain of philosophy then; The third stage is after 1970s, the biggest three issues happened and pragmatics became an independent discipline. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Schools of Pragmatics&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The studies of Pragmatics are divided into two big schools------British &amp;amp; American School and European School which can be subdivided into France School, Prague School and Copenhagen School. British &amp;amp; American School is traditionally centering on studying the sentence structure and grammar, and their studies of pragmatics is also restricted to several definite topics such as deictic expressions, conversational implicature, presupposition, speech and conversation structure. Their studies belong to Micro-pragmatics. European School has a wide visual and understanding, and their studies even include conversation analysis, cultural anthropology, social linguistics and psycholinguistics during intercommunication. Their studies belong to Macro-pragmatics. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Micro-pragmatics, Macro-pragmatics and Meta-pragmatics&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;When we talk about Micro-pragmatics and Macro-pragmatics, we may ask what are micropragmatics and macropragmatics. Mey have talked about them in details in his book Pragmatics: An Introduction. The studies of Micro-pragmatics are, on the level of language using, centering upon the discussion of pragmatic tasks aroused by the understanding of language symbols’ reference and implicature during conversation, including Context, Conversational implicature, Reference, Pragmatic Principles, speech Acts and Conversation Analysis. While the studies of Macro-pragmatics are, on the level of society &amp;amp; culture, focus on the problems of how to use language for language user during the process of communication, including Pragmatic Acts, Literary Pragmatics, Pragmatics Across Cultures and the Social Aspects of Pragmatics Metapragmatics which can be considered as a review, a survey or a reflection of pragmatics itself, including making statements about itself, questioning itself, improving itself, quoting itself and rethinking the methodologies and theoretic system during the process of its studies. If you want me to say more about Metapragmatics, I can consult what Caffi said: there are three ways of dealing with metapragmatics: one, as a theoretical discussion on what pragmatics is, and what it should comprise; two, as a discussion of the conditions and possibilities that enable people to act by using words, to ’do’ pragmatics by acting pragmatically; and finally, three, as the pragmatic pendant to the metapragmatic level, which is often captured under the label of ‘reflexive language’ .&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;New Development&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Since the 1980s Pragmatics, as an independent discipline, has been developing very quickly and soundly, so far, it has got delightful achievements and attracted more and more students and scholars to conduct researches on it. And now, pragmatics has new development, many scholars begin to do cross studies. Such as interactional sociolinguistics, interlanguage pragmatics, cross-cultural pragmatics, pragmatics and translation, pragmatics and language teaching which contains two: pragmalinguistics and sociopragmatics, cognitive pragmatics and clinical pragmatics.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Reference: &lt;br /&gt;&lt;br /&gt;何自然&amp;amp;冉永平. 2002 语用学概论。湖南： 湖南教育出版社。&lt;br /&gt;&lt;br /&gt;Mey. 2001. Pragmatics: An Introduction. 北京： 外语教学与研究出版社。&lt;div&gt;&lt;a href="http://english-e-corner.com/linguistics/Article_Print.asp?ArticleID=217" target="_blank"&gt;http://english-e-corner.com/linguistics/Article_Print.asp?ArticleID=217&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-1691407156670894922?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/1691407156670894922/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2011/12/history-of-pragmatics-origin-of.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/1691407156670894922'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/1691407156670894922'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2011/12/history-of-pragmatics-origin-of.html' title='History of Pragmatics / Origin of Pragmatics'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-5912138252080934412</id><published>2011-12-23T23:20:00.001-08:00</published><updated>2011-12-23T23:20:26.541-08:00</updated><title type='text'>Variation in language and gender pdf download</title><content type='html'>&lt;a href="http://abudira.files.wordpress.com/2011/12/romaine.png"&gt;&lt;img src="http://abudira.files.wordpress.com/2011/12/romaine.png?w=300" alt="" title="romaine" width="300" height="257" class="alignleft size-medium wp-image-3101" /&gt;&lt;/a&gt;&lt;br /&gt;For every student of mine who has a great enthusiasm in making graduating paper dealing with the correlation between language and gender, I think this pdf file would be useful and helpful for you. btw, click this one for free download: &lt;a href='http://abudira.files.wordpress.com/2011/12/variation-in-language-and-gender-romaine.pdf'&gt;variation in language and gender romaine 2003&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-5912138252080934412?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/5912138252080934412/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2011/12/variation-in-language-and-gender-pdf.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/5912138252080934412'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/5912138252080934412'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2011/12/variation-in-language-and-gender-pdf.html' title='Variation in language and gender pdf download'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-6541223101788857932</id><published>2011-12-22T01:55:00.000-08:00</published><updated>2011-12-22T02:15:51.706-08:00</updated><title type='text'>Buku baru INTRODUCTON TO LITERATURE</title><content type='html'>&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-EP0RI7Vkm68/TvL-FYCD3UI/AAAAAAAAAeA/hGTGF9C_TmQ/s1600/faysastrabooks.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-EP0RI7Vkm68/TvL-FYCD3UI/AAAAAAAAAeA/hGTGF9C_TmQ/s320/faysastrabooks.png" width="222" /&gt;&lt;/a&gt;&lt;/div&gt;This is a book which is compiled to make easy for the students to understand and appreciaten basic knowledge  of English and American literature. This book is designed in an easiest, systematic and effective form to achieve adequate appreciation of  literary theories and works specially for beginners in Learning western literary works. I hope this book will be beneficial as the Introduction of English and American Literature: Prose, Drama and Poetry.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;For more info see the table of contents of the book:&lt;br /&gt;&lt;br /&gt;TABLE OF CONTENTS&lt;br /&gt;ACKNOWLEDGEMENTS   v&lt;br /&gt;TABLE OF CONTENTS  vii &lt;br /&gt;Bab 1 : Introduction...................... &amp;nbsp; &amp;nbsp;1&lt;br /&gt;Bab 2 : English Literature.................. &amp;nbsp; 3&lt;br /&gt;Bab 3 : Prose Fiction........................... &amp;nbsp; &amp;nbsp;12&lt;br /&gt;Bab 4 : Drama .........................................24&lt;br /&gt;Bab 5 : Poetry....................................... &amp;nbsp; 29&lt;br /&gt;if you wanna make the &amp;nbsp;discussion about the content of the book you may contact the writer on &amp;nbsp;his facebook &amp;nbsp;account&amp;nbsp;&lt;a href="http://www.facebook.com/zatoichifay" target="_blank"&gt;Pak Faizal Solo&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-6541223101788857932?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/6541223101788857932/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2011/12/buku-baru-introducton-to-literature.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/6541223101788857932'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/6541223101788857932'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2011/12/buku-baru-introducton-to-literature.html' title='Buku baru INTRODUCTON TO LITERATURE'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-EP0RI7Vkm68/TvL-FYCD3UI/AAAAAAAAAeA/hGTGF9C_TmQ/s72-c/faysastrabooks.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-6115207060002146856</id><published>2011-12-20T18:09:00.000-08:00</published><updated>2011-12-20T18:16:12.077-08:00</updated><title type='text'>opo kuwi hikikomori</title><content type='html'>&lt;a href="http://4.bp.blogspot.com/-WnVUkq8hz6Y/TvE_HYDrE3I/AAAAAAAAAd0/GXRM-yLvipk/s1600/hikikomori2.png" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/-WnVUkq8hz6Y/TvE_HYDrE3I/AAAAAAAAAd0/GXRM-yLvipk/s320/hikikomori2.png" /&gt;&lt;/a&gt;&lt;br /&gt;Hikikomori (ひきこもり or 引き籠もり Hikikomori&lt;a href="http://en.wikipedia.org/wiki/Help:Installing_Japanese_character_sets"&gt;?&lt;/a&gt;, literally "pulling away, being confined", i.e., "acute social withdrawal") is a &lt;a href="http://en.wikipedia.org/wiki/Japanese_language"&gt;Japanese&lt;/a&gt; term to refer to the phenomenon of &lt;a href="http://en.wikipedia.org/wiki/Reclusive"&gt;reclusive&lt;/a&gt; people who have chosen to withdraw from social life, often seeking extreme degrees of &lt;a href="http://en.wikipedia.org/wiki/Solitude"&gt;isolation&lt;/a&gt; and confinement because of various personal and social factors in their lives. The term hikikomori refers to both the sociological phenomenon in general as well as to people belonging to this societal group.&lt;br /&gt;&lt;br /&gt;The Japanese &lt;a href="http://en.wikipedia.org/wiki/Ministry_of_Health,_Labour_and_Welfare_(Japan)"&gt;Ministry of Health, Labour and Welfare&lt;/a&gt; defines hikikomori as people who refuse to leave their house, and isolate themselves from society in their homes for a period exceeding six months.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-0"&gt;[1]&lt;/a&gt; While the degree of the phenomenon varies on an individual basis, in the most extreme cases, some people remain in isolation for years or even decades. Often hikikomori start out as &lt;a href="http://en.wikipedia.org/wiki/School_refusal"&gt;school refusals&lt;/a&gt;, or futōkō (不登校) in Japanese (an older term is tōkōkyohi (登校拒否)). The Ministry of Health estimates that approximately 50,000 hikikomori live in Japan, about one third of whom are aged 30 and older (Larimer 2000).&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;b&gt;Common traits&lt;/b&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;While many people feel the pressures of the outside world, hikikomori react by complete social withdrawal. In some cases, they lock themselves in their room, apartment or house for prolonged periods, sometimes measured in years. They usually have few, if any, friends.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;While hikikomori favor indoor activities, some venture outdoors on occasion.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-1"&gt;[2]&lt;/a&gt; The withdrawal from society usually starts gradually. Affected people may appear unhappy, lose their friends, become &lt;a href="http://en.wikipedia.org/wiki/Emotional_insecurity"&gt;insecure&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Shyness"&gt;shy&lt;/a&gt;, and talk less.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;[&lt;a href="http://en.wikipedia.org/w/index.php?title=Hikikomori&amp;amp;action=edit&amp;amp;section=3"&gt;edit&lt;/a&gt;]Prevalence&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;According to government figures released in 2010, there are 700,000 individuals living as hikikomori with an average age of 31.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-JT-2"&gt;[3]&lt;/a&gt; Among these are the hikikomori that are now in their 40s and have spent 20 years in isolation, this group is generally referred to as the "first-generation hikikomori," and there is concern about their reintegration into society in what is known as "the 2030 problem," when they are in their 60s and their parents begin to die off.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-JT-2"&gt;[3]&lt;/a&gt; Additionally the government estimates 1.55 million people to be on the verge of becoming hikikomori.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-JT-2"&gt;[3]&lt;/a&gt; Originally psychologist &lt;a href="http://en.wikipedia.org/wiki/Tamaki_Sait%C5%8D"&gt;Tamaki Saitō&lt;/a&gt;, who first coined the phrase, estimated that there may be one million hikikomori in &lt;a href="http://en.wikipedia.org/wiki/Japan"&gt;Japan&lt;/a&gt;, representing 20% of all male adolescents in Japan, or 1% of the total Japanese population.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-3"&gt;[4]&lt;/a&gt; Saitō later admitted in his autobiography (Hakushi no kimyō na shishunki) he exaggerated this number to draw attention to the phenomenon and that his personal clinical experience had convinced him there were many hikikomori.[&lt;a href="http://en.wikipedia.org/wiki/Wikipedia:Citation_needed"&gt;citation needed&lt;/a&gt;]&lt;br /&gt;[&lt;a href="http://en.wikipedia.org/w/index.php?title=Hikikomori&amp;amp;action=edit&amp;amp;section=4"&gt;edit&lt;/a&gt;]Theories on cause&lt;br /&gt;[&lt;a href="http://en.wikipedia.org/w/index.php?title=Hikikomori&amp;amp;action=edit&amp;amp;section=5"&gt;edit&lt;/a&gt;]PDDs and autism spectrum disorders&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Hikikomori is similar to the social withdrawal exhibited by people with &lt;a href="http://en.wikipedia.org/wiki/Pervasive_developmental_disorders"&gt;pervasive developmental disorders&lt;/a&gt; (PDDs), a group of disorders that include &lt;a href="http://en.wikipedia.org/wiki/Asperger%27s_Syndrome"&gt;Asperger's&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/PDD_not_otherwise_specified"&gt;PDD-NOS&lt;/a&gt; and "classic" &lt;a href="http://en.wikipedia.org/wiki/Autism"&gt;autism&lt;/a&gt;. This has led some psychiatrists to suggest that hikikomori sufferers may be affected by PDDs or other disorders that affect social integration, but that their disorders are altered from their typical Western presentation because of the social and cultural pressures unique to Japan.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-4"&gt;[5]&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;According to &lt;a href="http://en.wikipedia.org/wiki/Michael_Zielenziger"&gt;Michael Zielenziger&lt;/a&gt;'s book, Shutting out the Sun: How Japan Created its Own Lost Generation, the syndrome is more closely related to &lt;a href="http://en.wikipedia.org/wiki/PTSD"&gt;PTSD&lt;/a&gt;. The author claimed that the hikikomori interviewed for the book had discovered independent thinking and a sense of self that the &lt;a href="http://en.wikipedia.org/wiki/Groupthink"&gt;current Japanese environment&lt;/a&gt; could not accommodate.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The syndrome also closely parallels the Western terms "&lt;a href="http://en.wikipedia.org/wiki/Avoidant_personality_disorder"&gt;avoidant personality disorder&lt;/a&gt;" and "&lt;a href="http://en.wikipedia.org/wiki/Social_anxiety_disorder"&gt;social anxiety disorder&lt;/a&gt;" (also known as "&lt;a href="http://en.wikipedia.org/wiki/Social_phobia"&gt;social phobia&lt;/a&gt;").&lt;br /&gt;[&lt;a href="http://en.wikipedia.org/w/index.php?title=Hikikomori&amp;amp;action=edit&amp;amp;section=6"&gt;edit&lt;/a&gt;]Social influence&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Sometimes referred to as a social problem in Japanese discourse, hikikomori has a number of possible contributing factors.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Though acute social withdrawl in Japan appears to affect both genders equally, because of differing social expectations for maturing boys and girls, the most widely reported cases of hikikomori are from middle and upper middle class families whose sons, typically their eldest, refuse to leave the home, often after experiencing one or more traumatic episodes of social or academic failure.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;In &lt;a href="http://en.wikipedia.org/wiki/The_Anatomy_of_Dependence"&gt;The Anatomy of Dependence&lt;/a&gt; (Tokyo: Kodansha, 1973, translated by John Bester), &lt;a href="http://en.wikipedia.org/wiki/Takeo_Doi"&gt;Takeo Doi&lt;/a&gt; identifies the symptoms of hikikomori, and explains its prevalence as originating in the Japanese psychological construct of &lt;a href="http://en.wikipedia.org/wiki/Amae"&gt;amae&lt;/a&gt; (in &lt;a href="http://en.wikipedia.org/wiki/Freud"&gt;Freudian&lt;/a&gt; terms, "passive object love", typically of the kind between mother and infant). Other Japanese commentators such as academic &lt;a href="http://en.wikipedia.org/wiki/Shinji_Miyadai"&gt;Shinji Miyadai&lt;/a&gt; and novelist &lt;a href="http://en.wikipedia.org/wiki/Ry%C5%AB_Murakami"&gt;Ryū Murakami&lt;/a&gt;, have also offered analysis of the hikikomori phenomenon, and find distinct causal relationships with the modern Japanese social conditions of &lt;a href="http://en.wikipedia.org/wiki/Anomie"&gt;anomie&lt;/a&gt;,amae and atrophying paternal influence in nuclear family child &lt;a href="http://en.wikipedia.org/wiki/Pedagogy"&gt;pedagogy&lt;/a&gt;. Young adults may feel overwhelmed by modern Japanese society, or be unable to fulfill their expected social roles as they have not yet formulated a sense of personal &lt;a href="http://en.wikipedia.org/wiki/Honne_and_tatemae"&gt;honne and tatemae&lt;/a&gt; – one's "true self" and one's "public façade" – necessary to cope with the paradoxes of adulthood.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The dominant nexus of hikikomori centers on the transformation from youth to the responsibilities and expectations of adult life. Indications are that advanced industrialised societies such as modern Japan fail to provide sufficient meaningful transformation rituals for promoting certain susceptible types of youth into mature roles. As do many societies, Japan exerts a great deal of pressure on adolescents to be successful and perpetuate the existing social &lt;a href="http://en.wikipedia.org/wiki/Status_quo"&gt;status quo&lt;/a&gt;. A traditionally strong emphasis on &lt;a href="http://en.wikipedia.org/wiki/Japanese_etiquette"&gt;complex social conduct&lt;/a&gt;, rigid hierarchies and the resulting, potentially intimidating multitude of social expectations, responsibilities and duties in Japanese society contribute to this pressure on young adults.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-5"&gt;[6]&lt;/a&gt; Historically, &lt;a href="http://en.wikipedia.org/wiki/Confucianism"&gt;Confucian&lt;/a&gt; teachings de-emphasizing the individual and favoring a &lt;a href="http://en.wikipedia.org/wiki/Conformity"&gt;conformist&lt;/a&gt; stance to ensure social harmony in a rigidly hierarchized society have shaped much of the &lt;a href="http://en.wikipedia.org/wiki/Sinosphere"&gt;Sinosphere&lt;/a&gt;, possibly explaining the emergence of the hikikomori phenomenon in other East Asian countries.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;In general, the prevalence of hikikomori tendencies in Japan may be encouraged and facilitated by three primary factors:&lt;br /&gt;Middle class affluence in a &lt;a href="http://en.wikipedia.org/wiki/Post-industrial_society"&gt;post-industrial society&lt;/a&gt; such as Japan allows parents to support and feed an adult child in the home indefinitely. Lower-income families do not have hikikomori children because a socially withdrawing youth is forced to work outside the home.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-6"&gt;[7]&lt;/a&gt; &lt;br /&gt;The inability of Japanese parents to recognize and act upon the youth's slide into isolation; soft parenting; or even a codependent collusion between mother and son, known as &lt;a href="http://en.wikipedia.org/wiki/Amae"&gt;amae&lt;/a&gt; in Japanese.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-7"&gt;[8]&lt;/a&gt; &lt;br /&gt;A decade of flat economic indicators and a shaky job market in Japan makes the pre-existing system requiring years of competitive schooling for elite jobs appear like a pointless effort to many.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-8"&gt;[9]&lt;/a&gt; While Japanese fathers of the current generation of youth still enjoy lifetime employment at multinational corporations, incoming employees in Japan enjoy no such guarantees in today's job market.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-9"&gt;[10]&lt;/a&gt;(See &lt;a href="http://en.wikipedia.org/wiki/Freeter"&gt;Freeters&lt;/a&gt; and &lt;a href="http://en.wikipedia.org/wiki/NEET"&gt;NEET&lt;/a&gt; for more on this.) Some younger Japanese people begin to suspect that the system put in place for their grandfathers and fathers no longer works,&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-10"&gt;[11]&lt;/a&gt; and for some, the lack of a clear life goal makes them susceptible to social withdrawal as a hikikomori. &lt;br /&gt;[&lt;a href="http://en.wikipedia.org/w/index.php?title=Hikikomori&amp;amp;action=edit&amp;amp;section=7"&gt;edit&lt;/a&gt;]Japanese education system&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;See also: &lt;a href="http://en.wikipedia.org/wiki/Kyoiku_mama"&gt;Kyoiku mama&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The &lt;a href="http://en.wikipedia.org/wiki/Education_in_Japan"&gt;Japanese education system&lt;/a&gt;, like those found in &lt;a href="http://en.wikipedia.org/wiki/Education_in_China"&gt;China&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Education_in_Singapore"&gt;Singapore&lt;/a&gt; and &lt;a href="http://en.wikipedia.org/wiki/Education_in_South_Korea"&gt;South Korea&lt;/a&gt;, puts great demands upon youth. A multitude of expectations, high emphasis on competition, and the rote memorization of facts and figures for the purpose of passing entrance exams into the next tier of education in what could be termed a rigid pass-or-fail ideology, induce a high level of stress. Echoing the traditional &lt;a href="http://en.wikipedia.org/wiki/Confucianism"&gt;Confucian&lt;/a&gt;values of society, the educational system is still viewed as playing an important part in society's overall &lt;a href="http://en.wikipedia.org/wiki/Productivity"&gt;productivity&lt;/a&gt; and success.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-11"&gt;[12]&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;In this social frame, students often face significant pressure from parents and the society in general to conform to its dictates and doctrines.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-12"&gt;[13]&lt;/a&gt; These doctrines, while part of modern Japanese society, are increasingly being rejected by Japanese youth in varying ways such as hikikomori, &lt;a href="http://en.wikipedia.org/wiki/Freeter"&gt;freeter&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/NEET"&gt;NEET&lt;/a&gt; (Not currently engaged in Employment, Education, or Training), and &lt;a href="http://en.wikipedia.org/wiki/Parasite_singles"&gt;parasite singles&lt;/a&gt;. The term "Hodo-Hodo&lt;a href="http://en.wikipedia.org/wiki/Zoku"&gt;zoku&lt;/a&gt;" (the "So-So tribe") applies to younger workers who refuse promotion in order to minimize stress and maximize free time.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Beginning in the 1960s, the pressure on Japanese youth to succeed began successively earlier in their lives, sometimes starting before &lt;a href="http://en.wikipedia.org/wiki/Nursery_school"&gt;pre-school&lt;/a&gt;, where even &lt;a href="http://en.wikipedia.org/wiki/Toddler"&gt;toddlers&lt;/a&gt; had to compete through an entrance exam for the privilege of attending one of the best pre-schools. This was said to prepare children for the entrance exam of the best &lt;a href="http://en.wikipedia.org/wiki/Kindergarten"&gt;kindergarten&lt;/a&gt;, which in turn prepared the child for the entrance exam of the best&lt;a href="http://en.wikipedia.org/wiki/Primary_education"&gt;primary school&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Middle_school"&gt;junior high school&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Secondary_education"&gt;high school&lt;/a&gt;, and eventually for their &lt;a href="http://en.wikipedia.org/wiki/List_of_universities_in_Japan"&gt;university&lt;/a&gt; entrance exam.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-13"&gt;[14]&lt;/a&gt; Many adolescents take one year off after high school to study exclusively for the &lt;a href="http://en.wikipedia.org/wiki/University"&gt;university&lt;/a&gt; entrance &lt;a href="http://en.wikipedia.org/wiki/Exam"&gt;exam&lt;/a&gt;, and are known as &lt;a href="http://en.wikipedia.org/wiki/R%C5%8Dnin_(student)"&gt;ronin&lt;/a&gt;.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-14"&gt;[15]&lt;/a&gt; More prestigious universities have more difficult exams. The most prestigious university with the most difficult exam is the &lt;a href="http://en.wikipedia.org/wiki/University_of_Tokyo"&gt;University of Tokyo&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Since 1996, the &lt;a href="http://en.wikipedia.org/wiki/Japanese_Ministry_of_Education"&gt;Japanese Ministry of Education&lt;/a&gt; has taken steps to address this 'pressure-cooker' educational environment and instill greater creative thought in Japanese youth by significantly relaxing the school schedule from six day weeks to five day weeks and dropping two subjects from the daily schedule, with new academic curricula more comparable to Western educational models. However, Japanese parents are sending their children to private &lt;a href="http://en.wikipedia.org/wiki/Cram_school"&gt;cram schools&lt;/a&gt;, known as &lt;a href="http://en.wikipedia.org/wiki/Juku"&gt;juku&lt;/a&gt;, to 'make up' for lost time.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;After graduating from high school or university, Japanese youth also have to face a very difficult job market in Japan, often finding only part-time employment and ending up as &lt;a href="http://en.wikipedia.org/wiki/Freeters"&gt;freeters&lt;/a&gt; with little income, unable to start a family.&lt;a href="http://en.wikipedia.org/wiki/Hikikomori#cite_note-15"&gt;[16]&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Another source of pressure is from their co-students, who may &lt;a href="http://en.wikipedia.org/wiki/Harassment"&gt;harass&lt;/a&gt; and &lt;a href="http://en.wikipedia.org/wiki/Bullying"&gt;bully&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Ijime"&gt;ijime&lt;/a&gt;) some students for a variety of reasons, including physical appearance (especially if they are &lt;a href="http://en.wikipedia.org/wiki/Obesity"&gt;overweight&lt;/a&gt; or have severe &lt;a href="http://en.wikipedia.org/wiki/Acne_vulgaris"&gt;acne&lt;/a&gt; problems), wealth, educational or athletic performance. Some have been punished for &lt;a href="http://en.wikipedia.org/wiki/Bullying"&gt;bullying&lt;/a&gt; or &lt;a href="http://en.wikipedia.org/wiki/Truancy"&gt;truancy&lt;/a&gt;, bringing shame to their families. Refusal to participate in society makes hikikomori an extreme subset of a much larger group of younger Japanese that includes &lt;a href="http://en.wikipedia.org/wiki/Parasite_singles"&gt;parasite singles&lt;/a&gt; and &lt;a href="http://en.wikipedia.org/wiki/Freeters"&gt;freeters&lt;/a&gt;.&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-6115207060002146856?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/6115207060002146856/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2011/12/opo-kuwi-hikikomori.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/6115207060002146856'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/6115207060002146856'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2011/12/opo-kuwi-hikikomori.html' title='opo kuwi hikikomori'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-WnVUkq8hz6Y/TvE_HYDrE3I/AAAAAAAAAd0/GXRM-yLvipk/s72-c/hikikomori2.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-1131634451419670592</id><published>2011-12-20T11:18:00.001-08:00</published><updated>2011-12-20T11:24:50.877-08:00</updated><title type='text'>Translating culture ppt download</title><content type='html'>&lt;a href="http://abudira.files.wordpress.com/2011/12/translating-culture-jpg.png"&gt;&lt;img class="alignleft size-medium wp-image-3094" title="translating culture jpg" src="http://abudira.files.wordpress.com/2011/12/translating-culture-jpg.png?w=300" alt="" width="300" height="230" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;WANNA DOWNLOAD ? CLICK HERE:&lt;br /&gt;&lt;a href="http://abudira.files.wordpress.com/2011/12/translating-culture-mission-impossible.ppt"&gt;Translating culture mission impossible&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-1131634451419670592?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/1131634451419670592/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2011/12/translating-culture-ppt-download.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/1131634451419670592'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/1131634451419670592'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2011/12/translating-culture-ppt-download.html' title='Translating culture ppt download'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-7807831479494514712</id><published>2011-12-20T10:37:00.000-08:00</published><updated>2011-12-20T10:37:46.044-08:00</updated><title type='text'>Free download buku PRAGMATICS by George Yule</title><content type='html'>&lt;div class="separator" style="clear: both; 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border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="middle"&gt;&lt;strong class="docParam" style="color: grey; font-family: monospace; font-weight: bold;"&gt;status:&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&lt;/td&gt;&lt;td align="left" style="border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="middle"&gt;&lt;span class="msg_green" style="color: green; font-weight: bold; text-decoration: none;"&gt;normal&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;td align="right" style="border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="middle"&gt;&lt;strong class="docParam" style="color: grey; font-family: monospace; font-weight: bold;"&gt;language:&lt;/strong&gt;&amp;nbsp;&amp;nbsp;&lt;/td&gt;&lt;td align="left" style="border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="middle"&gt;en&amp;nbsp;&amp;nbsp;&lt;span style="color: grey;"&gt;[ english ]&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;td align="right" style="border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="middle"&gt;&amp;nbsp;&amp;nbsp;&lt;/td&gt;&lt;td align="left" style="border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="middle"&gt;anonymous&lt;br /&gt;Assalamualaikum wr.wb. dear all netters.buat para mahasiswa yang bingung mencari bukunya pak George Yule berjudul PRAGMATICS berikut ini adalah 4&amp;nbsp;links for free download. ingat password buat membaca file pdf ini ialah ebooksclub.org. ga usah dihafalkan tapi di kopas saja..&lt;br /&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" style="-webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; background-color: #f4ffff; border-bottom-width: 0px; border-collapse: collapse; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: black; font-size: 13px; line-height: 16px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-align: left;" summary="url table"&gt;&lt;tbody&gt;&lt;tr style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;td align="left" class="tblHeader1" style="background-attachment: initial; background-clip: initial; background-color: #ebf1f7; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; color: grey; cursor: default; font-weight: bold; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="top"&gt;&lt;strong style="font-weight: bold;"&gt;&lt;span style="font-size: small;"&gt;external links:&lt;/span&gt;&lt;/strong&gt;&lt;/td&gt;&lt;td align="right" class="tblHeader1" colspan="3" style="background-attachment: initial; background-clip: initial; background-color: #ebf1f7; background-image: initial; background-origin: initial; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; cursor: default; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;" valign="top"&gt;&lt;span style="font-size: small;"&gt;tip:&amp;nbsp;&lt;a href="http://library.nu/articles:view?id=34" rel="nofollow" style="color: #4c5eff; text-decoration: none;"&gt;use 7zip to decompress/decrypt all linked archives&lt;/a&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;td colspan="4" style="border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; 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border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 3px; padding-left: 3px; padding-right: 3px; padding-top: 3px;" width="30%"&gt;&lt;/td&gt;&lt;td align="right" style="background-attachment: initial; background-clip: initial; background-color: #e9f5ef; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 3px; padding-left: 3px; padding-right: 3px; padding-top: 3px;" width="15%"&gt;&lt;span class="clickable" id="check_1602657" style="color: orange; cursor: pointer;"&gt;&lt;span style="font-size: small;"&gt;[ report dead link ]&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;td colspan="4" style="border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; 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background-color: #f3f6fa; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 3px; padding-left: 3px; padding-right: 3px; padding-top: 3px;" width="30%"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="cursor: default;"&gt;&amp;nbsp;&lt;strong style="font-weight: bold;"&gt;&amp;gt;&lt;/strong&gt;&amp;nbsp;archive password:&amp;nbsp;&lt;/span&gt;&lt;span class="msg_green" style="color: green; font-weight: bold; text-decoration: none;"&gt;ebooksclub.org&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;td align="left" style="background-attachment: initial; background-clip: initial; background-color: #f3f6fa; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 3px; padding-left: 3px; padding-right: 3px; padding-top: 3px;" width="25%"&gt;&lt;a href="http://megaupload.com/?d=5MZGFZAX" style="color: #4c5eff; text-decoration: none;" target="_blank"&gt;&lt;strong style="font-weight: bold;"&gt;&lt;span style="font-size: small;"&gt;megaupload.com&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="left" style="background-attachment: initial; background-clip: initial; background-color: #f3f6fa; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 3px; padding-left: 3px; padding-right: 3px; padding-top: 3px;" width="30%"&gt;&lt;/td&gt;&lt;td align="right" style="background-attachment: initial; background-clip: initial; background-color: #f3f6fa; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 3px; padding-left: 3px; padding-right: 3px; padding-top: 3px;" width="15%"&gt;&lt;span class="clickable" id="check_1602656" style="color: orange; cursor: pointer;"&gt;&lt;span style="font-size: small;"&gt;[ report dead link ]&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;td colspan="4" style="border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;td align="left" style="background-attachment: initial; background-clip: initial; background-color: #e9f5ef; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 3px; padding-left: 3px; padding-right: 3px; padding-top: 3px;" width="30%"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="cursor: default;"&gt;&amp;nbsp;&lt;strong style="font-weight: bold;"&gt;&amp;gt;&lt;/strong&gt;&amp;nbsp;archive password:&amp;nbsp;&lt;/span&gt;&lt;span class="msg_green" style="color: green; font-weight: bold; text-decoration: none;"&gt;ebooksclub.org&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;td align="left" style="background-attachment: initial; background-clip: initial; background-color: #e9f5ef; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 3px; padding-left: 3px; padding-right: 3px; padding-top: 3px;" width="25%"&gt;&lt;a href="http://fileserve.com/file/JQ4uwdn" style="color: #4c5eff; text-decoration: none;" target="_blank"&gt;&lt;strong style="font-weight: bold;"&gt;&lt;span style="font-size: small;"&gt;fileserve.com&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="left" style="background-attachment: initial; background-clip: initial; background-color: #e9f5ef; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 3px; padding-left: 3px; padding-right: 3px; padding-top: 3px;" width="30%"&gt;&lt;/td&gt;&lt;td align="right" style="background-attachment: initial; background-clip: initial; background-color: #e9f5ef; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; 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margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;td colspan="4" style="border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"&gt;&lt;span style="font-size: small;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr style="border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; 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font-weight: bold; text-decoration: none;"&gt;ebooksclub.org&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;td align="left" style="background-attachment: initial; background-clip: initial; background-color: #f3f6fa; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 3px; padding-left: 3px; padding-right: 3px; padding-top: 3px;" width="25%"&gt;&lt;a href="http://mediafire.com/?ympye991hq5hmex" style="color: #4c5eff; text-decoration: none;" target="_blank"&gt;&lt;strong style="font-weight: bold;"&gt;&lt;span style="font-size: small;"&gt;mediafire.com&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;/td&gt;&lt;td align="left" style="background-attachment: initial; background-clip: initial; background-color: #f3f6fa; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 3px; padding-left: 3px; padding-right: 3px; padding-top: 3px;" width="30%"&gt;&lt;/td&gt;&lt;td align="right" style="background-attachment: initial; background-clip: initial; background-color: #f3f6fa; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(0, 0, 0); border-bottom-style: solid; border-bottom-width: 0px; border-color: initial; border-image: initial; border-left-color: rgb(0, 0, 0); border-left-style: solid; border-left-width: 0px; border-right-color: rgb(0, 0, 0); border-right-style: solid; border-right-width: 0px; border-style: initial; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 0px; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 3px; padding-left: 3px; padding-right: 3px; padding-top: 3px;" width="15%"&gt;&lt;span class="clickable" id="check_1602658" style="color: orange; cursor: pointer;"&gt;&lt;span style="font-size: small;"&gt;[ report dead link ]&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-7807831479494514712?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/7807831479494514712/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2011/12/free-download-buku-pragmatics-by-george.html#comment-form' title='1 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/7807831479494514712'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/7807831479494514712'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2011/12/free-download-buku-pragmatics-by-george.html' title='Free download buku PRAGMATICS by George Yule'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-JnOqdH-sDys/TvDU5hEDQVI/AAAAAAAAAds/S79ii9u-Szk/s72-c/cover%2Bbuku%2Bpragmatics%2Bgeorge%2Byule.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-8811915951056044124</id><published>2011-12-19T12:37:00.001-08:00</published><updated>2011-12-19T12:37:27.956-08:00</updated><title type='text'>All about UNTRANSLATABILITY</title><content type='html'>&lt;a href="http://abudira.files.wordpress.com/2011/12/untranslatabilitttttty1.png"&gt;&lt;img src="http://abudira.files.wordpress.com/2011/12/untranslatabilitttttty1.png?w=300" alt="" title="untranslatabilitttttty" width="300" height="222" class="alignleft size-medium wp-image-3090" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href='http://abudira.files.wordpress.com/2011/12/untranslatability2.ppt'&gt;All about Untranslatability&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-8811915951056044124?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/8811915951056044124/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2011/12/all-about-untranslatability.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/8811915951056044124'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/8811915951056044124'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2011/12/all-about-untranslatability.html' title='All about UNTRANSLATABILITY'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-5946312816017396845</id><published>2011-12-19T05:39:00.000-08:00</published><updated>2011-12-19T05:39:38.860-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='gricean maxim'/><category scheme='http://www.blogger.com/atom/ns#' term='grice'/><category scheme='http://www.blogger.com/atom/ns#' term='gricean'/><title type='text'>A Reading of Paul Grice’s Presupposition &amp; Conversational Implicature</title><content type='html'>&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-style: italic;"&gt;By Abdeslam Badre&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;span class="Apple-style-span" style="background-color: white; font-style: italic;"&gt;&lt;a href="http://badre-thirdspace.blogspot.com/2009/06/reading-of-paul-gricespresupposition.html" target="_blank"&gt;http://badre-thirdspace.blogspot.com/&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;i&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;Introduction&amp;nbsp;:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;span style="background-color: white;"&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB"&gt;Two principal reasons are enough to account for both the importance as well as the reason behind designing social rules of natural language use. On the one hand, they – or some of them- are used to protect one’s feelings by showing respect. On the other hand, more importantly, rules of language use are designed to protect the integrity of language; otherwise, the latter would cease to be of any importance to us if people went on telling lies in such a random manner. For this reason, a set of conventions (governing language-use that preserves its integrity) is settled, requiring us: (1) to be honest –among other things- (2) to have evidence for what we say, and (3) to make what we say relevant to the speech context. For further explanation of the rules of language use as introduced by P.Grice, and the way they operate in a conversation, a thorough reading of Grice’s above mentioned article is highly recommended, which is the attempting aim of this paper.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoBodyText" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; text-align: left;"&gt;&lt;span lang="EN-GB" style="background-color: white; font-family: 'Copperplate Gothic Bold';"&gt;1 - The basis of P. Grice theory:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;The overriding aim of the Griciane theory is to show the meaning of both some logical devices and the meaning of their counterparts in natural language- such as: (&amp;nbsp;&lt;b&gt;“and” →&amp;nbsp;&amp;nbsp;“&amp;amp;”&lt;/b&gt;), (&amp;nbsp;&lt;b&gt;“not” → “┐”&lt;/b&gt;), (&lt;b&gt;“the” → “&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;Ś”&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;)...&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;Simultaneously, Grice endeavours to show whether there is a divergence between the meaning of the formal logical devices and their natural language counterparts. That is to say, divergence may appear to exist as follows:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;span style="background-color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;ul style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; margin-top: 0in; text-align: left;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-right: -21.3pt; text-align: justify;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB"&gt;First&lt;b&gt;, “The” → “&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;Ś”&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;= many logicians hold that if “the” appears in a definite description, then the phenomenon being referred to by whatever “the” modifies must exist and be unique. So, in logic, if you say: “&amp;nbsp;&lt;b&gt;the restaurant in the Bristole road is excellent,&lt;/b&gt;” you would be taken to mean that there is one and only one restaurant in the Bristole road, and that is excellent. However, this is not the case in&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-bottom: 0.0001pt; margin-left: 0.25in; margin-right: -21.3pt; margin-top: 0in; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-bottom: 0.0001pt; margin-left: 0.25in; margin-right: -21.3pt; margin-top: 0in; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-bottom: 0.0001pt; margin-left: 0.25in; margin-right: -21.3pt; margin-top: 0in; text-align: justify;"&gt;&lt;span lang="EN-GB" style="background-color: white; font-family: 'Book Antiqua';"&gt;natural language, for anyone to whom you may make the statement would ask: “&amp;nbsp;&lt;b&gt;which restaurant do you mean?”&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; margin-bottom: 0.0001pt; margin-left: 0.25in; margin-right: -21.3pt; margin-top: 0in; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;ul style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; margin-top: 0in; text-align: left;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-right: -21.3pt; text-align: justify;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;Second,&amp;nbsp;&lt;b&gt;“not” → “&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;┐&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;” =&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;in logic the negator&amp;nbsp;&amp;nbsp;works in such a way that :&amp;nbsp;&amp;nbsp;if&amp;nbsp;&amp;nbsp;&lt;b&gt;“&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;┐P”&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;is true, then “&lt;b&gt;P&lt;/b&gt;” is false, and vice versa. But in natural language, there seem to be many cases in which this is not the case. For example, it may not be true that Salim is happy, but this does not guarantee the truth of the statement “&lt;b&gt;Salim is happy&lt;/b&gt;”: He could simply be in a mental state in between happy and not happy.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; margin-bottom: 0.0001pt; margin-left: 0.25in; margin-right: -21.3pt; margin-top: 0in; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;ul style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; margin-top: 0in; text-align: left;" type="disc"&gt;&lt;li class="MsoNormal" style="margin-right: -21.3pt; text-align: justify;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;Third,&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-GB"&gt;“&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;and” →&amp;nbsp;&amp;nbsp;“&amp;amp;”&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB"&gt;=&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;&amp;nbsp;in logic P &amp;amp; Q is true in exactly the same circumstances as Q&amp;amp; P. But in natural language,&amp;nbsp;&lt;b&gt;“I fell down and got up”&lt;/b&gt;&amp;nbsp;is not necessarily true in the same circumstances as&amp;nbsp;&lt;b&gt;“I got up and fell down”&lt;/b&gt;. Grice suggests two sorts of tests by which one might hope to identify a conversational implicature, namely: 1) concellation, 2) non-detachability. A further explanation of these two notions is to be provided in coming part.&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-bottom: 0.0001pt; margin-left: 0.25in; margin-right: -21.3pt; margin-top: 0in; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoBodyText" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; text-align: left;"&gt;&lt;span lang="EN-GB" style="background-color: white; font-family: 'Copperplate Gothic Bold';"&gt;2 - Introduction To Conversational Implicature:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoBodyText" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoBlockText" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; margin-left: 0in; text-align: left;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB"&gt;In all these three cases, it is tempting to suggest that the formal logical devices do not, in fact, have natural-language counterparts at all: that is, their meaning is radically different from the meaning of those natural-language items which just happen to look like translations of the formal logical items. To warrant this claim, Grice draws a distinction between what is&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span lang="EN-GB"&gt;said&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span lang="EN-GB"&gt;&amp;nbsp;and what is&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span lang="EN-GB"&gt;conversationally implicated&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span lang="EN-GB"&gt;. A logician and a natural-language user say exactly the same, but it is a convention of natural language not shared by logic that the use of words we are concerned with&amp;nbsp;&amp;nbsp;has certain implications in addition to what they say. This use normally implicates one particular order of succession or exclusion of one of the disjuncts (if/then, either/or...). As we are going to see, implicature cannot be part of what is being said, by considering the fact that it can be cancelled out: I can say : “&lt;b&gt;A&lt;/b&gt;&amp;nbsp;happened&amp;nbsp;&lt;b&gt;&lt;u&gt;and&lt;/u&gt;&lt;/b&gt;&amp;nbsp;&lt;b&gt;B&lt;/b&gt;happened,&amp;nbsp;&lt;i&gt;but not in this order&lt;/i&gt;,” where&amp;nbsp;&lt;b&gt;“but not in that order”&lt;/b&gt;obviously cancels out the implication of succession of “&lt;b&gt;and&lt;/b&gt;”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-bottom: 0.0001pt; margin-left: 0.25in; margin-right: -21.3pt; margin-top: 0in; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify; text-indent: 35.4pt;"&gt;&lt;span lang="EN-GB" style="background-color: white; font-family: 'Book Antiqua';"&gt;To illustrate what is meant by implicature, and to show that it is quite distinct from what is said, Grice introduces a third notion, namely&lt;b&gt;&lt;u&gt;non-conversational implicature&lt;/u&gt;&lt;/b&gt;. This differs from conversational implicature in that it is very obviously distinct from what is being said. To illustrate on this, let us consider the following example:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-bottom: 0.0001pt; margin-left: 70.8pt; margin-right: -21.3pt; margin-top: 0in; text-align: justify;"&gt;&lt;span lang="EN-GB" style="background-color: white; font-family: 'Book Antiqua';"&gt;“A “and “B” are talking about a mutual friend, “C”, who is now working in a bank. “A” asks “B” how “C” is getting in his job, and “B” replies :”&amp;nbsp;&lt;i&gt;oh quite well I think; he likes his colleagues, and he hasn’t been to prison yet.&lt;/i&gt;”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-bottom: 0.0001pt; margin-left: 70.8pt; margin-right: -21.3pt; margin-top: 0in; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoBodyText" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; text-align: left;"&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;Whatever is implied here obviously depends on many facts about “A”,”B”, and ”C” and their life history, which is thus in no sense conversationally implicated.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoBodyText" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;There is, however, a subclass of non-conversational implicature which has aspects of conventionality in it, and it is this class which has been so influential in pragmatic theory: it is what Grice calls&lt;b&gt;conversational implicature&lt;/b&gt;. The latter is essentially connected with general features of discourse; and these general features of discourse arise from the fact that if our talk exchanges are to be rational, they must consist of utterances which are in someway connected with each other. What guarantees this connection, according to Grice, is the&lt;b&gt;&amp;nbsp;co-operative principle&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoBodyText" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; text-align: left;"&gt;&lt;span lang="EN-GB" style="background-color: white; font-family: 'Copperplate Gothic Bold';"&gt;3 - The Co-Operative Principle:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify; text-indent: 35.4pt;"&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;Central to Paul Grice’s theory of&amp;nbsp;&lt;b&gt;conversational implicature&lt;/b&gt;&amp;nbsp;is the notion of&amp;nbsp;&lt;b&gt;Co-operative Principle&lt;/b&gt;. It is believed that co-operative principle underlies language use, according to which we are enjoined to make sure that what we say in a conversation furthers the purpose of a given talk exchange. In this sense, the “principle” entails that : once in a conversation, a speaker should make his/her contribution such as required, at the stage at which it occurs, by the accepted purpose or direction of talk exchange in which the speaker is engaged.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify; text-indent: 35.4pt;"&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;Obviously, the requirements of different types of conversations will be different according to the degree of formality of speech, the context and the addressee. But this does not mean that the least formal sort of conversation is not rule-governed. Put other way, even the most casual talk exchange is unlikely to consist of such random sentences or disconnected discourse as:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;Badre:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;How are you today?&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;b&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Amin:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Ottawa is the capital of Canada.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;b&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Ali:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Really? I thought the weather would be warmer.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;b&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Hanan:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;in my opinion, the soup could have used a little salt.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;In this talk exchange, no sentence seems to establish a link between what is said or yet to be said. The reason behind this disconnectedness can be explained in term of the co-Operative Principle. Grice argues that there are a number of rules, or maxims, that regulate conversation by way of enforcing compliance with the C.P. At&amp;nbsp;&amp;nbsp;the heart of this system of maxims is the&amp;nbsp;&lt;b&gt;Maxims of Quality&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-left: 53.4pt; text-align: left; text-indent: -0.25in;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;1-&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;Maxims of Quality:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: left;"&gt;&lt;span style="background-color: white;"&gt;&lt;u&gt;&lt;span lang="EN-GB"&gt;Supermaxim&lt;/span&gt;&lt;/u&gt;&lt;span lang="EN-GB"&gt;:&lt;/span&gt;&lt;span lang="EN-GB"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Try to make your contribution one that is true.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: left;"&gt;&lt;span style="background-color: white;"&gt;&lt;u&gt;&lt;span lang="EN-GB"&gt;More specifically&lt;/span&gt;&lt;/u&gt;&lt;span lang="EN-GB"&gt;:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;a)&lt;/b&gt;&amp;nbsp;Do not say what you believe to be false.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: left;"&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;b)&lt;/b&gt;&amp;nbsp;Do not say that for which you lack adequate evidence.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-left: 53.4pt; text-align: left; text-indent: -0.25in;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;2-&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;Maxims of quantity&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB"&gt;:&amp;nbsp;&amp;nbsp;(related to the amount of information to be provided.)&lt;/span&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-left: 106.2pt; text-align: left;"&gt;&lt;span style="background-color: white;"&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;a)&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB"&gt;&amp;nbsp;Make your contribution as informative as is required for the current purposes of the exchange&lt;/span&gt;&lt;span lang="EN-GB"&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-left: 106.2pt; text-align: left;"&gt;&lt;span style="background-color: white;"&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;b)&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB"&gt;don’t make your contribution more informative than is required.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-left: 106.2pt; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-left: 53.4pt; text-align: left; text-indent: -0.25in;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;3-&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;Maxims of relation:&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB"&gt;Be relevant.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-left: 35.4pt; text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-left: 53.4pt; text-align: left; text-indent: -0.25in;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;4-&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;Maxims of manner:&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB"&gt;&amp;nbsp;&amp;nbsp;concerned with how it is said rather than what is said.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: left;"&gt;&lt;span style="background-color: white;"&gt;&lt;u&gt;&lt;span lang="EN-GB"&gt;Supermaxim&lt;/span&gt;&lt;/u&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;:&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;Be perspicuous.&lt;u&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: left;"&gt;&lt;span style="background-color: white;"&gt;&lt;u&gt;&lt;span lang="EN-GB"&gt;More specifically&lt;/span&gt;&lt;/u&gt;&lt;span lang="EN-GB"&gt;:&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;a)&lt;/b&gt;&amp;nbsp;avoid obscurity.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: left;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span lang="FR"&gt;b)&lt;/span&gt;&lt;/b&gt;&lt;span lang="FR"&gt;&amp;nbsp;avoid ambiguity.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: left;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="FR"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;c)&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB"&gt;&amp;nbsp;be brief.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: left;"&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;b&gt;d)&lt;/b&gt;&amp;nbsp;be orderly.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoBodyText" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; text-align: left;"&gt;&lt;span lang="EN-GB" style="background-color: white; font-family: 'Copperplate Gothic Bold';"&gt;4 - How a CP can be flouted?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: justify;"&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;A participant in a talk exchange may fail to fulfil a maxim in a number of ways. Firstly, A speaker may&amp;nbsp;&lt;b&gt;violates&lt;/b&gt;&amp;nbsp;the maxim, in which case s/he will be likely to mislead. Secondly, a speaker may&amp;nbsp;&lt;b&gt;opt out&lt;/b&gt;of observing the principle by saying things like&lt;b&gt;&lt;i&gt;&amp;nbsp;“I don’t want to talk about it”&lt;/i&gt;&lt;/b&gt;. Thirdly, there may be a&amp;nbsp;&lt;b&gt;conflict of maxims&lt;/b&gt;. That is you cannot be as informative as is required if you do not have adequate evidence. Finally, a speaker may blatantly&amp;nbsp;&lt;b&gt;flout&amp;nbsp;&lt;/b&gt;a maxim. When, for instance, a maxim is being flouted while it is clear that the co-operative principle is being observed, the hearer will supply whatever implicature is necessary to reinstate the maxim. When this happens, Grice says that a maxim is being&amp;nbsp;&lt;b&gt;exploited&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoBodyText" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; text-align: left;"&gt;&lt;span lang="EN-GB" style="background-color: white; font-family: 'Copperplate Gothic Bold';"&gt;5 - The five features of the Conversational Implicature.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: justify; text-indent: 35.4pt;"&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;Conversational implicature, confirms Grice, must possess five features:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-left: 53.4pt; text-align: justify; text-indent: -0.25in;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;1-&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;It can be&amp;nbsp;&lt;b&gt;cancelled&lt;/b&gt;, since it depends on the co-operative principle being observed; and one can opt out of observing it, by simply saying:”&amp;nbsp;&lt;i&gt;I don’t mean...”&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-left: 53.4pt; text-align: justify; text-indent: -0.25in;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;2-&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;It is non-detachable from what is being said. If the same thing is said in different way, then the same implicature will attach to both manners of expression: the same implicature of&amp;nbsp;&lt;b&gt;“having failed to achieve something&lt;/b&gt;” which attaches to&amp;nbsp;&lt;b&gt;“I endeavoured to do it&lt;/b&gt;”, will also attach to the paraphrases&amp;nbsp;&amp;nbsp;&lt;i&gt;“I tried to do it,”&lt;/i&gt;&amp;nbsp;or&amp;nbsp;&lt;i&gt;“I attempted to do it”.&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-left: 53.4pt; text-align: justify; text-indent: -0.25in;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;3-&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;It is not part of the meaning of the expression, since if it were, it could not be cancelled, but is dependent on the prior knowledge of that meaning.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-left: 53.4pt; text-align: justify; text-indent: -0.25in;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;4-&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;It is not carried by what is said – the meaning- but by the saying of what is said (by the speech act, but not the propositional content).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-left: 53.4pt; text-align: justify; text-indent: -0.25in;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB" style="font-family: 'Book Antiqua';"&gt;5-&lt;span style="font: normal normal normal 7pt/normal 'Times New Roman';"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-GB"&gt;It is indeterminate: there are often several implicatures.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: justify; text-indent: 35.4pt;"&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;Although Grice states his maxims as if the purpose of talk exchange is always simply the effective exchange of information, he is aware that there are many other reasons for engaging in a conversation, and that other maxims, principles, and concerns may influence the ways in which people conduct themselves in conversations. We shall see below how later research in pragmatics has added to the basis provided by Grice.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: justify; text-indent: 35.4pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoBodyText" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; text-align: left;"&gt;&lt;span lang="EN-GB" style="background-color: white; font-family: 'Copperplate Gothic Bold';"&gt;6 - Leech’s Politeness Principle:&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: justify; text-indent: 35.4pt;"&gt;&lt;span style="background-color: white;"&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;Leech&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB"&gt;&amp;nbsp;(1983, p.80) points out that the&amp;nbsp;&lt;b&gt;CP&amp;nbsp;&lt;/b&gt;in itself cannot explain why people are often so indirect in conveying what they actually mean; and what is the relation between sense and force when non-declarative types of sentence are being produced. So he suggests that a further, complementary, principle, the&amp;nbsp;&lt;b&gt;politeness principle (pp)&lt;/b&gt;, is required to complement the&amp;nbsp;&lt;b&gt;CP&lt;/b&gt;. The PP has two formulations, one negative: it minimises the expression of impolite belief; the other is positive, and it maximises the expression of polite belief. This principle works as follows:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: justify; text-indent: 35.4pt;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: justify; text-indent: 35.4pt;"&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;&lt;b&gt;A : we’ll miss Bill &amp;amp; Iman, won’t we?&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: justify; text-indent: 35.4pt;"&gt;&lt;b&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;B : well, we’ll all miss Iman.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: justify;"&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;In this example,&amp;nbsp;&lt;b&gt;B&lt;/b&gt;&amp;nbsp;apparently fails to observe the maxim of quantity: when&amp;nbsp;&lt;b&gt;A&lt;/b&gt;&amp;nbsp;asks&amp;nbsp;&lt;b&gt;B&lt;/b&gt;&amp;nbsp;to confirm&amp;nbsp;&lt;b&gt;A&lt;/b&gt;’s opinion,&amp;nbsp;&lt;b&gt;B&lt;/b&gt;&amp;nbsp;merely conforms part of it, and ignores the rest. From this we derive the implicature:&amp;nbsp;&lt;b&gt;B&lt;/b&gt;&amp;nbsp;implies that we wont miss&amp;nbsp;&lt;b&gt;Bill&lt;/b&gt;&amp;nbsp;but&amp;nbsp;&lt;b&gt;Iman&lt;/b&gt;. We arrive at this conclusion not only on the ground of&amp;nbsp;&lt;b&gt;CP&lt;/b&gt;, because&amp;nbsp;&lt;b&gt;B&lt;/b&gt;&amp;nbsp;could have added “... but not&lt;b&gt;BILL&lt;/b&gt;,” without being untruthful, irrelevant or unclear. Indeed, our conclusion is that&amp;nbsp;&lt;b&gt;B&lt;/b&gt;&amp;nbsp;could have been more informative, but only at the cost of being more impolite to a third part. So&lt;b&gt;, B&lt;/b&gt;&amp;nbsp;suppressed the desired information in order to uphold the&amp;nbsp;&lt;b&gt;PP&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; margin-right: -21.3pt; text-align: justify;"&gt;&lt;span style="background-color: white;"&gt;&lt;i&gt;&lt;u&gt;&lt;span lang="EN-GB"&gt;Conclusion:&lt;/span&gt;&lt;/u&gt;&lt;/i&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: justify;"&gt;&lt;span lang="EN-GB" style="background-color: white;"&gt;In short, politeness is gradable, an utterance tending to be more polite in proportion to the directness of its force. This is because an increase in indirectness seems to allow the hearer more choice in how s/he response. Leech outlines a number of maxims covering politeness, and points out that different societies differ in their weigh they attach to different maxims.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 19px; text-align: left;"&gt;&lt;span style="background-color: white;"&gt;&lt;b&gt;&lt;span lang="EN-GB"&gt;Bibliography:&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-GB"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; text-align: justify;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB"&gt;1 - Cole., P. ‘‘Presupposition and Conversational Implicature,’’&amp;nbsp; in&amp;nbsp;&lt;b&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;&lt;i&gt;&lt;span lang="EN-GB"&gt;Radical Pragmatics&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;span lang="EN-GB"&gt;&amp;nbsp;(Academic Press: 1981 ).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="MsoNormal" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; text-align: justify;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoBodyTextIndent" style="font-family: 'Trebuchet MS', Trebuchet, Verdana, sans-serif; line-height: 20px; margin-left: 0in; text-align: left;"&gt;&lt;span style="background-color: white;"&gt;&lt;span lang="EN-GB"&gt;2 -&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: small;"&gt;Malmkjaer Kirsten, ed.,&amp;nbsp;&lt;/span&gt;&lt;b&gt;&lt;i&gt;The Linguistics Encyclopedia&lt;/i&gt;&lt;/b&gt;, ( London : Routledge, 1995).&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7173350289355018854-5946312816017396845?l=www.pakfaizal.web.id' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://www.pakfaizal.web.id/feeds/5946312816017396845/comments/default' title='Poskan Komentar'/><link rel='replies' type='text/html' href='http://www.pakfaizal.web.id/2011/12/reading-of-paul-grices-presupposition.html#comment-form' title='0 Komentar'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/5946312816017396845'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7173350289355018854/posts/default/5946312816017396845'/><link rel='alternate' type='text/html' href='http://www.pakfaizal.web.id/2011/12/reading-of-paul-grices-presupposition.html' title='A Reading of Paul Grice’s Presupposition &amp; Conversational Implicature'/><author><name>Pak Faizal</name><uri>http://www.blogger.com/profile/04443370007711278757</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='33' height='28' src='http://4.bp.blogspot.com/_xA-6SRBpTDk/SfkVa0iVkpI/AAAAAAAAAI4/Cs4yOz4pIkA/S220/1-68.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-7173350289355018854.post-501595048948209542</id><published>2011-12-19T05:36:00.000-08:00</published><updated>2011-12-19T05:36:05.915-08:00</updated><title type='text'>Basic Pragmatic theories of Paul Grice</title><content type='html'>&lt;div class="MsoNormal"&gt;&lt;b&gt;Paul Grice&lt;/b&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://billyclark.net/images/grice.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://billyclark.net/images/grice.jpg" width="318" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Herbert Paul Grice, universally known as Paul, was born on March 13, 1913 in Birmingham, England and died on August 28, 1988 in Berkeley CA. Grice received firsts in classical honours moderation (1933) and literae humaniores (1935) from Corpus Christi College, Oxford. After a year teaching in a public school, he returned to Oxford where, with a nearly five year interruption for service in the Royal Navy, he taught in various positions until 1967 when he moved to the University of California-Berkeley. He taught there past his official 1979 retirement until his death in 1988. He was philosophically active until his death — holding discussions at his home, giving lectures and editing a collection of his work that was posthumously published as Studies in the Way of Words. He is best known for his innovative work in philosophy of language, but also made important contributions to metaphysics, ethics and to the study of Aristotle and Kant. His work has also been influential outside of philosophy in linguistics and artificial intelligence. Although relatively little work was published during his life, he had a very wide influence via lectures and unpublished manuscripts. The best known of these were the William James Lectures which he gave at Harvard in early 1967 and which circulated widely in unauthorized manuscript form until they were published as part of Studies in the Way of Words. He also played cricket, chess and piano, each at a very high level of accomplishment.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;1. Overview&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="MsoNormal"&gt;2. Defending a dogma&lt;/div&gt;&lt;div class="MsoNormal"&gt;3. Conversational implicature&lt;/div&gt;&lt;div class="MsoNormal"&gt;4. Meaning&lt;/div&gt;&lt;div class="MsoNormal"&gt;5. Reasoning&lt;/div&gt;&lt;div class="MsoNormal"&gt;6. Everyday Psychological Explanation&lt;/div&gt;&lt;div class="MsoNormal"&gt;7. Ontology&lt;/div&gt;&lt;div class="MsoNormal"&gt;8. Ethics&lt;/div&gt;&lt;div class="MsoNormal"&gt;9. Conclusion&lt;/div&gt;&lt;div class="MsoNormal"&gt;Bibliography&lt;/div&gt;&lt;div class="MsoNormal"&gt;Primary Sources&lt;/div&gt;&lt;div class="MsoNormal"&gt;Secondary Sources&lt;/div&gt;&lt;div class="MsoNormal"&gt;Other Internet Resources&lt;/div&gt;&lt;div class="MsoNormal"&gt;Related Entries&lt;/div&gt;&lt;div class="MsoNormal"&gt;1. Overview&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;The best known of the works published during Grice's lifetime was his joint paper with Peter Strawson, “In Defense Of A Dogma”, a widely reprinted defense of the analytic/synthetic distinction against Quine's attack in “Two Dogmas Of Empiricism”. The best known of his ideas, that of a conversational implicature, appeared in passing in a 1961 paper “The Causal Theory Of Perception”, but was a focus of the James Lectures. In contrast to the slogan, “meaning is use”, often associated (though perhaps inaccurately) with Wittgenstein, Grice distinguished those elements of language use which were due to meaning from those which are due to other aspects. To illustrate, the sentence “He has not been convicted of a felony yet” means that the person being referred to has not yet been convicted of a felony. But in many contexts, the speaker would be taken to imply that the person had committed at least one felony and was likely to be convicted in the future.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;This distinction between meaning and use has found many applications in philosophy, linguistics and artificial intelligence. Both the analytic/synthetic distinction, which relies on a conception of truth by virtue of meaning, and the idea of a conversational implicature require for their full philosophical development a theory of meaning. Grice provided the beginning of a theory of meaning starting with his 1957 paper “Meaning” and elaborated in later papers (Grice 1968, 1969, 1982). The basic idea was to explain the timeless conventional meaning of a sentence type in terms of the occasion meanings of tokens of those sentences, i.e., what those sentence tokens meant when they were produced. In turn, sentence token meaning was to be understood in terms of what speakers intended when producing those sentence tokens. Thus ultimately the abstract notion of sentence meaning was to be understood in terms of specific intentions of speakers on specific occasions. The following sections will outline the Grice-Strawson arguments for an analytic-synthetic distinction (Section 2), notions of conversational implicature (3), and then delve into his theories about meaning (4), reasoning (5), psychology (6), ontology (7), and value (8).&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;2. Defending a dogma&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Grice and Strawson begin their article with a dissection of the various ways one can reject a dichotomy and conclude that Quine's rejection of the analytic/synthetic distinction is one of the more extreme cases: “He declares, or seems to declare, not merely that the distinction is useless or inadequately clarified, but that it is altogether illusory, that the belief in its existence is a philosophical mistake” (Grice &amp;amp; Strawson, 142).&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Grice and Strawson deploy a number of arguments against Quine's position, but the two main ones involve the distinction between an utterance meaning something and not meaning anything, and between the kind of revision of belief that merely recognize a previous belief as false and the kind which involves a change of concept, and hence a change in the meaning of a word. These can both be illustrated with their pair of example sentences:&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;My neighbor's three year old child understands Russell's theory of types.&lt;/div&gt;&lt;div class="MsoNormal"&gt;My neighbor's three year old child is an adult.&lt;/div&gt;&lt;div class="MsoNormal"&gt;They claim that it is not difficult to understand what someone would mean by uttering (1), and it is fairly clear what it would take to persuade someone that (1) is not false, as seems initially evident. But in the case of (2), they argue, in effect, that with further investigation one would either conclude that the speaker was using familiar words to express new concepts, or else would conclude that nothing at all was being said. No attempt will be made here to adjudicate the dispute with Quine, who would reject both of these dichotomies (new concepts/old concepts, something said/nothing said) as well. But the reader should note that the crucial claims are that someone who asserts (2) is either asserting it with a meaning other than the standard conventional one, or with no meaning at all. A further elaboration of their claims depends therefore on elucidating the notion of the meaning of an utterance, and Section 4 will explore Grice's account of this notion further.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;3. Conversational implicature&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Conversational implicatures are, roughly, things that a hearer can work out from the way something was said rather than what was said. People process conversational implicatures all of the time and are mostly unaware of it. For example, if someone asks “Could you close the door?” the hearer does not usually answer “Yes”, instead they perform the non-linguistic act of closing the door. In this case, although the speaker used a form of words that is conventionally a question, the hearer can infer that the speaker is making a request.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Grice was the first to note this ubiquitous feature of language use and also the first to present a philosophical analysis. He begins by noting that conversations are usually to some degree cooperative enterprises. He then formulates the Cooperative Principle: “Make your conversational contribution such as is required, at the stage at which it occurs, by the accepted purpose or direction of the talk exchange in which you are engaged” (1989, 26).&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;At a more detailed level, he distinguishes four categories with more specific maxims. The category of Quantity includes two injunctions, one to make your contribution as informative as is required, and the second to make it no more informative than is required. The category of Quality is governed by a supermaxim: “Try to make your contribution one that is true”. The category of Relation has a single maxim, “Be relevant”, while the final category of Manner has a short “super” maxim “Be perspicuous” which has various submaxims (1989, 27).&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Perhaps the first thing to note is that conversational maxims often come into conflict. One party to the conversation may be caught between saying something less informative than is desired (violating Quantity) and saying something for which there is insufficient evidence (violating Quality). One example of the application of these principles given by Grice is the following exchange:&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;I'm low on gas.&lt;/div&gt;&lt;div class="MsoNormal"&gt;There is a station around the corner on Main St.&lt;/div&gt;&lt;div class="MsoNormal"&gt;In this situation the sentence B uttered does not logically imply that the station is open. However, the remark is irrelevant unless the station is open, so A can infer from the combination of Manner and Quality that B believes he has good evidence that the station is open. Thus B's utterance conversationally implicates that the station is open. One characteristic of conversational implicatures is that they can be cancelled. Thus if B adds to his remark above, “but I don't know whether it is open” then there is no conversational implicature that the station is open. This contrasts with logical or semantic implications which cannot be cancelled without contradiction.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;The most famous application of Grice's ideas are to the debate about whether the truth conditions of declarative conditional statements, such as “If George is driving, he will be late” are accurately captured by the material conditional. Representing the sample sentences as ‘George is driving ? he will be late’ would make the sentence true if it is false that George is driving or true that he will be late (or both). Many writers argued that it would be inappropriate for someone to make the assertion if they knew that George was not driving. Grice's response is that to argue that in most circumstances it is conversationally inappropriate to make that assertion because it violates conversational principles, not because it is false.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Symbolically, A ? B should not be asserted in circumstances where the speaker knows that A is false because the statement not-A is true and simpler; similarly, if the speakers knows B is true, B is a shorter simpler statement; and if the speaker knows both of those facts, then not-A and B, is more informative. Thus the only circumstances in which the conditional is appropriate is where the speaker is ignorant of the truth values of A and B, but has some good reason to think that if A does prove to be true, B will as well. On this account, the truth conditions of the conditional are those of the material implication, but the appropriate assertibility of a conditional tracks the conditional probability of B given A.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;It should be noted that while this explanation of the circumstances in which a conditional is asserted seems very plausible, the account does not readily extend to apparent discrepancies between ordinary language conditionals and the material conditional when the conditional is embedded in a larger context, e.g., “Mary believes that if George is driving, he will be late’.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;This is true only if Mary believes that there is an explanatory connection between George's driving and his tardiness. Thus, it is false that the sentence is true if and only if Mary believes that George is driving ? he will be late. Suppose, for example, Mary believes that George will be late because he has set his watch incorrectly. She infers and believes that George is driving ? he will be late, but does not take any position on an explanatory connection between driving and tardiness.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;4. Meaning&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Grice contends sentence and word meaning can be analyzed in terms of what speakers (utterers, for Grice) mean. Utterers' meaning, in turn, can be analyzed without semantic remainder in terms of utterers having certain intentions. To see the idea as initially outlined in Grice's 1957 article, “Meaning,” imagine you are stopped at night at an intersection, when the driver in an oncoming car flashes her lights. You reason as follows: “Why is she doing that? Oh, she must intend me to believe that my lights are not on. If she has that intention, it must be that my lights are not on. So, they are not.” To summarize:&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;The driver flashes her lights intending&lt;/div&gt;&lt;div class="MsoNormal"&gt;that you believe that your lights are not on;&lt;/div&gt;&lt;div class="MsoNormal"&gt;that you recognize her intention (1);&lt;/div&gt;&lt;div class="MsoNormal"&gt;that this recognition be part of your reason for believing that your lights are not on.&lt;/div&gt;&lt;div class="MsoNormal"&gt;Call such an intention an M-intention. Grice's idea is that an utterer U means that p by uttering x if and only if U M-intends that p by uttering x. Utterances may include, not just sounds and marks but also gesture, grunts, and groans — anything that can signal an M-intention. The example illustrates an indicative M-intention; such intentions may also be imperative. In such a case, the utterer intends to get the audience to perform an action.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;In the case of sentence meaning, Grice's idea is to explicate it in terms of M-intentions. He suggests that the claim that a sentence x means that p “might as a first shot be equated with some statement or disjunction of statements about what ‘people’ (vague) intend (with qualifications about ‘recognition’) to effect by x” (1957, 66). The underlying idea is the same as in the flashing lights example. When you utter, “She brandished her clarinet like a tomahawk,” I — as a Gricean audience — reason as follows. “The standard use of that sentence is to utter it intending (1) that the audience believe she brandished her clarinet like a tomahawk; (2) that the audience recognize the intention (1); and (3) that this recognition be part of the audience's reason for believing that she brandished her clarinet like a tomahawk. This is a standard, non-deceptive use; hence I should believe that she brandished her clarinet like a tomahawk.”&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Grice's post-1957 work on meaning divides along two lines. First, he refines the analyses of utterer's meaning and sentence meaning, primarily in the 1968 article, “Utterer's Meaning, Sentence Meaning, and Word Meaning,” and the 1969 article, “Utterer's Meaning and Intentions.” Second, he addresses the fact that utterers and audiences rarely, if ever, reason in the way suggested. As you read these words, for example, you are not reasoning in that way. You read and you understand straightaway without any intervening reasoning. So how can Grice's suggested explanation be anything but illusory? These points will be considered in turn.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;In “Utterer's Meaning, Sentence Meaning, and Word Meaning,” Grice offers a revised version of his 1957 account of utterers meaning. Grice remarks that in&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;the earlier (1957) account I took the view that the M-intended effect is, in the case of indicatives-type utterance, that the hearer should believe something, and, in the case of imperative-type utterances, that the hearer should do something. I wish for present purposes to make two changes here.&lt;/div&gt;&lt;div class="MsoNormal"&gt;I wish to represent the M-intended effect of imperative-type utterances as being that the hearer should intend to do something (with, of course, the ulterior intention on the part of the utter that the hearer go on to do the act in question).&lt;/div&gt;&lt;div class="MsoNormal"&gt;I wish to regard the M-intended effect common to indicative-type utterances as being, not that the hearer should believe something (though there will frequently be an ulterior intention to that effect), but the hearer should think that the utterer believes something.&lt;/div&gt;&lt;div class="MsoNormal"&gt;(1968, 230).&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;By way of illustration, suppose U, who wants the audience A to close the door, utters ‘Close the door.’ U M-intends that A should intend to close the door, and note: we specify what U means using the subjunctive mood. U means that A should close the door. For the indicative case, suppose U utters ‘The door is closed,’ M-intending that A believe U believes the door is closed. We specify what U means using the indicative mood — thus: U means that the door is closed.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Grice captures the role of moods in specifying meaning by introducing a special notation. He represents the indicative case this way: U means that ?(the door is closed); the imperative: U means that !(the door is closed). Here ‘the door is closed’ represents a moodless, underlying syntactical element Grice calls a sentence radical; it designates the moodless proposition that the door is closed. Grice calls ‘?’ and ‘!’ mood operators, and he explains them contextually as follows:&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;U means that ?(p) by uttering x if and only if, for some A, U utters x M-intending A to think U thinks that p;&lt;/div&gt;&lt;div class="MsoNormal"&gt;U means that !(p) by uttering x if and only, for some A, if U utters x M-intending (a) A to think U intends (to bring it about) that p; and (b) A to intend that p — having, as part of his reason U's intention (a).&lt;/div&gt;&lt;div class="MsoNormal"&gt;More than two operators are required to handle the full range of things utterers mean, but a complete list is not necessary to formulate the revised account of meaning. The account can be stated as follows. Given a function from psychological states onto mood operators, if ? is a psychological state and *? the associated mood operator,&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;U means that *?(p) by uttering x if and only if, for some A, U utters x M-intending&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;that A should think U to ? that p; and (in some cases only), depending on *,&lt;/div&gt;&lt;div class="MsoNormal"&gt;that A should via fulfillment of (i), himself ? that p.&lt;/div&gt;&lt;div class="MsoNormal"&gt;Note, we have departed slightly from Grice's notation; he uses ‘*’ for the function that maps psychological states into mood operators. Grice uses his revised treatment of utterer's meaning to refine the very rough and preliminary account of sentence meaning (structured utterance type meaning, in his terminology) he gave in “Meaning.” His account thereof uses the notion of having a procedure in one's repertoire. He says,&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;This idea seems to me to be intuitively fairly intelligible and to have application outside the realm of linguistic, or otherwise communicative, performances, though it could hardly be denied that it requires further explication. A faintly eccentric lecturer might have in his repertoire the following procedure: if he sees an attractive girl in his audience to pause for half a minute and then take a sedative. His having in his repertoire this procedure would not be incompatible with his also having two further procedures: (a) if he sees an attractive girl, to put on a pair of dark spectacles (instead of pausing to take a sedative); (b) to pause to take a sedative when he sees in his audience not an attractive girl, but a particularly distinguished colleague (1969, 233).&lt;/div&gt;&lt;div class="MsoNormal"&gt;Turning to sentence meaning, the idea is that users of a natural language like English have standard procedures for using sentences, and that — very roughly — a sentence means p among a group of utterers when and only when that group has the procedure of using it to M-intend that p.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;This is a promising start. It is undeniable that English speakers have the procedure of using ‘The door is closed’ to mean that the door is closed. That is (one of the many) things we do with that sentence. So, assuming we accept the explication of utterer's meaning in terms of M-intentions, it undeniable that English speakers have the procedure of using that sentence to M-intend that the door is closed. This yields the explanatory payoff described earlier. We can see communication as a rational activity in which an utterer intends to produce certain results and audiences reason their way to those results via their recognition of the utterer's intention to produce that very result.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;This preliminary account must be complicated, however, as it is unacceptable on three grounds. First, there are infinitely many sentences. How does an utterer associate a procedure with each sentence of his language? If they must be acquired one by one, it will take an infinite amount of time. Second, sentences are structured utterance-types, where meaning of the whole is consequent (in ways determined by syntactic structure) on the meaning of the parts. The account does not capture this aspect of sentence meaning at all. Third, the account fails to represent the complexity introduced into the account of utterer's meaning; there is no mention of moods.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;These considerations lead Grice to posit that the procedures associated with sentences are resultant procedures arising recursively out of basic procedures associated with words. Grice explains that&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;The notion of a ‘resultant procedure’: as a first approximation, one might say that a procedure for an utterance-type X will be a resultant procedure if it is determined by (its existence is inferable from) a knowledge of procedures (a) for particular utterance-types which are elements in X, and (b) for any sequence of utterance-types which exemplifies a particular ordering of syntactic categories (a particular syntactic form) (1968, 235).&lt;/div&gt;&lt;div class="MsoNormal"&gt;How can we give an account of such procedures that is free of undefined semantic notions? We can do so via the concept of reference, where reference, like meaning, is analyzed in terms of intentions. The basic procedure for ‘tiger,’ for example, would roughly be to utter ‘tiger’ to refer to members of the kind tiger.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Grice introduces a canonical form for specifying resultant procedures. He does so by generalizing the special notation he has already used in specifying meaning. Recall that he represented the indicative case by: U means that ?(the door is closed); the imperative: U means that !(the door is closed), where ‘the door is closed’ represents a moodless, underlying syntactical element Grice calls a sentence radical. The sentence radical designates the moodless proposition that the door is closed. Grice generalizes this approach by using ‘*+R’ to represent any sentence whose underlying syntactic form divides into the mood operator * and the sentence radical R. Thus: where * is mood operator, and R a sentence radical, let ?(*+R) be the set of all propositions associated with any sentence with the structure (*+R). Where p e ?(*+R) and ? the psychological state associated with *, a resultant procedure for *+R takes one of two forms. U has the resultant procedure of:&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;uttering *+R if, for some A, U wants A to ? that p; or&lt;/div&gt;&lt;div class="MsoNormal"&gt;uttering *+R if, for some A, U wants A to think U to ? that p.&lt;/div&gt;&lt;div class="MsoNormal"&gt;Call these type 1 and type 2 resultant procedures. As a definition of structured utterance-type meaning we can say that, where p e ?(*+R), *+R means p in a group G if and only if members of G have, with respect to *+R, a type 1 or type 2 resultant procedure, the type being determined by the type of the mood operator *. (Qualifications will, of course, be necessary to handle ‘audienceless’ cases.)&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;So far, perhaps, so good. There are pleasant quibbles over details, but in broad outline, the account is a very plausible description of meaning. In fact, at least three authors, Bennett, Loar and Schiffer, have developed their own more detailed accounts along Gricean lines. However, when we turn from description to explanation, plausibility appears to decline. The explanatory idea is to see communication as a rational activity where audiences reason their way to beliefs or intentions via their recognition of the utterer's intention to produce such results. What about the problem that utterers and audiences rarely if ever engage in such reasoning? Grice's work on reasoning contains the answer.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;5. Reasoning&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;In Aspects of Reason, Grice begins by considering the suggestion that reasoning consists in “the entertainment (and often acceptance) in thought or in speech of a set of initial ideas (propositions), together with a sequence of ideas each of which is derivable by an acceptable principle of inference from its predecessors in the set” (2001, 5). He shows that it is scarcely plausible to suppose that reasoning always involves the entertainment or acceptance of a sequence of ideas — the steps in the reasoning — each of which is derivable (or taken by the reasoner to be derivable) from its predecessors.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;He points out that reasoning is often, indeed typically, enthymematic in the following way. Jill reasons: “Jack broke his crown, but he is an Englishman; therefore, he will be brave.” She does not employ any suppressed premise. She merely thinks: ‘but he is an Englishman; therefore, he will be brave’. The thought occurs to her in a way that carries conviction with it, and she thinks it intending the inference signaled by ‘therefore’ to be valid. Grice suggests that it is a necessary condition of reasoning from A to B that one intend that there be a formally valid (and non-trivial) argument from A to B. Grice devotes a good deal of attention to the question of what to add to this necessary condition in order to obtain a sufficient condition. He suggests that the intention specified should play an appropriate causal role in X's coming to think B.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;There is an important corollary: when we articulate our reasoning explicitly, we are typically not making previously suppressed premises explicit; rather, we are constructing the steps as we supply them. Suppose, for example, we were to ask Jill, “Why do you think that follows?” She could answer by saying she thinks that all the English are brave; or that the English are brave when they break their crowns; or that people of Jack's age and description are brave provided that they are also English; and so on. In proposing one of these alternatives, Jill is not reporting her suppressed premise; she is advancing a premise she is willing to put forward now as what she would — or, perhaps, should — have thought or said then if the question of formal validity had been raised.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Returning to meaning, why not view utterers and their audiences as similar to Jill? You say “Jack brandished his clarinet like a tomahawk,” and I believe the he did. Like Jill, I do not entertain — even in a suppressed way — any intervening premises. My comprehension is immediate and automatic — unmediated by any reasoning at all. But this does not mean that we cannot see me as intending there to be a formally valid inference from your words to my belief. Moreover, like Jill, I could construct the missing steps. Thus: “The utterer has the resultant procedure of uttering “He brandished his clarinet like a tomahawk” intending (1) that the audience believe that the utter believes he brandished his clarinet like a tomahawk; (2) that the audience recognize that intention (1); and (3) that this recognition be part of the audience's reason for believing that the utterer believes that he brandished his clarinet like a tomahawk. The utterer is following that procedure in a non-deceptive way; hence I should believe, not only that the utterer believes that he brandished his clarinet like a tomahawk; but also, to the extent that I have confidence in the utterer, I should believe that myself.”&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Similar remarks hold for you as the utterer of “Jack brandished his clarinet like a tomahawk.” You reason: “I recognize him as an English speaker; hence he knows I have the procedure of uttering “Jack brandished his clarinet like a tomahawk” intending: (1) that my audience believe he brandished his clarinet like a tomahawk; (2) that the audience recognize that intention (1); and (3) that this recognition be part of the audience's reason for believing that I believe that he brandished his clarinet like a tomahawk. He will believe that I am following that procedure here in a non-deceptive way; hence he will believe that I believe that he brandished his clarinet like a tomahawk; and, to the extent that he has confidence in me, he will believe that too.”&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;There is no denying that we can describe utterers and audiences in this way. But should we really embrace this description as an explanation of meaning? To see the worry, imagine we are demigods. For our amusement, we create a race of creatures. We program language use into their brains. We ensure, for example, that, when an utterer produces the sounds “She brandished her clarinet like a tomahawk,” audiences believe that she did. To handle deceptive contexts, figurative language use, language instruction situations, telling jokes, and so on, we also build in heuristics that more or less reliably produce a different appropriate belief in such situations. When a creature utters a sentence and the audience forms the appropriate belief, the explanation is our programming, programming that operates entirely at a physiological level that is entirely inaccessible to consciousness. So, even if an audience reasons to a belief based on a recognition of relevant utterer's intentions, surely that reasoning is an epiphenomenon of limited explanatory interest. The worry is that we may be like the creatures we have imagined. There is extensive physiological and psychological evidence that our use of natural language is to be explained along the lines similar to the explanation in the case of our creatures.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Grice's ‘Meaning Revisited’ contains an answer to this worry. The key idea is that the account of utterers meaning specifies an optimal state that actual uttterers rarely if ever realize. We explain this idea then return to our worry. Grice says that,&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;The general idea that I want to explore, and which seems to me to have some plausibility, is that something has been left out, by me and perhaps by others too, in the analyses, definitions, expansions and so on, of semantic notions, and particularly various notions of meaning. What has been left out … [is] the notion of value.&lt;/div&gt;&lt;div class="MsoNormal"&gt;Though I think that in general we want to keep value notions out of our philosophical and scientific enquiries — and some would say out of everything else — we might consider what would happen if we relaxed this prohibition to some extent. If we did, there is a whole range of different kinds of value predicates or expressions which might be admitted in different types of case. To avoid having to choose between them, I am just going to use as a predicate the word ‘optimal’ the meaning of which could of course be more precisely characterized later (1982, 237).&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;The analysis of utterers' meaning illustrates what Grice has in mind. He suggests that, “[a]s a first approximation, what we mean by saying that a speaker, by something he says, on a particular occasion, means that p, is that he is in the optimal state with respect to communicating, or if you like, to communicating that p” (1982, 242). The optimal state is what the analysis of utterers' meaning specifies.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;The point is that there is no need to insist that real utterers typically have all the intentions the analysis requires. We nonetheless, for purposes of psychological explanation, often regard them to have the requisite intentions. For Grice, audiences do so when they need to justify the actions and beliefs that result from utterances in their presence. For example, as a result of reading the last sentence, you believe that we believe that audiences regard utterers as having the intentions specified in the account of utterers' meaning when audiences are called upon to justify the beliefs and actions they form in response to utterances. Why are you justified in believing this? Because you recognized that we uttered the sentence intending, by means of recognition of that very intention, to produce that belief. Similar remarks hold for us as utterers. Why are we justified in thinking that you will form a justified belief in response to our utterance? Because we know that you can supply the justification in terms of your knowledge of our intentions.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;This pattern of justifications also yields an explanation. To the question, “Why do we engage in communication?,” we can answer, “Because we are justified in thinking that we can thereby produce in each other justified beliefs and to provide justifications for engaging in action.” The Gricean theory of meaning does explain meaning as a rational activity. Grice's treatment of conversational implicature also illustrates the breadth and power of this approach. Our demi-god example ignored this connection between explanation and justification.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Grice's treatment of conversational implicature illustrates the breadth and power of this approach. Indeed, one of the motivations Grice had in giving an account of meaning was to distinguish between what is meant — M-intended — and what is not M-intended but implied. Grice's conversational maxims are principles of rational communication that audiences use to construct and inferential bridge from what is meant to what is implied.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;6. Everyday Psychological Explanation&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Grice's views on everyday psychological explanation are intertwined with his views on rationality. Grice contends that the right picture of rationality is the picture, given us by Plato and Aristotle and others, as something which essentially functions to regulate, direct, and control pre-rational impulses, inclinations, and dispositions. Both everyday psychological explanation and assessments of rationality employ commonsense psychological principles. By such principles we mean a relatively stable body of generally-accepted principles, of which the following are examples:&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;If a person desires p, and believes if p then q, then — other things being equal — the person will desire q.&lt;/div&gt;&lt;div class="MsoNormal"&gt;If a person desires p and desires q, then — other things being equal — the person will act on the stronger of the two desires if the person acts on either.&lt;/div&gt;&lt;div class="MsoNormal"&gt;If a person stares at a colored surface and subsequently stares at a white surface, then — other things being equal — the person will have an after-image.&lt;/div&gt;&lt;div class="MsoNormal"&gt;These examples express relations among complexes consisting of psychological states and behavior, and, as such they serve a descriptive and explanatory function. Other principles play a more evaluative role. Consider for example:&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;If a person believes p and that p entails q, and the person believes not-q, then, other things being equal, the person should stop believing p or stop believing q.&lt;/div&gt;&lt;div class="MsoNormal"&gt;Conformity to this principle is a criterion of rationality. The descriptive-explanatory and evaluative principles collectively give us is a specification of how “pre-rational, impulses, inclinations, and dispositions” operate as well as a basis for evaluating that operation.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;The essential point for our purposes is that everyday psychology has special status for Grice. He argues:&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;The psychological theory which I envisage would be deficient as a theory to explain behaviour if it did not contain provision for interests in the ascription of psychological states otherwise than as tools for explaining and predicting behaviour, interests (for example) on the part of one creature to be able to ascribe these rather than those psychological states to another creature. Within such a theory it should be possible to derive strong motivations on the part of the creatures subject to the theory against the abandonment of the central concepts of the theory (and so of the theory itself), motivations which the creatures would (or should) regard as justified. Indeed, only from within the framework of such a theory, I think, can matters of evaluation, and so, of the evaluation of modes of explanation, be raised at all. If I conjecture aright, then, the entrenched system contains the materials needed to justify its own entrenchment; whereas no rival system contains a basis for the justification of anything at all (1975b, 52).&lt;/div&gt;&lt;div class="MsoNormal"&gt;Thus, while everyday psychology (or some preferred part of it) may not entirely accurately specify how in fact we think and act, it does specify how we ought to think and act.&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;Assume everyday psychology is uniquely self-justifying in the way Grice suggests; then we must reject the suggestion that everyday psychology is just a rough and ready theory that we will (or could) eventually abandon without loss in favor of a more accurate and complete scientific theory of behavior. Grice objects on this ground to theories that regard only scientific knowledge as truly descriptive and explanatory and that relegate commonsense psychological explanation to a second-class role as a theory, useful in daily life, but not a theory we should endorse as a description or explanation of reality. Grice remarks:&lt;/div&gt;&lt;div class="MsoNormal"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="MsoNormal"&gt;We must be ever watchful against the Devil of scientism, who would lead us into myopic overconcentration on the nature and importance of knowledge, and of scientific knowledge in particular; the Devil who is even so audacious as to tempt us to call in question the very system of ideas require to make intelligible the idea of calling in question anything at all; and who would even prompt us, in effect, to suggest that since we do not really think but only think that we think, we had better change our minds without undue delay (1975b, 53).&lt;/div&gt;&lt;div class="MsoNormal"&gt;Thus, to return briefly to the theory of meaning, the picture that theory offers of ourselves as rational communicators producing justified psychological attitudes in each other is no mere accident, no explanatory way station to be abandoned as science progresses. It is an ineliminable feature of the way in which we understand ourselves and others. In addition to this result, Grice'
